The music industry is making significant strides globally, with its artists commanding international attention and acclaim.
Several Nigerian artistes have secured multiple Grammy nominations, showcasing the country’s growing influence in the music scene.
These nominations span various categories, including Best Global Music Album and Best African Music Performance, highlighting the diversity and creativity of Nigerian talent.
Burna Boy leads the pack with 13 nominations, including Best Global Music Album and Best African Music Performance.
Other notable artists include Sade Adu with 9 nominations, Tems with 8 nominations, and Wizkid with 6 nominations.
These artists have not only made a mark in their respective categories but have also contributed to cementing Nigeria’s position as a powerhouse in global music.
The Grammy Awards recognise excellence in music across various genres, and Nigerian artistes have been making a strong showing in recent years.
With the 2026 Grammy Awards approaching, anticipation builds over which Nigerian artistes will convert their nominations into historic wins, further elevating the nation’s musical footprint worldwide.
Below are Nigerian artistes who have earned the most nominations:
1. Burna Boy (13 nominations)
Best World Music Album: ‘African Giant’ (2020)
Best Global Music Album: ‘Twice as Tall’ (2021) — won
Best Global Music Performance: ‘Do Yourself’ (2022)
Album of the Year (featured artist): ‘Justice: Triple Chucks Deluxe’ (2022)
Best Global Music Performance: ‘Last Last’ (2023)
Best Global Music Album: ‘Love, Damini’ (2023)
Best Melodic Rap Performance: ‘Sittin’ on Top of the World’ (2024)
Best Global Music Performance: ‘Alone’ (2024)
Best African Music Performance: ‘City Boys’ (2024)
Best Global Music Album: ‘I Told Them…’ (2024)
Best African Performance: ‘Higher’ (2025)
Best Global Music Album: ‘No Sign of Weakness’ (2026)
Best African Music Performance: ‘Love’ (2026)
Best New Artist: ‘Sade’ (1986)
Best R&B Performance by a Duo or Group With Vocals: ‘Promise’ (1987)
Best R&B Performance by a Duo or Group With Vocals: ‘No Ordinary Love’ (1994)
Best R&B Performance by a Duo or Group With Vocals: ‘Please Send Me Someone to Love’ (1995)
Best Pop Vocal Album: ‘Lovers Rock’ (2002) — won
Best R&B Performance by a Duo or Group With Vocals: ‘Soldier of Love’ (2011)
Pop Performance by a Duo or Group With Vocals: ‘Babyfather’ (2011)
Best Long Form Music Video: ‘Bring Me Home – Live 2011’ (2013)
Best Music Video: ‘Young Lion’ (2026)
3. Tems (8 nominations)
Best Global Music Performance: ‘Essence’ (with Wizkid) (2021)
Album of the Year (featured artist): ‘RENAISSANCE’ (with Beyoncé) (2023)
Best Rap Song: ‘Wait for You’ (2023) — won
Best Melodic Rap Performance: ‘Wait for You’ (2023) — won
Best Song Written for Visual Media: ‘Lift Me Up’ (with Rihanna) (2024)
Best African Music Performance: ‘Love Me Jeje’ (2025) — won
Best R&B Song: ‘Burning’ (2025)
Best Global Music Album: ‘Born in the Wild’ (2025)
4. Wizkid (6 nominations)
Album of the Year: ‘Views’ (with Drake) (2016)
Best Music Video: ‘Brown Skin Girl’ (with Beyoncé, SAINt JHN & Blue Ivy) (2021) — won
Best Global Music Album: ‘Made in Lagos’ (2022)
Best Global Music Performance: ‘Essence’ (with Tems) (2022)
Best African Music Performance: ‘MMS’ (with Asake & Wizkid) (2025)
Best African Music Performance: ‘Gimme Dat’ (with Ayra Starr) (2026)
5. Femi Kuti (6 nominations)
Best World Music Album: ‘Fight to Win’ (2003)
Best Contemporary World Music Album: ‘Day by Day’ (2010)
Best World Music Album: ‘Africa for Africa’ (2012)
Best World Music Album: ‘No Place for My Dream’ (2014)
Best Global Music Performance: ‘Pà Pà Pà’ (2022)
Best Global Music Album: ‘Legacy+’ (with Made Kuti) (2022)
Best African Music Performance: ‘Unavailable’ (featuring Musa Keys) (2024)
Best Global Music Performance: ‘Feel’ (2024)
Best Global Music Album: ‘Timeless’ (2024)
Best African Music Performance: ‘Sensational’ (with Chris Brown & Lojay) (2025)
Best African Performance: ‘With You’ (with Omah Lay’ (2026)
7. Sunny Ade (2 nominations)
Best World Music Album: ‘Synchro System’ (1984)
Best World Music Album: ‘Odu’ (1999)
8. Asake (2 nominations)
Best African Music Performance: ‘Amapiano’ (with Olamide) (2024)
Best African Music Performance: ‘MMS’ (with Wizkid) (2025)
9. Ayra Starr (2 nominations)
Best African Music Performance: ‘Rush’ (2024)
Best African Music Performance: ‘Gimme Dat’ (with Ayra Starr) (2026)
Displayed at the National War Museum in Umuahia, Abia State, this armoured vehicle stands as a striking material reminder of the technological improvisation that characterised the Biafran side during the Nigerian Civil War (1967–1970). The vehicle is commonly identified as an up-armoured T16 Universal Carrier, adapted and deployed by Biafran forces in the face of severe resource constraints.
