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Veteran Filmmaker, Wale Adenuga Reveals Why He Sacked And Recalled Papa Ajasco

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According to Adenuga, the actor was initially removed from the role due to serious misconduct, including attempts to claim ownership of the Papa Ajasco brand.

Veteran filmmaker Wale Adenuga has revealed the reasons behind the removal and subsequent return of Abiodun Ayoyinka in his role as Papa Ajasco.

According to Adenuga, the actor was initially removed from the role due to serious misconduct, including attempts to claim ownership of the Papa Ajasco brand.

The conflict reportedly began when Ayoyinka organised a tour using the Papa Ajasco name without informing the production team.

The situation escalated after the Nigerian Copyright Commission discovered that he had tried to register the brand under his name, even though the producers already held the legal rights.

Adenuga, in an interview with Punch, described this act as a betrayal that led to the actor’s dismissal.

Despite the controversy, Ayoyinka was later brought back to the role, a decision Adenuga said was based on practicality and the actor’s talent rather than personal feelings.

He noted that while talented actors can be challenging, their skills sometimes make them indispensable.

The producer also discussed changes in the entertainment industry, mentioning that his productions have adapted to digital platforms.

Shows like Akpan and Oduma are now distributed mainly on YouTube, while WAPTV maintains an online presence and mobile app to reach audiences.

On the topic of royalties and actor welfare, Adenuga said the current system needs reform and that responsibility should not rest solely on producers.

He suggested that a well-structured industry could ensure fair compensation and long-term support for actors, reducing the burden on individual production teams.

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He said, “That level of betrayal led to his dismissal. I understand the psychology of actors. Sometimes the most talented can also be the most difficult. As a producer, you sometimes have to choose between talent and temperament. Despite everything, I would still work with him because he is a good actor. Our content is now on social media.

“Some productions like Akpan and Oduma are distributed primarily on YouTube, while WAPTV also has an online presence and app. I agree that actors should benefit more in a structured system. It is not the sole responsibility of producers to manage long-term welfare. A proper industry structure would ensure that everyone is taken care of.”

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PHOTOS: After Three Years Together, Nigerian Activist Edafe Okporo and Husband Nick Announce Divorce

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Nigerian gay rights and immigration activist Edafe Okporo has announced the end of his marriage to his husband, Nick Giglio, three years after the two tied the knot.

Okporo, who hails from Warri and has built a prominent profile in the United States as a vocal advocate for LGBTQ+ rights and immigrant welfare, wed Nick back in July 2022. The union drew attention at the time, and their separation is drawing its own share of public interest now.

On Friday, March 27, Okporo took to his Instagram page to share the news directly with his followers, posting a photo of their intertwined hands alongside a joint statement from both him and Nick. The message was measured, dignified and clearly written by two people determined to handle a painful situation with as much grace as possible.

“Nick and I have made the mutual decision to end our marriage. We have officially filed for a no-fault divorce by mutual agreement. This has been a hard decision, and we are taking the time and space we need to move through it with honesty and respect,” the statement read in part.

They also asked their followers not to take sides or turn the moment into a spectacle. “You’re welcome to continue holding space for both of us, together or separately,” they wrote, signing off simply as Nick and Edafe.

The post went up just 13 minutes before it began circulating widely, and reactions have already started pouring in from followers wishing both men well as they move forward separately.

See also  PHOTOS: Man marries two wives same day in Abia

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Gospel Singer and Nollywood soundtrack icon Onos Brisibi dies at 55

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Gospel singer and Nollywood soundtrack voice, Onos Brisibi, has died at the age of 55.

Brisibi, whose unmistakable vocals were featured in Nollywood classics such as Domitilla and Blood Money, died on March 23, 2026, after a prolonged illness.

Her death was announced on Thursday in a tribute shared on Instagram by veteran Nollywood actor, Richard Mofe-Damijo (RMD).

In the emotional post, RMD described her as a devout Christian and a gifted vocalist whose music touched countless lives.

