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When the dock boils over: Rise of unruly defendants in court

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On a humid Thursday morning in Abuja, the atmosphere inside the Federal High Court was unusually tense.

Security operatives from the Department of State Services and the courtroom security, alongside lawyers, journalists, and a few friends and family of the defendant, were present in the courtroom.

In the witness box, the leader of the proscribed Indigenous People of Biafra, Nnamdi Kanu, was standing, awaiting the court’s decision regarding the 10-year-long trial on terrorism-related charges preferred against him by the Federal Government.

As soon as the judge made his entrance and sat on his chair, Kanu yelled, “There is no judgment here today. There is not going to be judgment here.”

The trial judge, Justice James Omotosho, however, responded by calling for decorum. He asked Kanu to wait for the case to be called before making any arguments.

After the case was called, Justice Omotosho addressed applications filed before the court and delivered a ruling dismissing three fresh motions filed by Kanu on the ground that they were unmeritorious.

After delivering the ruling, Justice Omotosho declared readiness to proceed with the judgment

However, Kanu interjected, insisting that the court could not continue because he had not filed his final written address.

The defendant suddenly erupted in anger, charged at the trial judge, and accused him of being biased and not knowing the law, among other utterances.

Kanu said, “Which law states that you can charge me on a repealed law? Show me. Omotosho, where is the law? Show me the clause in the Constitution that says so. Show me, but you can’t show me, and you claim to be a judge. Any judgment declared in this court is complete rubbish! You don’t know the law.”

At this point, the court froze, and surprise was registered on the faces of the journalists who looked up from their notepads.

The trial judge momentarily paused.

Kanu’s rage did not allow the proceedings to continue as he would not let the judge speak.

Of course, the judge could not engage in a shouting match with him, so the court rose, and Justice Omotosho went into his chamber.

Upon his return to the courtroom after about 20 minutes, the prosecution prayed the court to deliver the judgment in the absence of the defendant, citing his misconduct in the temple of justice.

While Justice Omotosho noted that it was the constitutional right of a defendant for trial to be conducted in his or her presence, he, however, noted that in a situation where the defendant misconducted himself or acted in an unruly manner during the course of the trial, the trial could be conducted in the defendant’s absence.

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He proceeded to order that Kanu be taken out of the courtroom for the rest of the proceedings.

“I hereby make an order because of the unruliness of the defendant. I hereby declare that the judgment and other proceedings be made in his absence,” he said.

After the order was given, as the operatives attempted to lead Kanu out of the courtroom, he barked at them, “Don’t touch me, don’t touch me!”

Pushing their hands away and further threatening, “If you touch me!”

Scenes like this, once unthinkable in Nigeria’s traditionally solemn courtrooms, are becoming increasingly common.

From the outbursts of IPOB leader Nnamdi Kanu, to the theatrics of high-profile politicians, to lesser-known suspects defiantly resisting their arraignment, courtroom misbehaviour is turning trials into public spectacles, raising questions about legal order, state power, mental strain, and the evolving nature of justice in the media age.

This is a deep dive into the trend, rich with examples. In the past, Kanu has had similar outbursts in the court of Justice Binta Nyako.

He yelled and demanded her recusal, stating that he had lost faith in her as a presiding judge over his matter and that he should be assigned another one. He shoved and pushed security operatives, slapped his counsel to keep quiet and not speak while he was speaking, among other actions.

Even in October, Kanu shouted over the judge, repeatedly refusing to take his plea. At one point, he attempted to walk out of the dock until armed officials physically returned him.

Court insiders say the outburst may have been calculated to delay proceedings, create sympathy narratives online, or challenge the legitimacy of the charges.

Kanu’s court appearances have repeatedly attracted controversy. His refusal to appear properly in court, clashes between security personnel and his supporters, and his public disagreements with legal procedures have contributed to one of the most dramatic courtroom sagas in Nigeria.

In several instances, judges warned him and his supporters for disruptions ranging from chants outside the courtroom to verbal protests inside it.

It is not only high-profile defendants who exhibit these unruly tendencies. Magistrate courts in Lagos, Port Harcourt, and Kano have also reported cases of defendants fighting police officers during arraignments; individuals spitting on magistrates; suspects stripping themselves in protest; and family members charging at court officials.

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A particular case from a Lagos magistrate court showed a robbery suspect screaming and rolling on the floor, shouting, “They forced me to confess!” as proceedings struggled to continue.

Legal psychologists and criminologists identify several overlapping factors contributing to this trend. They point to high emotional pressure, tactical disruption, mental health strain, and media-driven behaviour.

