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Seriki Williams Abass: From Captive to Contested Power in Badagry (PHOTOS)

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The life of Seriki Williams Abass (born Ifaremilekun Fagbemi) is one of the most striking—and morally complicated—stories in nineteenth-century West African history.

Born in Ilaro (present-day Ogun State), he was captured into the transatlantic trade, transported abroad, and yet returned to become one of Badagry’s wealthiest merchants and a powerful local ruler.

His biography exposes the tangled intersections of slavery, commerce, religion and colonial rule on the Gulf of Guinea coast.

From capture to return

Accounts agree that Abass was taken into slavery as a young man and that, while he kept the Christian/European name Williams and the Muslim/West African name Abass, his original name was Ifaremilekun Fagbemi.

Sources diverge about the precise circumstances of his emancipation and route home: some traditions say he was freed in Brazil before making his way back to West Africa; others point to interludes in ports such as Sierra Leone.

What is clear is that he returned to the Lagos-Badagry littoral with knowledge, contacts and capital that he would convert into commercial power.

A merchant with terrible means

On his return Abass established himself as a major trader in Badagry, a port that long linked interior produce (notably palm oil) to Atlantic markets. In that capacity he became deeply involved in the transactions that sustained the nineteenth-century trade in enslaved and bonded labourers.

He built a substantial barracoon—a holding structure used to detain captives prior to shipment—part of a complex of buildings on his compound that today survives as part of the Badagry heritage site.

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That surviving structure has been preserved and interpreted by the Badagry Heritage Museum and the National Commission for Museums and Monuments as an important, painful testimony to the mechanics of the slave trade on the Gulf of Guinea coast.

Political authority under colonial rule

As Abass’s wealth and local standing grew, so did his political influence. During the period of early British indirect rule he was recognized as a senior chief in Badagry. Local records and colonial documents variously describe him as a paramount local authority or warrant chief; scholars caution that the precise administrative scope of those titles—especially labels such as “Paramount Ruler of the Western District”—is often overstated in later retellings. In short: he was indisputably one of Badagry’s foremost power-brokers, but the territorial reach and formalities of his colonial-era authority vary between sources.

Religious role and social status

Abass was also a prominent Muslim leader in the area and is commonly referred to in local histories by the honorific “Seriki Musulumi” (leader of Muslim faithfuls). This title highlights how his public identity combined commercial, political and religious leadership—an integration typical of many coastal elites of the period. At the same time, his status as a former captive turned trader and chief complicates simple judgments about victimhood or villainy.

Death, memorials and a difficult legacy

Seriki Williams Abass died in 1919 and was buried on his estate in Badagry. Today the barracoon and related colonial-era markers on the site are curated as part of the Badagry Heritage Museum.

Visitors confront in those spaces a layered history: the brutality of human trafficking, the entrepreneurial strategies of returnees and local elites, and the ways colonial administrative practices reshaped local power.

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Historians and heritage practitioners treat Abass’s life as a prism for difficult questions. How did people who had experienced captivity reconcile or rationalize participation in the slave trade?

How should communities remember leaders who were both survivors and perpetrators?

The preserved buildings and cenotaphs at Badagry are deliberately unsettling because they refuse simplistic narratives.

Reading the past with care

Seriki Williams Abass’s biography forces us to resist tidy moral categorizations. He is neither solely a heroic survivor nor merely a villainous profiteer; he embodies a historical reality in which violence, commerce and authority were often entangled.

The barracoon that survives at Badagry remains an essential site for public memory precisely because it preserves those tensions.

Sources
Badagry Heritage Museum / National Commission for Museums and Monuments (site displays and archives)

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Declare Your Lineage – Royal Family Tells Musician KWAM 1 Over His Interest In Becoming Next Awujale Of Ijebuland

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KWAM 1, in a letter dated December 3, 2025, addressed to the chairman of the Fusengbuwa Ruling House in Agunsebi Quarters, Ijebu-Ode, announced his interest in the stool, describing himself as a “bonafide son” of the ruling house.

The Fusengbuwa ruling house of Ijebu-Ode, next in line to produce the new Awujale of Ijebuland, Ogun State, has instructed Fuji musician Wasiu Ayinde, popularly known as KWAM 1, to confirm his family’s royal lineage to validate his membership in the ruling house.

KWAM 1, in a letter dated December 3, 2025, addressed to the chairman of the Fusengbuwa Ruling House in Agunsebi Quarters, Ijebu-Ode, announced his interest in the stool, describing himself as a “bonafide son” of the ruling house.

KWAM 1 also stated that his candidacy aligns with Ijebu customary law and the Ogun State Chieftaincy Laws.

