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Francis Oladele: The Visionary Pioneer Who Birthed Nigerian Cinema

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Remembering the life and legacy of Francis Adetunji Oladele, the New York-trained filmmaker and cultural innovator behind Kongi’s Harvest and the birth of Nigerian film.

The Man Who Laid the Foundation for Nigerian Cinema

The image captures Francis Oladele, the pioneering Nigerian film producer, alongside Jamaican reggae legend Jimmy Cliff, taken around 1974 in either Lagos or Ibadan. The photo is part of the Logan H. Westbrooks Collection at the Archives of African American Music and Culture (AAAMC).

Francis Adetunji Oladele is widely celebrated as the Father of Nigerian Film. His contribution to the establishment of Nigeria’s film industry was not only groundbreaking but also visionary—bridging literature, theatre, and motion picture at a time when cinema was an emerging art form in Africa.

Early Life and Education

Francis Adetunji Oladele was born in Oyo Town, Oyo State, Nigeria, where he had his early education before pursuing further studies in the United States. His passion for the arts and storytelling led him to train in photography and film production in New York, where he gained exposure to global cinematic standards and techniques.

While abroad, Oladele became inspired by the global wave of Black consciousness and cultural pride that swept through the late 1950s and 1960s, a movement that later influenced the themes and production style of his works back in Nigeria.

The WNTV Years and the Birth of CalPenNy

Upon returning to Nigeria, Oladele joined Western Nigeria Television (WNTV) Ibadan, the first television station in Africa, as a photographer and filmmaker. His creativity and technical mastery soon earned him the position of Head of the Film Unit.

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In 1965, driven by the desire to tell authentic African stories with local talent and perspective, he resigned from WNTV to establish CalPenNy Nigeria Limited, Nigeria’s first indigenous film production company. The name “CalPenNy” was coined from the combination of California, Pennsylvania, and Nigeria—reflecting Oladele’s international exposure and African identity.

This bold move marked a turning point in Nigeria’s cinematic journey, transitioning from television documentaries and colonial-era newsreels to full-fledged film production.

Kongi’s Harvest — The Dawn of a New Era

Francis Oladele’s most significant work came in 1970 with the production of Kongi’s Harvest, an adaptation of Professor Wole Soyinka’s play of the same name. The film was directed by Ossie Davis, the acclaimed African American actor and activist, and close ally of Malcolm X.

Shot on location in Nigeria with a blend of Nigerian and international talent, Kongi’s Harvest symbolised the meeting of African intellectualism and cinematic modernity. It was the first Nigerian feature film, blending politics, art, and national consciousness at the dawn of postcolonial Nigeria.

The film starred prominent Nigerian actors, including Soyinka himself, and was lauded for its artistic depth and cultural relevance. Though made under tight financial conditions, Kongi’s Harvest became a historic milestone, paving the way for future generations of Nigerian filmmakers.

Later Career and Collaborations

After Kongi’s Harvest, Oladele continued to nurture Nigeria’s young film industry. He collaborated with key creatives such as Ola Balogun, who would later become one of the country’s leading directors, producing socially conscious films that reflected everyday Nigerian life.

Oladele’s influence also extended to the cultural and political landscape. Through his works and advocacy, he helped establish filmmaking as a legitimate industry and art form in Nigeria—one that could reflect the nation’s identity and preserve its stories.

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Personal Life and Death

Francis Oladele was known not only for his professionalism but also for his humility and deep commitment to the craft. He lived much of his later life in his hometown, Oyo, where he continued to mentor young creatives and engage in cultural discussions.

He passed away on June 22, 2015, at the age of 82, after a battle with prostate cancer, at a hospital in Ibadan, Oyo State. He was laid to rest on July 1, 2015, within his residence in Oyo Town.

His death marked the end of an era but his influence continues to shape Nigeria’s film industry, now globally known as Nollywood—the second-largest film industry in the world.

Legacy and Impact

Francis Oladele’s contributions go far beyond Kongi’s Harvest. He demonstrated that Nigerians could produce world-class films with indigenous stories, languages, and actors. His pioneering vision inspired a generation of filmmakers, including Ola Balogun, Hubert Ogunde, Eddie Ugbomah, and later, the Nollywood era.

As Nigeria’s first true film producer, he laid the groundwork for the country’s cinematic independence—an industry that would later become a cultural powerhouse across Africa and the diaspora.

References

Logan H. Westbrooks Collection, Archives of African American Music and Culture (AAAMC), Indiana University Bloomington.

