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Jonathan Adagogo Green: Nigeria’s First Indigenous Professional Photographer

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Jonathan Adagogo Green (1873–1905) occupies a unique place in Nigerian cultural history as the country’s first indigenous professional photographer. At a time when the camera was still a rare and foreign tool, Green used it to document the Niger Delta during an era of social transformation, leaving behind an invaluable visual record of both tradition and colonial encounter.

Early Life and Education

Born in Bonny, Rivers State, Green was of Ibani (Ijaw) heritage. His upbringing placed him at the heart of a cosmopolitan trading hub, where encounters with Europeans, missionaries, and local aristocracy shaped his worldview. Photography was still an emerging craft in West Africa when Green showed interest. He pursued formal training in Sierra Leone, where he studied the technical aspects of photography, though some scholars suggest he may also have apprenticed with European photographers in Nigeria before traveling.

By the time he returned home, Green had mastered his craft and set up his own studio in Bonny, a groundbreaking step that made him one of the first Nigerians to establish a professional career in photography.

Career and Artistic Vision

Green’s portfolio was as diverse as it was culturally rich. His subjects included:

Local chiefs and dignitaries, often portrayed in elaborate regalia that emphasized traditional authority.
British colonial officials, reflecting the growing imperial influence in the Niger Delta.

Everyday life, trade, and rituals, which provided an intimate glimpse into the rhythms of a society navigating both continuity and change.

His work was widely distributed in postcards and albums, circulating within Nigeria and beyond. This not only shaped local identity but also framed how outsiders perceived the Niger Delta.

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Green had a distinctive eye for balance. His portraits often juxtaposed tradition and modernity—capturing chiefs in ceremonial attire alongside colonial officers in uniform, or Nigerian elites in European suits still rooted in indigenous culture. His photography, therefore, was not merely aesthetic but interpretive, offering commentary on the hybrid realities of colonial-era Nigeria.

Challenges of Recognition
For decades, Green’s identity was obscured by his English surname. Many early historians mistakenly assumed he was a European photographer, which delayed the recognition of his role as a Nigerian pioneer. It was only through scholarly research that his Ibani (Ijaw) heritage and indigenous identity were firmly established.

Legacy

Though his career was cut short by his untimely death in 1905 at just 32 years old, Jonathan Adagogo Green left behind a powerful archive of images that remain central to Nigeria’s visual history. Many of his works are preserved in the National Museum, Lagos, as well as in international collections.

In 2003, the National Gallery of Art in Abuja curated an exhibition of his works, reaffirming his status as the “father of Nigerian photography.” Scholars like S. O. Ikpakronyi have since helped cement his rightful place in the narrative of Nigeria’s cultural heritage.

Today, Green is celebrated not just as a photographer but as a visionary who understood the power of the image in defining identity, culture, and history. His work bridged the gap between tradition and modernity, leaving a legacy that continues to inspire generations of Nigerian photographers and visual storytellers.

Source: Ikpakronyi, S. O. Jonathan Adagogo Green: Pioneer Nigerian Photographer. National Gallery of Art, Abuja, 2003.

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‘I have cancer,’ Nollywood actress Cynthia Anijekwu cries, calls for support

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Nollywood actress Cynthia Anijekwu has made an emotional appeal to Nigerians for financial assistance after revealing that she is battling cancer for the second time.

In a video circulating on social media on Tuesday, the actress disclosed that she was first diagnosed with cancer in 2023, when she underwent surgery followed by chemotherapy in a bid to halt the disease.

She maintained that doctors initially managed the condition after the treatment, but the cancer later returned and has since spread to her bones, requiring more intensive care, including radiation therapy and another surgery.

According to Anijekwu, recent medical examinations revealed that the cancer has spread to her bones, significantly increasing the cost and complexity of her treatment up to N600,000 every month.

The actress said doctors have recommended radiation therapy and another surgery as part of her ongoing care.

“I have cancer in 2023 (sic). I did my surgery and took chemotherapy, but later it came back again. I’ve been in and out of the hospital. The doctor recently told me it has reached my bones, and the treatment is now much more expensive,” she said.

“I need to live. I need to survive. I’m asking Nigerians to please help me. Anyone that can help, please, I need help. Even my hands have swollen. The cancer has affected both breasts. I need to live. Please help me. I need to survive.

