Connect with us

Lifestyle

Why The Igbo Ha**te Brig. Gen. Benjamin Adekunle. a.k.a. Black Scorpion. By Tony Mosunmade

Published

on

The attack on Lagos was unnecessary. Ojukwu knew for certain that the Yorùbá’s had no stomach then for war and also was not going to allow any assault on the East from the West. The key Yoruba Generals, after trying their best to mediate on both sides, and after Yaradua shot Adekunle without any consequences, have told Gowon to fight his own war.

The Igbos were winning at the initial stages of the East-North war. The East have taken all that the Federal Government had and destroyed them. They have defeated all the Generals from the North completely, all Ojukwu needed to do was shift from defensive mode to attack against the North, they would have gained ground, shifted the battle ground to the North proper and put the civilians under pressure, forcing Gowon to negotiate East exit.

But that was not what he did.

He instead saw it as an opportunity for the Igbos to conquer the whole south and rule the Yorùbá’s. Even though we nurtured him as we nurtured Zik, Achebe, and most of the Igbo leadership, he repaid us with Contempt. He knew the Yorùbá’s had no weapon base, complement of the British who diverted all the Military arsenal to Kaduna and left the West completely unprotected from attacks by the other tribes because the British feared the Yorùbá’s more.

Ojukwu knew this, Awolowo told him so at their last meeting in Onitsha, a conversation that was secretly recorded and the tape that has been transcribed. So why was it the Yorùbá’s the Igbo leadership chose to attack instead of pursuing the Fulanis that attacked them. The answer can be deduced in Ojukwu’ s letter to Banjo, promising to make him the governor of SW, answering to him.

But Ojukwu was foolish. His contempt for the Yorùbá’s made him forget our tenacity when threatened.

Adekunle rose up and formed a new fighting battalion made up of Yoruba people called 3rd Marine Commando, not with the approval of Gowon and the North. Gowon was powerless, already facing certain defeat.

Yorùbá’s taxed themselves and bought new weapons for the new Battalions, and the weapons were not purchased from the British. Adekunle’ s wife and children were caught in the battle line by the sudden attack by Biafra. Adekunle was the one who rescued most of the experienced Igbo fighting men from the North, yet Ojukwu went after Adekunle’s family in Warri.

Yorùbá’s had more historical relationships with the Calabars then than the Igbos, there was a Yoruba town in Calabar then, so Adekunle sneaked to Calabar and formed the second front made of SS fighters who were already been rubbished by the Igbos when they thought they will win the war. It was those Eadt- West assaults on Biafra that led to the Biafra demise.

Adekunle sunk Ojukwu and Biafra. He attacked their Western moving front with speed boats, which he recruited the Ijaw boys for, deterring the movements at Ore, forced them back to Benin, and crushed them. Then, move them to Asaba and back across River Niger. 7

OJUKWU set up defences across river Niger expecting Adekunle to follow, but he didn’t. He went after Biafra Navy instead of making sure that the Igbos will never threaten the Yorùbá’s again from the sea.

Gowon was furious that Adekunle would not pursue Biafra so he brought Murtala to Benin to do the Job, apart from Murtala sacking the Central Bank and stealing all the money, he was a completely useless human being. He was defeated over and over, destroying the lives of many soldiers. Yoruba soldiers refused to fight with him totally.

Adekunle captured Bonny, sacked PH, and then went after Biafra stronghold in Owerri. He attacked Owerri both from PH and Calabar, a completely inch by inch war. The Igbos best fighting men and women and their officers were in Owerri, and that7 battle was the bloodiest. When Adekunle conquered Owerri, everyone knew that the war was over. It was only a matter of time.

The story of the war was documented by foreign press, especially Military Press, who came to witness the incredible fighting skills and strategies displayed in PH and Owerri. Adekunle had already made international news and reputation as one of the best Warrior-General of modern warfare and the best to emerge from Africa. Every news outlet wanted to interview and document his troops. He had the best officers Nigeria ever produced, trained by him. They led their forces from the front and created magic that brought the whole world press to Nigeria battle field.

Gowon did not defeat Biafra. The Fulanis did not defeat Biafra. It was the Biafra Leadership disrespect and contempt for the Yoruba people that defeated Biafra. Yoruba whooped the Igbos Ass.

Yes, towards the end of the war, it was also the Yoruba people who came up with the reconciliation plan, no winner, no vanquished. The Yorùbá people of Lagos who paid for and developed Surulere were made to give up their ownership of those buildings up to Lawanson to resettle the Igbos. Schools in Lagos, primary and secondary, were expanded to accommodate the resettled Igbos. Spaces were created for the Igbos in secondary schools depriving the Yorùbá’s in the process. Yorubas were not initially happy, but Yoruba leadership went around to create the awareness that the Igbos were out cousins and that the war was a family feud and it is over, we need to bind the wounds of our cousins.

Yet look at now, look at the version of history that the Igbos fed their own children. Still filled with contempt against the Yorùbá’s and lies, purposeful calculated lies just like before the war. Now Igbos own Lagos and Ibadan, they built everything in Yoruba land, the Yorùbás were just savages. That is what they teach their children, contrary to the facts.

