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Moji Olaiya: The Graceful Star of Nollywood’s Golden Generation

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Moji Olaiya was a beloved Nigerian actress whose radiant talent, versatility, and charm left an enduring mark on Nollywood, particularly in both Yoruba- and English-language films. Known for her emotional depth and graceful screen presence, she won the hearts of millions before her untimely passing in 2017.

Early Life and Background

Born on February 27, 1975, Moji Olaiya was the daughter of Victor Olaiya, the iconic Nigerian highlife maestro known for his timeless contributions to the country’s music history. Growing up in a creative household, Moji inherited her father’s artistic gifts—though she channeled hers through acting.
Rise to Fame

Moji began her professional acting journey with Wale Adenuga Productions, where she featured prominently in the hit TV drama series “Super Story.” Her role in the episode titled No Pains, No Gains catapulted her into national recognition, showcasing her ability to portray intense emotions with remarkable subtlety.

Her career expanded swiftly into full-length films, and she became one of the few actresses who successfully transitioned between English-speaking Nollywood and the Yoruba-language film sector, earning widespread acclaim in both.

Notable Works

Throughout her career, Moji starred in a long list of celebrated films, including:

“No Pains, No Gains” – Her breakout TV role that introduced her to a wider Nigerian audience.

“Sade Blade” – A memorable film where she delivered a powerful performance.

“Omo Iya Meta Leyi” – One of her standout Yoruba films, cementing her role as a leading lady in the industry.

“Nkan Adun,” “Kosorogun,” and “Iya Okomi” – Among several others that displayed her range and cultural connection.

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Her portrayals often tackled issues of family, betrayal, love, societal pressure, and spirituality, with a delivery that felt deeply personal and real to many viewers.

Personal Life and Character

Moji Olaiya was known off-screen for her gentle demeanor, professionalism, and quiet strength. She converted to Islam in her later years and often spoke about her spiritual growth and personal transformation.

Though she faced challenges in her marriage, Moji remained focused on her career and was admired for maintaining grace under pressure. She gave birth to her second daughter in March 2017, just months before her sudden death.

Tragic Death and Controversy

On May 17, 2017, Moji Olaiya passed away at the age of 42, reportedly due to cardiac arrest in Canada, where she had recently delivered her newborn daughter. Her death shocked fans, colleagues, and the Nollywood community, who mourned the loss of such a vibrant and talented star.

Her burial was not without controversy. A public outcry arose over the sale of commemorative T-shirts as a means of fundraising for her funeral, with many criticizing the commercialization of the mourning process. This sparked broader conversations about funeral culture, celebrity deaths, and public grieving in Nigeria.

Legacy

Despite her untimely death, Moji Olaiya’s legacy in Nollywood remains profound. She was a trailblazer for young women in Yoruba cinema, admired not just for her beauty and skill, but for her discipline, humility, and commitment to her craft.

Her works continue to be watched and celebrated, especially by fans who remember her as a symbol of elegance, resilience, and cultural pride.

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Moji Olaiya’s life and career may have been short-lived, but her impact was deeply felt. As the daughter of a music legend and a star in her own right, she bridged generations of Nigerian artistry. In her memory lives a body of work that reflects the richness of Yoruba culture, the strength of Nigerian women, and the enduring power of storytelling through film.

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Declare Your Lineage – Royal Family Tells Musician KWAM 1 Over His Interest In Becoming Next Awujale Of Ijebuland

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December 7, 2025

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KWAM 1, in a letter dated December 3, 2025, addressed to the chairman of the Fusengbuwa Ruling House in Agunsebi Quarters, Ijebu-Ode, announced his interest in the stool, describing himself as a “bonafide son” of the ruling house.

The Fusengbuwa ruling house of Ijebu-Ode, next in line to produce the new Awujale of Ijebuland, Ogun State, has instructed Fuji musician Wasiu Ayinde, popularly known as KWAM 1, to confirm his family’s royal lineage to validate his membership in the ruling house.

KWAM 1, in a letter dated December 3, 2025, addressed to the chairman of the Fusengbuwa Ruling House in Agunsebi Quarters, Ijebu-Ode, announced his interest in the stool, describing himself as a “bonafide son” of the ruling house.

KWAM 1 also stated that his candidacy aligns with Ijebu customary law and the Ogun State Chieftaincy Laws.

In an interview with Punch, the Chairman of the ruling house and former National President of the Institute of Chartered Accountants of Nigeria, Abdulateef Owoyemi, said only bonafide members of the family would be allowed to participate in the selection process.