“Your one naira, your two naira can add up to something reasonable for me to get the proper treatment for this cancer. I’m begging you, please help me,” she pleaded.

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Before her health challenge became public, Anijekwu built her career in Nollywood, featuring in several English- and Igbo-language productions.

However, there is no publicly verifiable record identifying a major blockbuster film or comprehensive filmography associated with the actress, as public attention has largely shifted to her battle with cancer in recent years.

The actress said the financial burden has become overwhelming for her family, prompting her to seek help from members of the public.

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It’s not easy, surrogate mother shares emotional journey

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A masked Nigerian surrogate mother has opened up about how financial hardship and what she described as an irresponsible partner led her to become a surrogate, saying the decision came after the loss of her second child.

The woman disclosed this during a new episode on Cruise TV published on YouTube on Sunday, where she recounted the emotional, financial and psychological realities of carrying children for other families.

She said becoming a surrogate was one of the hardest decisions she had ever made, describing the emotional attachment that develops during pregnancy despite knowing the child does not belong to her.

“Emotionally it’s not easy. Even when I started the journey, when the pregnancy was three months, I called my nurse that I don’t think I can cope again because it’s not easy to carry what is not yours.

“When you start having the emotional attachment, you keep reminding yourself that this is not mine. I tell myself it is a job, and that helps me cope, but the emotions still come and go.”

The woman explained that she became a gestational surrogate through IVF, meaning she had no biological connection to the babies she carried.

Speaking on what pushed her into surrogacy, she said her partner failed to provide for the family despite her efforts to support them.

“I had my first child. Unfortunately, my husband is not the person that is hardworking and he doesn’t take responsibility. I do work. There is no work I cannot do.

“When I became pregnant the second time, I could no longer work. We couldn’t even afford hospital bills.”

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She said complications during the pregnancy eventually led to the death of the baby, an experience that changed her outlook.

“That baby died, and that was the reason I made that decision. Instead of giving him another baby, I would rather help people who have the money to take care of me.

“If you don’t have the money to care for my health, I won’t do it for you.”

She disclosed that she initially declined financial compensation beyond medical care, accommodation and allowances, a decision she now regrets.

“I told them I didn’t want any compensation aside from the process, monthly allowance, wardrobe allowance and accommodation fee, but that was a mistake.

“I won’t do it again,” she said.

The surrogate mother also said she would not encourage her daughter to follow the same path because of the emotional and health risks involved.

“I cannot advise my daughter to be a surrogate.”

She added that she relocated during one of her pregnancies to avoid stigma and often told people the baby had died whenever they asked questions.

According to her, surrogate mothers also face psychological challenges after delivery despite undergoing counselling before and after childbirth.

While acknowledging that surrogacy has helped many couples struggling with infertility, she maintained that the process is far more demanding than many people realise.

“Surrogacy is not as simple as people think.”

She called for stronger regulation of the practice to protect surrogate mothers from exploitation and ensure adequate emotional and financial support.

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I waited 18 years before welcoming twins – Nollywood star Ricardo Agbor

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before welcoming their twins.

The actor disclosed this during an interview with AfricanAList published on Sunday, where he reflected on his marriage, faith and the challenges he faced before becoming a father.

Agbor said he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

“So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

Agbor also recounted what he described as the most painful experience of his life — the death of his mother.

According to him, she had been receiving treatment for about three weeks without any improvement before doctors advised that she should be flown to South Africa for further medical care.

The actor said his mother requested to be moved to another private hospital in Surulere, but she died in his arms while he was helping her into the car.

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“My mom died right in my arms. At the hospital, they were bringing almost 10 doctors to do tests… the sickness was not improving after almost three weeks.

“It was after three weeks that they told me to come and carry my mom and take her to South Africa. I took my mom away and took her to another private hospital within Surulere. It was my mom that told me to take her away from that place. As I was carrying her into the car, she gave up,” he said.

Agbor said the loss left him devastated, noting that it was the first time he had cried outside acting.

“I think that was the first time I cried in my life. I don’t cry. If I cry, maybe it is in a movie and it is a role. So I cried. It was painful,” he added.

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