Nigeria is not alone. Courtroom misbehaviour is a global phenomenon, even though the context differs.

In Chicago, United States of America, a murder suspect in 2021 had to be gagged and cuffed after repeatedly insulting the judge.

In Florida, a defendant physically attacked his attorney during trial, prompting enhanced security nationwide.

In South Africa, the Marikana trial was disrupted by family protests, shouting bouts, and walkouts during several hearings connected to the killings.

In the United Kingdom, the “No-Law Movement” defendants, also known as “sovereign citizens,” disrupted hearings by refusing to recognise court authority and shouting scripted arguments.

During the trials of Alexei Navalny in Russia, defendants and supporters regularly staged gestures of defiance inside courtrooms to attract international media attention.

Nigeria, experts say, is experiencing its own version, shaped by politics, public distrust, and a highly charged information ecosystem.

As Nigeria’s politics intensify, economies strain, and social distrust deepens, the courtroom has become not just a legal arena, but a stage.

A stage where defendants attempt to sway public narratives, challenge authority, or simply release pent-up frustration.

For judges and attorneys, the challenge is maintaining dignity and order. For society, it is understanding that justice requires calm, something increasingly rare inside Nigeria’s courtrooms.

Yet, despite the theatrics, one truth remains: the courtroom must never become a battleground.

As stressed by Justice Omotosho, the court is a temple of Justice. Institutions must be respected.

Some Senior Advocates, speaking on defendants becoming unruly during trial, stated that it is contempt of court, adding that in the case of Kanu on Thursday, the judge acted within the law.

Lekan Ojo (SAN) said Kanu’s conduct was a valid ground in law to exclude him from the courtroom during proceedings.

“The unruly behaviour of the defendant… where a defendant in a criminal case behaves in an unruly manner, that has always been a valid reason to dispense with his presence,” Ojo said.

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He explained that the Administration of Criminal Justice Act 2015 permits trial in absentia in exceptional circumstances, noting that Justice Omotosho acted within the law.

Another senior lawyer, Adedayo Adedeji (SAN), described Kanu’s actions as contempt in the face of the court.

“No matter the reservations you have about the proceedings or the judge, there is a lawful procedure to follow. Not coming out, insulting the judge, or insulting the court… that’s contempt,” he said.

Adedeji praised the judge for handling the situation with maturity. “He is the master of his court… and acted within his inherent powers,” he added, warning that justice must be done not only for the defendant, but for the state and the public.

Kunle Adegoke (SAN) said defendants sometimes act unruly to win public sympathy, stressing that such conduct ultimately works against them.

“The one that happened yesterday has been quite unfortunate… it has been the attitude of the defendant to be unruly in court, and that does not promote his interest,” he said.

Adegoke dismissed suggestions of mental instability, adding that Kanu’s behaviour was a continuation of what he described as “outrageous, unguarded, and unruly” conduct.

Also commenting, Simon Lough (SAN) attributed Kanu’s outburst to frustration, arguing that the delays in the case resulted largely from multiple applications filed by his legal team.

“He feels frustrated… but those delays were caused by his lawyers,” Lough said.

He noted that many Nigerians were unaware of the scale of the offences alleged against Kanu, which, according to him, included the killing of 128 police officers, the destruction of 180 police stations, and the theft of thousands of arms and ammunition.

“So, his outburst was unnecessary… you don’t misbehave in court. The court is a sacred place,” Lough said, commending the judge for acting as an “unbiased umpire.”

Justice Omotosho went on to convict Kanu on all terrorism-related charges and sentenced him to life imprisonment. The court ordered that he be removed from the courtroom while judgment was being delivered after he repeatedly shouted at the judge and disrupted proceedings.

The senior lawyers agreed that the judge showed restraint and acted within his constitutional and statutory powers.

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‘I have cancer,’ Nollywood actress Cynthia Anijekwu cries, calls for support

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Nollywood actress Cynthia Anijekwu has made an emotional appeal to Nigerians for financial assistance after revealing that she is battling cancer for the second time.

In a video circulating on social media on Tuesday, the actress disclosed that she was first diagnosed with cancer in 2023, when she underwent surgery followed by chemotherapy in a bid to halt the disease.

She maintained that doctors initially managed the condition after the treatment, but the cancer later returned and has since spread to her bones, requiring more intensive care, including radiation therapy and another surgery.

According to Anijekwu, recent medical examinations revealed that the cancer has spread to her bones, significantly increasing the cost and complexity of her treatment up to N600,000 every month.

The actress said doctors have recommended radiation therapy and another surgery as part of her ongoing care.