The Nigerian Civil War in Context
The Nigerian Civil War, often called the Biafran War, erupted in July 1967 following the secession of the Eastern Region of Nigeria as the Republic of Biafra under the leadership of Lt. Col. Chukwuemeka Odumegwu Ojukwu. The conflict was rooted in a complex mix of political instability, ethnic tensions, economic disputes, and the fallout from the 1966 military coups.
The federal government imposed a land, sea, and air blockade on Biafra, drastically limiting access to weapons, fuel, spare parts, and food. This blockade forced Biafran engineers, mechanics, and technicians to rely heavily on local innovation and adaptation to sustain their war effort.
The Up-Armoured Universal Carrier
The vehicle shown in the museum is believed to be based on the T16 Universal Carrier, a light tracked armoured vehicle originally designed during the Second World War. Universal Carriers were widely used by Allied forces and were present in Nigeria during the colonial era.
During the war, Biafran forces modified available carriers by:
Reinforcing them with improvised armour plating
Adapting engines and mechanical components using locally available materials
Reconfiguring them for reconnaissance, troop movement, or limited combat roles
Although such vehicles could not match the firepower or durability of modern armoured tanks, they represented a pragmatic response to isolation, allowing Biafra to maintain some level of mechanised capability.
Ingenuity Under Pressure
The armoured carrier exemplifies what many historians describe as Biafran wartime ingenuity. Alongside makeshift armoured vehicles, Biafra also produced:
Locally assembled rockets and mortars (such as the Ogbunigwe)
Modified civilian vehicles for military use
Small-scale refineries and workshops to support logistics
These efforts were driven by necessity rather than abundance, highlighting the role of technical skill and improvisation in asymmetric warfare.
Human Cost and Global Attention
The war resulted in devastating human losses. Scholarly estimates suggest around 100,000 military deaths, while civilian deaths range from approximately 500,000 to over 2 million, largely due to famine and disease exacerbated by the blockade. These figures vary widely among historians and humanitarian organisations, reflecting the difficulty of precise wartime accounting.
Notably, the Nigerian Civil War was among the first conflicts to receive extensive global television coverage. Images of starving Biafran children broadcast internationally shaped global humanitarian awareness and influenced the development of modern relief organisations.
Preservation and Historical Memory
Today, the presence of this armoured vehicle at the National War Museum, Umuahia serves an educational purpose rather than a celebratory one. It invites reflection on:
The realities of civil conflict
The limits and possibilities of local technological innovation
The enduring human and social consequences of war
As an artefact, it underscores how material culture can help future generations understand both the creativity and tragedy that emerge under extreme historical conditions.
This seldom-seen image from 1991 gently captures the serene presence of Alhaja Simbiat Atinuke Abiola (née Shoaga), pictured alongside her daughter, Wuraola Abiola, at her husband’s birthday celebration in Lagos—just a year before her passing. A prominent member of the renowned Abiola lineage, her life was rooted in service and generosity.
Alhaja Simbiat was not only the cherished spouse of the late Chief Moshood Kashimawo Olawale Abiola, she was also a formidable figure in her own right. In the early 1980s, she shattered glass ceilings by launching and directing Wonder Bakery, an innovative enterprise that provided employment to over 140 Nigerians—at a time when female business leaders were a rarity in the country.
Yet, her brilliance extended well beyond commerce.
In 1992, while waging a brave battle against cancer in a hospital in the United Kingdom, Alhaja Simbiat watched the heart-wrenching news of the Cairo (Dahshur) earthquake. Touched by the plight of the children affected, she selflessly donated $100,000 to support the reconstruction of a school that had been reduced to rubble. Even as her health declined, her compassion remained boundless—reaching across nations and touching lives.
That same year, Nigeria mourned the loss of a quiet luminary. Alhaja Simbiat passed away at age 51 in a British hospital, leaving behind a legacy defined by kindness, tenacity, and quiet leadership.
She was far more than a devoted wife and loving mother—she stood as a beacon of humanity, vision, and unwavering dignity.
The city of Oyo is currently witnessing an influx of political figures and traditional rulers for the installation of new high-ranking chiefs by the Alaafin of Oyo, Oba Abimbola Owoade.
Seyi Tinubu, accompanied by his wife, Layal, arrived at the palace of the Alaafin on Sunday.
Alaafin confers chieftancy titles on Seyi Tinubu. Credit: X|adejare_stephen
Alaafin confers chieftancy titles on Seyi Tinubu. Credit: X|adejare_stephen
PUNCH reports that Seyi, the son of President Bola Tinubu, will be installed as the “Okanlomo of Yorubaland,” a title which translates to “the beloved child” or “the one dear to the hearts of all Yoruba people.”
The title is said to symbolise a custodian of Yoruba values, unity, and cultural heritage.
The Senator representing Zamfara West and a former Governor of Zamfara State, Abdul’Aziz Yari, has also reportedly arrived in Oyo, accompanied by a delegation of northern senators and political figures.
Alaafin confers chieftancy titles on Seyi Tinubu, Senator Yari. Credit: X|adejare_stephen
Yari will also be installed as the “Obaloyin of Yorubaland” on the same occasion by the Alaafin.
The Director of Media and Publicity to the Alaafin, Bode Durojaiye, in a recent statement, reportedly stated that the ‘Obaloyin of Yorubaland’ title represents love, compassion, justice, and a bridge between physical and spiritual realms.
Both titles are said to come with responsibilities that include promoting Yoruba culture, advising the Alaafin, fostering unity, and advancing education and social welfare.
Alaafin confers chieftancy titles on Seyi Tinubu, Senator Yari. Credit: X|adejare_stephen
Videos circulating on social media reveal that the venue of the event is set, capturing the presence of several notable figures, including former Governor of Kano State, Abdullahi Ganduje, lawmakers, and a diverse assembly of traditional rulers and chiefs.