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Motorists stranded as flood overruns Lagos communities

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Vehicular and business activities were paralysed across parts of Lagos State on Wednesday after hours of heavy downpour triggered flash floods in several communities in the state.

It was observed that the downpour wreaked havoc in flood-prone areas across the state, which included Maryland, Lekki, Ogba, and Ikorodu.

This is as residents and business owners lamented how their homes and shops were overrun by the flood.

Similarly, multiple videos seen across social media platforms by our correspondents showed residents wading through their flooded neighbourhoods, while motorists were also seen moving at a slow pace on flooded roads.

On Olatunji Street in Maryland, the overflow of a canal cut off access to the adjoining Mende community.

A resident, Chinasa Nnadi, said the flood had been a recurring sight whenever it rained and as long as the residents in both neighbourhoods could remember.

She said, “This has been happening for years now, and it’s very hard for vehicles to go in or out of there. People even swim to their houses. It is not easy for people living around there to come out of their houses because the flood is too much. Some will even go as far as relocating to another place due to the flood.”

A business owner who identified himself simply as Kalu and had lived there for three years said he was amazed at how quickly the flood spread across the street.

He said, “I watched as people tried to scoop water out of their homes after it entered their houses. I also suffered the same fate as the water flowed into my shop.”

A member of a church in the area, identified simply as Christiana, also narrated how the worship centre was flooded, destroying some instruments in the process.

She said, “The flood has affected our church’s musical instruments. We will have to spend lots of money either to fix or replace them. When the canal is full, the water gets into the church, and it reaches half the building of the church, it causes extreme damage.”

The downpour, however, compounded the woes of motorists and pedestrians as they were trapped in the gridlock that built up on several flooded roads across the state.

In some areas, vehicles broke down on the waterlogged roads, worsening the situation for commuters who spent long hours waiting to board buses.

In its usual look during a downpour, the Ogba-Wempco junction was flooded, affecting vehicular movement in the area.

Sharing his experience, a commuter, Tunji Abass, lamented how he spent longer time hours in traffic due to the flood.

“The vehicles were moving very slowly due to the flooded portion of the road. It has always been like that during the rainy season. It becomes even worse times that water flows into people’s vehicles. The earlier the government attends to this, the better.”

A resident working in the Ikate area of the state, Victor Obinna, while also lamenting, explained that he resorted to sleeping in the office whenever it rained due to gridlock in the area.

He added that the road linking to his office used to be flooded, and he had to navigate through the water to get there.

He said, “I stay in the office all through the week, and whenever I don’t stay in the office, I walk through the flood before getting to the office. Sometimes, I even had to dress up in the office because by the time I got to the office, half of my body would have been soaked.”

Some weeks ago, PUNCH Metro reported that property worth millions of naira was destroyed in the Ikorodu area of the state.

A video sighted by a correspondent on Wednesday showed how some roads in the community were flooded.

The economic cost of flooding in Lagos is estimated at billions of naira annually, with residents losing homes, shops, vehicles, and man-hours to gridlock. Public health is also at risk, as stagnant floodwater often leaves behind outbreaks of waterborne diseases.

The Lagos State Government, however, sympathised with residents affected by the flash floods that swept through parts of the state, assuring that efforts were ongoing to tackle recurring incidents.

The Commissioner for the Environment and Water Resources, Tokunbo Wahab, in a statement on Wednesday, said Lagos, being a coastal city, remained vulnerable to flooding, especially during heavy rainfall and tidal lock.

He, however, noted that the government had continued to invest in drainage infrastructure, desilting, and enforcement of environmental laws to minimise the impact on residents.

Giving clarity on some affected areas, Wahab explained that flooding around the Kusenla area of Lekki was caused by a technical challenge, adding that the downstream was higher than the existing drainage system.

He added that the government had already awarded a project that included the construction of a pumping station to address the problem.

He further revealed that flooding near the House on the Rock church was linked to illegal construction on floodplains and indiscriminate dumping of refuse in drains, stressing that such activities worsened the situation.

“Clear infractions were observed in some of the videos shared yesterday. The state government will ensure that illegal structures, obstructions, and reclamations carried out without proper approvals are promptly removed,” Wahab said.