“I have cancer in 2023 (sic). I did my surgery and took chemotherapy, but later it came back again. I’ve been in and out of the hospital. The doctor recently told me it has reached my bones, and the treatment is now much more expensive,” she said.

“I need to live. I need to survive. I’m asking Nigerians to please help me. Anyone that can help, please, I need help. Even my hands have swollen. The cancer has affected both breasts. I need to live. Please help me. I need to survive.

“Your one naira, your two naira can add up to something reasonable for me to get the proper treatment for this cancer. I’m begging you, please help me,” she pleaded.

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Before her health challenge became public, Anijekwu built her career in Nollywood, featuring in several English- and Igbo-language productions.

However, there is no publicly verifiable record identifying a major blockbuster film or comprehensive filmography associated with the actress, as public attention has largely shifted to her battle with cancer in recent years.

The actress said the financial burden has become overwhelming for her family, prompting her to seek help from members of the public.

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It’s not easy, surrogate mother shares emotional journey

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A masked Nigerian surrogate mother has opened up about how financial hardship and what she described as an irresponsible partner led her to become a surrogate, saying the decision came after the loss of her second child.

The woman disclosed this during a new episode on Cruise TV published on YouTube on Sunday, where she recounted the emotional, financial and psychological realities of carrying children for other families.

She said becoming a surrogate was one of the hardest decisions she had ever made, describing the emotional attachment that develops during pregnancy despite knowing the child does not belong to her.

“Emotionally it’s not easy. Even when I started the journey, when the pregnancy was three months, I called my nurse that I don’t think I can cope again because it’s not easy to carry what is not yours.

“When you start having the emotional attachment, you keep reminding yourself that this is not mine. I tell myself it is a job, and that helps me cope, but the emotions still come and go.”

The woman explained that she became a gestational surrogate through IVF, meaning she had no biological connection to the babies she carried.

Speaking on what pushed her into surrogacy, she said her partner failed to provide for the family despite her efforts to support them.

“I had my first child. Unfortunately, my husband is not the person that is hardworking and he doesn’t take responsibility. I do work. There is no work I cannot do.

“When I became pregnant the second time, I could no longer work. We couldn’t even afford hospital bills.”

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She said complications during the pregnancy eventually led to the death of the baby, an experience that changed her outlook.

“That baby died, and that was the reason I made that decision. Instead of giving him another baby, I would rather help people who have the money to take care of me.

“If you don’t have the money to care for my health, I won’t do it for you.”

She disclosed that she initially declined financial compensation beyond medical care, accommodation and allowances, a decision she now regrets.

“I told them I didn’t want any compensation aside from the process, monthly allowance, wardrobe allowance and accommodation fee, but that was a mistake.

“I won’t do it again,” she said.

The surrogate mother also said she would not encourage her daughter to follow the same path because of the emotional and health risks involved.

“I cannot advise my daughter to be a surrogate.”

She added that she relocated during one of her pregnancies to avoid stigma and often told people the baby had died whenever they asked questions.

According to her, surrogate mothers also face psychological challenges after delivery despite undergoing counselling before and after childbirth.

While acknowledging that surrogacy has helped many couples struggling with infertility, she maintained that the process is far more demanding than many people realise.

“Surrogacy is not as simple as people think.”

She called for stronger regulation of the practice to protect surrogate mothers from exploitation and ensure adequate emotional and financial support.

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I waited 18 years before welcoming twins – Nollywood star Ricardo Agbor

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before welcoming their twins.

The actor disclosed this during an interview with AfricanAList published on Sunday, where he reflected on his marriage, faith and the challenges he faced before becoming a father.

Agbor said he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

“So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

Agbor also recounted what he described as the most painful experience of his life — the death of his mother.

According to him, she had been receiving treatment for about three weeks without any improvement before doctors advised that she should be flown to South Africa for further medical care.

The actor said his mother requested to be moved to another private hospital in Surulere, but she died in his arms while he was helping her into the car.

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“My mom died right in my arms. At the hospital, they were bringing almost 10 doctors to do tests… the sickness was not improving after almost three weeks.

“It was after three weeks that they told me to come and carry my mom and take her to South Africa. I took my mom away and took her to another private hospital within Surulere. It was my mom that told me to take her away from that place. As I was carrying her into the car, she gave up,” he said.

Agbor said the loss left him devastated, noting that it was the first time he had cried outside acting.

“I think that was the first time I cried in my life. I don’t cry. If I cry, maybe it is in a movie and it is a role. So I cried. It was painful,” he added.

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