He wrote, “It’s hard to put into words the loss we feel.

“My dear sister and cousin, Onos Nancy Brisibi, went to be with the Lord on March 23rd, 2026, after a long and difficult illness. She was born on November 20th, 1970, to Apostle Ambrose Oproze Brisibi (of blessed memory) and Deaconess Mary Koko Brisibi of Aladja, Udu, Delta State.

“Onos was more than family—she was love in human form. A devoted Christian, a beautiful soul, and a gifted songstress whose voice carried so much light and joy. She didn’t just sing; she ministered, lifting hearts and drawing people closer to God. She loved deeply, laughed freely, and gave so much of herself to everyone around her.

“I called her Onos pokor pokor, and in return she would call me Uncle Richard—with that her playful, almost British accent. Where Warri girl wey never go England see that kind accent from? That was just who she was—full of life, humour, and charm.

“The memories keep flooding in—even till her last days, when with Mama we sat reminiscing and teasing her about how, as kids, she would leave Mama Titi’s house just to come and eat at my mum’s place, where her ‘special plate’ was always waiting. Through it all, her laughter never left her—and it still echoes in our hearts now.

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“She leaves behind her daughter, Sarah, her mother, siblings, and so many of us who will carry her in our hearts always.

“The tears are many, but the memories are even more. And we are comforted, like all who knew her and her dedication to spreading the gospel through music, that she is finally resting with the Lord.

“I will miss you deeply, my sweet coz. I love you—always will. Rest in perfect peace, Onos. You were truly loved.”

Brisibi, born on November 20, 1970, to Apostle Ambrose Oproze Brisibi (late) and Deaconess Mary Koko Brisibi of Aladja, Udu, Delta State, was widely regarded for her contributions to gospel music and her memorable presence in Nollywood soundtracks.

She is survived by her daughter, Sarah Brisibi, her mother, siblings, extended family, friends, and her church community at LoveWorld Ministries.

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Maintain status quo, avoid provocative acts, Okpebholo warns over Okpella stool

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The Edo State Government has warned against any form of self-help in the ongoing dispute over the Okpella traditional stool, insisting that the status quo must be maintained pending the outcome of legal processes.

The government emphasised that despite a recent court ruling, steps have already been taken to file an appeal and secure a stay of execution.

The state government’s reaction late Thursday followed a High Court judgment delivered by Justice O. A. Otamere in Fugar, Etsako Central Local Government Area.

The court ruled that a former monarch of the community, Lukeman Akemokue, who instituted the case, was not given a fair hearing by the state government before his appointment was revoked and Michael Sado was installed as the new traditional leader of the community.

Responding on behalf of the state government in a statement issued late Thursday, the Commissioner for Public Safety and Security, Festus Ebea, said the government, through the Attorney General, had commenced the process of appeal and a stay of execution.

The statement read, “The Edo State Government hereby issues a firm and unambiguous warning to all parties regarding the recent court ruling on the Okpella traditional leadership.

“While the Attorney General of the state has already commenced the process of appeal and stay of execution, we advise all parties to maintain the status quo to avoid any breakdown of law and order.

“Let it be clearly stated that any act of self-help, forceful takeover, intimidation or disruption of the traditional institution in Okpella by any party whatsoever is illegal, intolerable and will attract the full weight of the law. No individual should interpret the judgment outside lawful means as the judiciary concludes its work.”

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According to the commissioner, maintaining stability within the traditional institution is critical to preserving peace in the community.

Ebea further cautioned that acts such as forceful takeover, intimidation or interference in the affairs of the traditional stool would not be tolerated, noting that security agencies had been placed on red alert to forestall any breakdown of law and order.

He reiterated that the government would not allow any attempt to undermine judicial authority.

He, therefore, appealed to all indigenes and interest groups in Okpella to avoid provocative actions, uphold peace and allow due process to run its course.

He added, “The Edo State Government will act decisively against anyone found threatening public order or the harmony of the community.”

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