Yet, can you blame them? What are the stories Yorùbá’s are telling their children? Do your children know the truth about events in your lives when you were young? If you are over 58, I shouldn’t be telling you the stories I just did. You lived through it. What did you tell your children?

FOLLOW US ON:

FACEBOOK

TWITTER

PINTEREST

TIKTOK

YOUTUBE

LINKEDIN

TUMBLR

INSTAGRAM

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Lifestyle

Late Actress Rebecca Adebimpe Adekola a.k.a Ireti

Published

on

Rebecca Adebimpe Adekola a.k.a Ireti | was One of Nigerian Actress That Should Not Be Forgotten In The HISTORY Of Nollywood Film Industry. One of generation of actors who made home videos popular in the 1990s

Aunty Ireti was born in Abeokuta, Ogun State, where she also grew up. Aunty Ireti was a producer, film writer, director and an outstanding actress. Unknown to many, her younger relative, Opeyemi Adekola(Not Odunlade)is also an actor and was inspired to take to the thespian art because of his latè aunty. While speaking with Naijarchives, Mr. Opeyemi Ohiomare Adekola explained that the làte Ireti and his own dad were cousins. Mr. Adekola also revealed to us that while both Odunlade Adekola and their family are both from Oyo State, they hail from different parts: Ireti’s own are from Ogbomosho while Odunlade Adekola is from Otun Ekiti. I guess that lays to rest the popular rum0ur that Odunlade Adekola is Ireti’s younger brother. While an actress, the late Ireti was known for starring in many fl|cks alongside Taiwo Hassan aka Ogogo

Following her d£ath, there was a sp0ntaneous outpouring of grief across the nation. On the 30th September, 2002, her body in a glistening white c0ffin was on display for her last public appearance at the National Theatre, Iganmu Lagos before her ßurial. Ireti mentored many actress in her lifetime, grooming them to become stars in their own right, one of whom is Bisi-Ibidapo Obe aka Omo Logba Logba. Ireti was also the role model for Ibironke Ojo aka Ronke Oshodi-Oke.

HOW DID SHE GET THE NAME ‘IRETI’?

In 1993, Jide Kosoko released a movie titled Asiri Nla and in it, she acted the role of Ireti, and that was how the name stuck.

HER D£ATH

Rebecca Adebimpe Adekola di£d after a brief illn£ss due to some c0mplications susp£cted to be from typh0id f£ver. She gave up the gh0st at Unity Hospital, a private medical center in Surulere, Lagos State
This writeup(Caption) is from Ayeni Abayomi page

In October 2012, ten years after she di£d, the National Association of Nigerian Theatre Arts Practitioners (NANTAP) decided to launch the Ireti Adekola Foundation (IAF) at the National Theatre, Iganmu, Lagos to imm0rtalize her name. The foundation was established to take care of single mothers and mentor upcoming and talented actors and actresses.

In the 1990s before the likes of Jenifa and the rest, Nigerian actress, Rebecca Adebimpe Adekola graced the screen of millions across the nation, especially lovers of Yoruba movies. Popularly known as Ireti, she dazzled many with her acting skills until her d£ath on Friday, 27th September, 2002.

Some of the movie She got starred in includes👇

-IKE OWO
-AGBA AKIN
-OLAONIRAN
-23/24 LORO ILE AYE
-AYE AWA OBINRIN (the last movie she appeared in before her d£mise)

Rest well Legend

You’re a screen g0ddess and one of the few most s0ught after relatively younger actresses who made Nollywood attractive in the late 1990s. You are part of the generation of actors who made home videos popular in the 1990s.

©️Ayeni Abayomi

FOLLOW US ON:

FACEBOOK

TWITTER

PINTEREST

TIKTOK

YOUTUBE

LINKEDIN

TUMBLR

INSTAGRAM

Continue Reading

Lifestyle

Toyin Adegbola: The Enduring Star of Yoruba Cinema

Published

on

From “Asewo to Re Mecca” to cultural icon – the remarkable journey of one of Nollywood’s most beloved actresses

Early Life and Family Background

Toyin Adegbola was born on December 28, 1961, in Osun State, Nigeria. She hails from a family with deep creative roots, being the cousin of the legendary actor and filmmaker Adeyemi Afolayan (Ade Love) and his children — among them Kunle Afolayan, Gabriel Afolayan, and Moji Afolayan, all prominent figures in Nigerian cinema.

Growing up in southwestern Nigeria, Toyin’s early exposure to Yoruba culture and storytelling inspired her passion for performance. Before venturing into acting, she worked briefly as a television broadcaster and teacher, experiences that shaped her confidence and communication skills.

Rise to Stardom

Toyin Adegbola began her acting career in 1984, marking her debut in the Yoruba-language sector of Nollywood. She gained national fame after starring in the classic Yoruba film Asewo to Re Mecca (translated as The Prostitute Who Went to Mecca), which earned her the enduring nickname “Toyin Asewo to Re Mecca.”