Owoyemi explained that KWAM 1, Olori Omooba of Ijebu land and others interested in the stool have been directed to complete the Fusengbuwa ruling house royal lineage data form.

According to him, the form, which requires contenders to trace their genealogy back seven generations, ensures that only genuine princes from the family can participate, thereby blocking “strangers” from claiming the throne.

He said, “The first step for anyone interested in contesting for the Awujale throne is to declare their lineage by filling the standard Fusengbuwa ruling house royal lineage data form. Once confirmed as a legitimate member of the ruling house, they can then apply for the expression of interest form.

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“We have told him, just like everyone else interested in the Awujale throne, that the first step is to declare his lineage. He will do this by completing the royal lineage data form, showing his full name, which parent and grandparent he descends from, and continuing up to seven generations.

“The completed form will be signed and submitted to the head of the ruling house unit of the Fusengbuwa ruling house, who will affirm that he is a genuine member. Only then will the process move forward.”

Owoyemi emphasised that although the application window for the throne officially closed on December 5, KWAM 1 had been given a five-day extension, which would lapse on December 10.

He noted, “We won’t shut anybody out of picking the next Awujale, but we must ensure that you are a legitimate member of Fusengbuwa. Every right comes with responsibilities. For a royal family, everyone must prove their legitimacy by completing the royal lineage data form.

“When we receive the form, we will review it meticulously. If clarification is needed, we will contact the applicant. We welcome men of influence who will use their influence to enhance the throne, not to claim it, ensuring that what truly belongs to our family is preserved.”

Owoyemi explained that the local government has given them 14 days to select candidates, and the ruling house hopes to have a new Awujale by the second or third week of January 2026.

He added, “The local government has given us 14 days to select candidates, which expires on December 18. After that, the kingmakers have seven days to deliberate and choose one candidate, whose name will be forwarded to the governor.

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“Legally, the government then has 21 days to conduct background checks and security clearance, allowing for objections or protests. After this period, the State Executive Council will ratify the nominee, and the governor will announce the next Awujale, after which coronation rites will commence.

“So, combining the candidate selection, kingmakers’ deliberation, and legal objection period, we are looking at around 42 days. Therefore, we expect the next Awujale to emerge between the second and third week of January.”

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VIDEO: I’m Married But Not In My Husband’s House; I Didn’t Have The Experience Of Living Happily Ever After – Singer Shola Allyson Reveals

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12 hours ago

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December 7, 2025

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While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sola Allyson, the popular Nigerian gospel singer, has revealed that she is not currently living with her husband.

The musician made this known in her latest interview on Oyinmomo TV.

While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sharing her marital experience, the singer said she has never enjoyed the kind of happiness many people describe.

“I’m married, but I’m not in my husband’s house. We live separately. He in his house and I in mine.”

The interviewer asked: “You sang ‘Eji Owuro’, did you experience genuine love from your husband?

She replied, “We lied before. Those older than us didn’t inform us that it’s tough. They made us believe that so long as you both love each other, you will live happily ever after, but it’s a lie.

“That’s not the experience I have. I didn’t have the experience of living happily ever after. I did all I could to make it work.

“Marriage has been a big challenge. I hear people talk about joy in marriage, but I have never experienced it.”

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VIDEO: Shola Allyson Finally Opens Up, Reveals Why She Does Not Reference Jesus In Her Songs

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12 hours ago

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December 7, 2025

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Recall that Allyson, who is regarded as a gospel singer, was dragged on social media in March 2025 for not directly referencing ‘Jesus’ in all her songs.

Shola Allyson, the renowned Nigerian songstress, has opened up on the real reason she avoids mentioning the name of Jesus in all her songs.

Recall that Allyson, who is regarded as a gospel singer, was dragged on social media in March 2025 for not directly referencing ‘Jesus’ in all her songs.

Reacting to her critics in a post on X, the songstress stated that “No one can bully me into joining their darkness that looks like light because indolent souls find comfort in it”.

Finally revealing her reason for not mentioning Jesus in her songs, Shola Allyson on Saturday during her latest interview on Oyinmomo TV, stated that Jesus did not ask her to do PR for him.

She said “I’m not a religious singer. As I am, I have never introduced myself as a gospel singer. My name is Shola Allyson. I’m a singer”.

Interviewer; “Some people said you don’t mention ‘Jesus’ name’ in all your songs”.

She quickly responded “Jesus did not instruct us to mention his name in songs nor did Jesus ask us to do PR for Him”.

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