“We appeal for understanding and continued cooperation from the public. Keeping our environment clean, refraining from dumping refuse into drains, and avoiding construction on floodplains are vital to achieving a flood-free Lagos. In several of the videos shared yesterday, clear infractions were observed, and @followlasg will ensure that such illegal structures and obstructions are promptly removed. Including those illegal reclamations carried out without the requisite Environmental Impact Assessment Report and the Drainage Clearance.

“We also wish to assure residents that the flooding was a flash flood in some parts of the state and has since receded this morning. The ministry remains committed to strengthening our flood management systems, but this effort requires the support and responsible actions of all Lagosians. Together, we can build a safer, cleaner, and more resilient Lagos,” the statement added.

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Adekunle Gold embraces Nigerian roots with new album ‘Fuji’

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Nigerian singer Adekunle Gold returns to his roots on Friday with the release of his sixth album, “Fuji”, which he described as a tribute to the ancestral sounds of his home country.

“That sound is the soundtrack of Lagos. It’s everywhere. That sound gave birth to Afrobeats and all the things that we hear right now,” Gold told AFP in Paris.

A descendant of the Kosoko royal family, the Afropop icon draws inspiration from the Indigenous Yoruba community, one of the largest ethnic groups in West Africa.

It is “one of the oldest sounds of Nigeria”, the 38-year-old singer said.

Fuji music, a popular genre that evolved from Yoruba Muslim culture, is known for its fast beats, large ensemble of percussion instruments, and lyrics based on key sociopolitical themes.

The genre took off in Nigeria in the 1960s, shortly after the country declared independence.

Late singer-songwriter Ayinde Barrister, widely regarded as the pioneer of Fuji music, named the style after the famous Japanese mountain.

Gold blends traditional elements from Nigeria’s rich musical heritage with the catchy melodies of contemporary R&B.

Like Burna Boy or Davido, he represents this generation of Nigerian artists who have bridged divides between past and present for an international audience.

“You listen to it, and it makes your body move. It’s magical,” the singer said.

“Fuji, Highlife (another traditional genre), every sound from Nigeria makes you feel alive. I feel like that’s why it does well,” he added.

Full of colourful outfits, lively dancing, and flower-covered boats, his “Party No Dey Stop” music video — a viral duet with fellow Nigerian Zinoleesky — has amassed 29 million views on YouTube.

The song is his first major hit in the United States.

Gold, also known as AG Baby, gained fame in Nigeria in 2014 after he covered a song by popular boy band One Direction.

Since then, he has signed with American label Def Jam Recordings and has collaborated on the track “Falling Up” with funk legend Nile Rodgers and musician Pharrell Williams.

Spreading culture

Gold invites listeners to delve deep into the latest album, an emotional journey inspired by significant events from his life.

“I talk about my grief when I lost my father. I talk about my love life, my daughter, about being a family man,” he explained.

While Gold lives in the United States, he said his “heart is in Lagos”.

“I’m spreading the culture, talking about my heritage, talking about tradition,” he said.

However, challenges persist in Nigeria, where nearly 60 per cent of the population lives below the poverty line

“There have been steps in the right direction,” Gold said as he expressed hope for the future of his country.

“It is not enough for the government to do everything,” he added, calling on people to “do what we can as citizens”.

Committed to the fight against sickle cell disease, which he has lived with his entire life, Gold launched a foundation this year to fund treatment and support local charities.

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Lara George: Nigerian Gospel Icon with a Global Voice

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Lara George is a Nigerian gospel singer, songwriter, and producer whose powerful voice and timeless songs have made her one of the most respected figures in African gospel music. Based in the United States, she continues to influence gospel music worldwide through her artistry, leadership, and devotion to worship.

Early Life and Education

Lara George was born into a music-loving family in Lagos State, Nigeria. Her passion for singing was evident from an early age, and she nurtured her talent while growing up in Lagos. She later studied Architecture at the University of Lagos, where she also began to actively pursue her passion for gospel music.

Musical Career and Breakthrough

George rose to prominence as a member of the inspirational music group Kush, active in the early 2000s. The group, made up of gospel-influenced young artists, became popular for its innovative fusion of gospel, hip hop, and contemporary African sounds. Though the group disbanded, it laid the foundation for George’s successful solo career.