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He Has Not Seen Food To Eat – Ibiyeomie Reveals Why Hell Message No Longer Works

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Founder and presiding Pastor of Salvation Ministries, David Ibiyeomie, has stated that Nigerians are no longer afraid of the message of hell due to economic hardship.

According to him, they should preach a message of love and compassion instead.

It was reports that the clergyman made the remarks while addressing his congregants.

Ibiyeomie said many Nigerians are already struggling with severe economic challenges, making messages focused solely on the consequences of hell less effective in winning them to Christ.

“Just tell them God loves you; He can change your story. Come to Jesus. But if you say, ‘You’ll go to hell,’ the man will say, ‘The suffering wey I dey suffer now, na wetin e be?’

“That kind of message can’t convert one soul. You go there and say, ‘If you don’t convert to Jesus, you are going to hell.’ The man will say he has not even seen food to eat, he has not bought petrol; already, he is in hell,” he said.

Ibiyeomie said compassion should motivate Christians to tell people that Jesus loves them regardless of what they are going through and that God can show them mercy.

“Compassion will make you tell them Jesus loves you. In spite of what you’re going through, He will show you His mercy. Compassion is the greatest tool that brings people to Christ. It is from your heart,” he said.

The pastor said God himself is compassionate and urged Christians to extend the same quality to others.

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Citing Psalm 103:8, he said: “The Lord is compassionate and gracious, slow to anger, abounding in loving devotion.”

He added that God does not treat people according to their past mistakes and failures, saying those who have received God’s compassion should also show compassion to others.

Ibiyeomie, who cited Ephesians 4:32, said: “Be kind and compassionate to one another, forgiving each other, just as in Christ God forgave you.”

He described compassion as one of the most powerful expressions of God’s nature, stressing that it goes beyond merely feeling sorry for another person.

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Igbos built Nollywood, but Yorubas have become dominant” — Francis Duru

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Veteran actor Francis Duru has sparked debate after saying Igbos played a major role in building modern Nollywood, but Yoruba filmmakers have become more dominant.

Speaking in an interview on Gbam, Duru said Igbo entrepreneurs helped build the home-video industry but argued that the Yoruba community has been more successful at supporting and promoting its own people.

“We [Igbos] created Nollywood, but if you go to Netflix today, you hardly see one movie that speaks of Igbo heritage,” he said.

Duru urged Igbos to learn from the Yoruba community’s ability to protect and project its culture, stressing that his comments were not an attack on Yoruba filmmakers.

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🔥 A HARD QUESTION FOR CHRISTIAN WIVES: WHY DO YOU RESPECT YOUR PASTOR MORE THAN YOUR HUSBAND?

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Some wives can stand before their pastor with a gentle voice, a respectful attitude, and complete attention. They will never speak to their pastor the way they speak to their husband at home.

But when they get home, the respect disappears.

Is that really the kind of Christian character God wants?

Before you get angry with this question, examine yourself.

📖 Ephesians 5:33 (KJV) says:

“…and the wife see that she reverence her husband.”

The Bible does not tell a wife to reverence her pastor while treating her husband with contempt.

But let us also be fair: God did not command husbands to demand respect while refusing to love their wives.

📖 Ephesians 5:25 (KJV):

“Husbands, love your wives, even as Christ also loved the church, and gave himself for it.”

Marriage is not a competition between husband and pastor.

Your pastor may preach to you, counsel you, and pray for you—but your husband is the person you chose to build a life with.

If you can speak politely to your pastor, why can’t you speak politely to your husband?

If you can listen patiently to your pastor, why can’t you listen patiently to your husband?

If you can honor your pastor publicly, why must your husband receive disrespect privately?

And husbands, this message is for you too:

You cannot demand the respect you refuse to give.

📖 1 Peter 3:7 (KJV):

“Likewise, ye husbands, dwell with them according to knowledge, giving honour unto the wife…”

A Christian home should not be a place where one person demands submission while the other refuses to show love.

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Respect should go both ways. Love should go both ways. Honor should go both ways.

📖 1 Corinthians 16:14 (KJV):

“Let all your things be done with charity.”

🔥 THE REAL QUESTION IS THIS:

If your pastor saw the way you speak to your husband at home, would he recognize the same Christian character you display in church?

👇 BE HONEST:

Do you think some Christians give their pastor more respect than they give their spouse?

YES or NO? Tell us why in the comments.

And if this message challenged you, share it with someone who needs to hear it.

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