The film, released during a period when Yoruba cinema was expanding rapidly, portrayed themes of repentance, morality, and redemption, resonating deeply with audiences across Nigeria. Her ability to bring authenticity and emotional depth to complex characters quickly made her one of the most recognisable faces in the industry.

Over the years, she has featured in hundreds of Yoruba films, spanning genres from traditional folklore to contemporary drama. Some of her notable works include:

Deadly Affair (1995)

Irapada (2006)

Arojinle (2018)

Arinola, Alaanu Mi, and Temidire

Through these roles, Toyin Adegbola established herself as a versatile actress, capable of interpreting both comedic and deeply emotional characters.

Beyond Acting: Producer, Director, and Cultural Ambassador

In addition to her acting career, Toyin Adegbola has worked as a producer and director, contributing to the growth of Yoruba-language cinema and mentoring younger filmmakers. Her deep understanding of cultural nuances allows her to bring authenticity to her productions, preserving Yoruba values and traditions through storytelling.

In 2016, she was conferred with the chieftaincy title of Yeye Amuludun of Osogboland by the Ataoja of Osogbo, Oba Jimoh Olanipekun Larooye II. The title, meaning “Mother of Entertainment”, recognised her outstanding contributions to Nigeria’s entertainment industry and her role in promoting Yoruba culture globally.

Legacy and Influence

Toyin Adegbola’s influence extends far beyond the screen. She represents a generation of Nigerian actresses who helped shape the identity of Yoruba cinema before the digital boom of Nollywood. Her continued presence in film and television demonstrates resilience, adaptability, and a commitment to artistic excellence.

She has also served in various capacities within industry associations, advocating for the welfare of actors and supporting emerging talents. In interviews, she has often spoken about the importance of discipline, humility, and cultural pride for those aspiring to build lasting careers in the entertainment sector.

Personal Life

Toyin Adegbola is a mother and grandmother, often described as warm and deeply spiritual. She balances her creative pursuits with community involvement and philanthropic activities, particularly in Osun State. Despite facing personal and professional challenges, she remains one of the most respected figures in Nigerian entertainment.

References

Vanguard Nigeria. (2016). Toyin Adegbola Bags Chieftaincy Title in Osogbo.

FOLLOW US ON:

FACEBOOK

TWITTER

PINTEREST

TIKTOK

YOUTUBE

LINKEDIN

TUMBLR

INSTAGRAM

Continue Reading

Lifestyle

Patricia Olubunmi Etteh: Nigeria’s First Female Speaker of the House of Representatives

Published

on

A trailblazer in Nigerian politics and the first woman to lead the country’s House of Representatives

Patricia Olubunmi Etteh remains one of the most notable figures in Nigeria’s democratic history, recognised as the first woman to serve as Speaker of the House of Representatives. Her appointment in June 2007 marked a significant moment for women’s representation in Nigerian politics — a symbolic breakthrough that inspired many across the nation.

Born on August 17, 1953, in Ikire, Osun State, Patricia Etteh trained and worked as a beauty therapist before venturing into politics. She attended the University of Abuja, where she earned a Law degree, demonstrating her commitment to self-development and governance.

Etteh began her political journey as a member of the Alliance for Democracy (AD) and was elected to the House of Representatives in 1999, representing Ayedaade/Isokan/Irewole Federal Constituency of Osun State. Her charisma, grassroots appeal, and advocacy for women’s inclusion in leadership quickly made her a respected voice in the legislature.

In June 2007, she made history when she was elected Speaker of the 6th House of Representatives, becoming the first and only woman to occupy that position in Nigeria’s history. Her emergence was seen as a victory for gender equality and a testament to her political influence within the People’s Democratic Party (PDP).

However, her tenure was short-lived. In October 2007, Etteh faced allegations of financial misconduct related to the renovation of her official residence and the purchase of vehicles for the National Assembly. Though she denied any wrongdoing and maintained that all processes were duly approved, public and political pressure led to her resignation after just five months in office.

Despite the controversy, Patricia Etteh’s impact on Nigerian politics cannot be dismissed. Her rise to the position of Speaker shattered long-standing gender barriers, paving the way for more women to aspire to top political offices. Over the years, she has remained active in political and social advocacy, supporting initiatives that promote women’s empowerment and participation in governance.

Etteh’s story is not merely one of power and controversy — it is a narrative of courage, ambition, and the pursuit of equality in a male-dominated political landscape. As a Yoruba woman from Osun State, her achievement continues to resonate as a source of pride in Nigeria’s democratic history.

Her portrait — often used in educational and historical references — serves as a reminder of the progress made and the journey yet to come for Nigerian women in politics.

References:

National Assembly of Nigeria archives

Daily Trust historical profiles (2007)

Premium Times Nigeria political retrospectives

FOLLOW US ON:

FACEBOOK

TWITTER

PINTEREST

TIKTOK

YOUTUBE

LINKEDIN

TUMBLR

INSTAGRAM

Continue Reading

Trending