Her debut solo album, Forever in My Heart (2008), included the breakout hit “Ijoba Orun.” The song quickly became a gospel anthem in Nigeria, sung in churches and concerts across Africa and beyond. Its success established Lara George as one of the leading gospel voices of her generation.

Following this, she released other notable projects, including Higher (2012), Love Nwantintin (2014), and The Best of Lara George (2017), showcasing her versatility and consistency as a gospel artist.

Achievements and Recognition

Over the years, Lara George has earned numerous accolades. She won Best Female Gospel Artiste at the 2012 Africa Gospel Music Awards, among other honors.

Beyond her music, George has contributed to the industry through leadership. She serves as the Vice President of SoForte Entertainment Distribution Ltd., a pioneering Nigerian company focused on strengthening music distribution across Africa.

In 2021, her global impact was further recognized when she was invited to join the Recording Academy (organizers of the Grammy Awards) as a Voting Member, affirming her status as an international gospel voice.

Personal Life

Lara George is married to Gbenga George, an accomplished legal practitioner. Together they have two children. The family resides in Alpharetta, Georgia, United States, where George balances her family life with her music career and industry work.

Legacy and Influence

Lara George’s music blends heartfelt worship with contemporary gospel sounds, inspiring believers and non-believers alike. Songs like Ijoba Orun remain evergreen classics, while her career continues to highlight the global reach of Nigerian gospel music.

Through her voice, leadership, and consistency, Lara George has left an indelible mark on gospel music, both in Nigeria and internationally.

Sources

Vanguard Nigeria – Lara George: Life as a Gospel Singer (2018)

Africa Gospel Music Awards – Winners List 2012

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The 1973 Nigerian “Hides and Skins” Postage Stamp: A Window into Economic Identity

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In 1973, Nigeria introduced a new definitive postage stamp series to reflect the country’s transition from the British sterling system to the Naira and Kobo currency. Known as the Industry and National Pride issue, or simply the 1973–1986 Definitive Issue, the series highlighted major sectors that shaped Nigeria’s economy and cultural identity in the post-independence period.

Among the most notable designs in the set was the 1 kobo “Hides and Skins” stamp, which depicted the trade in animal hides and skins. This was not a casual choice. For decades, hides and skins were one of Nigeria’s leading agricultural exports, particularly from the northern region, and they played a major role in the nation’s foreign exchange earnings during the 1960s and 1970s. By placing this industry on a definitive stamp, Nigeria emphasized its economic significance while also projecting a sense of national pride rooted in traditional livelihoods.

The Role of Definitive Stamps

Unlike commemorative stamps, which are printed for specific events or anniversaries, definitive stamps are produced for everyday postal use and often remain in circulation for many years. The “Hides and Skins” stamp, therefore, went beyond a symbolic tribute. It became a practical emblem of Nigerian economic identity, traveling across the country and abroad through the nation’s postal system.

Artistic Contributions

The 1973 series included designs created by Nigerian artists such as Austin Onwudimegwu and Erhabor Emokpae, both of whom contributed to different denominations in the set. While collectors and catalogues acknowledge their involvement in the issue, attribution for specific denominations, including the “Hides and Skins” design, is not always clearly documented. What remains clear, however, is that the series as a whole reflected a conscious effort to use Nigerian artistic talent to celebrate national industry.

A Stamp as History

To philatelists and historians, the “Hides and Skins” stamp is more than just a piece of postal paper. It embodies a snapshot of Nigeria’s economic priorities at a time when agriculture, rather than oil, still dominated the country’s exports. It also reflects the broader post-independence aspiration to craft a distinctly Nigerian visual identity in official symbols.

Today, this stamp is valued not only for its function and design but also for its historical resonance. It offers collectors and researchers a window into how a young nation sought to represent itself to the world—through industry, culture, and pride.

Sources

Stanley Gibbons Stamp Catalogue: Commonwealth and British Empire Stamps (West Africa listings).

Scott Standard Postage Stamp Catalogue (Nigeria 1973–1986 definitive issues)

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