In an interview with Punch, the Chairman of the ruling house and former National President of the Institute of Chartered Accountants of Nigeria, Abdulateef Owoyemi, said only bonafide members of the family would be allowed to participate in the selection process.

Owoyemi explained that KWAM 1, Olori Omooba of Ijebu land and others interested in the stool have been directed to complete the Fusengbuwa ruling house royal lineage data form.

According to him, the form, which requires contenders to trace their genealogy back seven generations, ensures that only genuine princes from the family can participate, thereby blocking “strangers” from claiming the throne.

He said, “The first step for anyone interested in contesting for the Awujale throne is to declare their lineage by filling the standard Fusengbuwa ruling house royal lineage data form. Once confirmed as a legitimate member of the ruling house, they can then apply for the expression of interest form.

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“We have told him, just like everyone else interested in the Awujale throne, that the first step is to declare his lineage. He will do this by completing the royal lineage data form, showing his full name, which parent and grandparent he descends from, and continuing up to seven generations.

“The completed form will be signed and submitted to the head of the ruling house unit of the Fusengbuwa ruling house, who will affirm that he is a genuine member. Only then will the process move forward.”

Owoyemi emphasised that although the application window for the throne officially closed on December 5, KWAM 1 had been given a five-day extension, which would lapse on December 10.

He noted, “We won’t shut anybody out of picking the next Awujale, but we must ensure that you are a legitimate member of Fusengbuwa. Every right comes with responsibilities. For a royal family, everyone must prove their legitimacy by completing the royal lineage data form.

“When we receive the form, we will review it meticulously. If clarification is needed, we will contact the applicant. We welcome men of influence who will use their influence to enhance the throne, not to claim it, ensuring that what truly belongs to our family is preserved.”

Owoyemi explained that the local government has given them 14 days to select candidates, and the ruling house hopes to have a new Awujale by the second or third week of January 2026.

He added, “The local government has given us 14 days to select candidates, which expires on December 18. After that, the kingmakers have seven days to deliberate and choose one candidate, whose name will be forwarded to the governor.

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“Legally, the government then has 21 days to conduct background checks and security clearance, allowing for objections or protests. After this period, the State Executive Council will ratify the nominee, and the governor will announce the next Awujale, after which coronation rites will commence.

“So, combining the candidate selection, kingmakers’ deliberation, and legal objection period, we are looking at around 42 days. Therefore, we expect the next Awujale to emerge between the second and third week of January.”

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VIDEO: I’m Married But Not In My Husband’s House; I Didn’t Have The Experience Of Living Happily Ever After – Singer Shola Allyson Reveals

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While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sola Allyson, the popular Nigerian gospel singer, has revealed that she is not currently living with her husband.

The musician made this known in her latest interview on Oyinmomo TV.

While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sharing her marital experience, the singer said she has never enjoyed the kind of happiness many people describe.

“I’m married, but I’m not in my husband’s house. We live separately. He in his house and I in mine.”

The interviewer asked: “You sang ‘Eji Owuro’, did you experience genuine love from your husband?

She replied, “We lied before. Those older than us didn’t inform us that it’s tough. They made us believe that so long as you both love each other, you will live happily ever after, but it’s a lie.

“That’s not the experience I have. I didn’t have the experience of living happily ever after. I did all I could to make it work.

“Marriage has been a big challenge. I hear people talk about joy in marriage, but I have never experienced it.”

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VIDEO: Shola Allyson Finally Opens Up, Reveals Why She Does Not Reference Jesus In Her Songs

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Recall that Allyson, who is regarded as a gospel singer, was dragged on social media in March 2025 for not directly referencing ‘Jesus’ in all her songs.

Shola Allyson, the renowned Nigerian songstress, has opened up on the real reason she avoids mentioning the name of Jesus in all her songs.

Recall that Allyson, who is regarded as a gospel singer, was dragged on social media in March 2025 for not directly referencing ‘Jesus’ in all her songs.

Reacting to her critics in a post on X, the songstress stated that “No one can bully me into joining their darkness that looks like light because indolent souls find comfort in it”.

Finally revealing her reason for not mentioning Jesus in her songs, Shola Allyson on Saturday during her latest interview on Oyinmomo TV, stated that Jesus did not ask her to do PR for him.

She said “I’m not a religious singer. As I am, I have never introduced myself as a gospel singer. My name is Shola Allyson. I’m a singer”.

Interviewer; “Some people said you don’t mention ‘Jesus’ name’ in all your songs”.

She quickly responded “Jesus did not instruct us to mention his name in songs nor did Jesus ask us to do PR for Him”.

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