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Tears, drama, strategies, What you missed on first week of BBNaija S10

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The first week of Big Brother Naija Season 10, tagged BBNaija: 10/10, delivered a heady cocktail of drama, emotion and early alliances, from viral diary room moments to shocking confrontations, emotional outbursts, and strategic play.

Here’s your roundup of the most talked-about highlights from Week 1

1. Imisi’s entrance

Imisi’s grand entry instantly caught attention, not for glamour, but for its sheer unpredictability. From her disturbing wig to a less-than-coordinated outfit and her bold “Eku Ile” Yoruba greeting, she was an instant topic across social media.

Imisi made it clear that she’s not your regular housemate, hinting on ‘street’ (The low-class) inclusivity on the show.

2. Zita calls out unnecessary drama

During her diary session, Zita expressed irritation at what she perceived as forced drama from fellow housemates.

“I am dagbana choko, but it is natural,” she said, implying she wouldn’t get involved in fake antics for camera time.

Biggie, amused, asked: “What is dagbana choko?”

She fumbled a slangy reply, “Skolomindos… sorry,” which got viewers laughing.

3. Kaybobo vs Mesan: Bully tag sparks debate

Tension spiked when Mesan labelled Kaybobo a bully due to his recent encounter with housemates, including Koyin. The accusation didn’t sit well with him.

“You wanna see a bully… I don talk my own, if you see me left, go right,” Kaybobo warned furiously.

The confrontation left the house tense, and Kaybobo later broke down in tears.

4. Rooboy vs Jason Jae over disrespect

Rooboy, often jovial but sensitive, took offence when Jason Jae jokingly called him crazy.

“You call me your guy, you tell me say I dey craze,” he fired back.
Jason had to apologise, sensing Rooboy didn’t take the word lightly.

5. Mide’s facial expression and fake nominations

Mide caused subtle ripples on Day 1 with her eye-rolls and reactions to housemates’ entrances, prompting commentary online about her perceived snobbery.

During nominations, she baffled Biggie by naming “Menanze” and “Deziani”, people who aren’t even housemates.

Biggie responded dryly, “Are these housemates?”

Later in the week, Ebuka revealed that the nominations were fake, and no one would be evicted yet, a twist that will be unveiled to the housemates on Sunday.

6. ‘Na your papa get Lagos’, Koyin gets emotional

A dramatic food clash between Kaybobo and 21-year-old Koyin ended in tears.

“Na your papa get Lagos?” Kaybobo snapped after Koyin demanded more noodles.

Though the statement cut deep, Koyin surprised many by not nominating Kaybobo in the diary room later.

7. Jason Jae retains Head of House title after a challenger

Jason Jae, initially appointed interim Head of House on Sunday, became the official HoH after winning the Monday night challenge.

He edged out contenders including Rooboy, Sultana, Dede, Kuture, and Bright Morgan.

8. Rooboy slams food hoarders

In his diary session, Rooboy criticised housemates for hoarding food and wasting resources, especially water.

9. Kenari vs Otega: Chicken fight gets heated

A grilled chicken fight erupted between Otega and Kenari, after Kenari accused Otega of greed.

“You dey claim chef, you dey in charge of grill,” Kenari shouted, as Otega held on to a full plate.

The fight nearly escalated, but Victory and Thelma intervened, and another fight broke out.

10. Mesan’s diary room breakdown

In one of the most emotional scenes yet, Mesan broke down in tears while talking about the pressure to support his mother and siblings.

He then asked Biggie if he was on live TV and if he was being recorded.

His vulnerability resonated with many viewers online.

11. Imisi’s face-off with Rooboy and Koyin

A heated confrontation between Imisi, Rooboy and Koyin over a dirty pot turned messy, literally.

Imisi, switching between a funny phonetic English and street slang, waved a fork in her defence.

Koyin flared up when she threatened to stab him. The two later reconciled.

12. Wager task failure

Friday’s wager task, themed around an unmasking ball, was a mix of drama, guessing games and brain teasers. Biggie was unimpressed, and the housemates lost, a blow that will likely affect their welfare in the coming week.

13. Vibes, dance, and strategy

Despite the drama, housemates found time to dance midweek with Koyin leading the vibes and showing his fun side.

But beneath the moves, strategies are slowly forming, and the game is just beginning.

The Saturday night party is held later tonight, and viewers are anticipating their energy on the dance floor and post-drama

BBNaija S10 is already shaping up to be one of the most dramatic seasons yet, and it’s only Week 1.

The housemates came prepared, leveraging every opportunity to outshine each other; being on the audience’s lips is a must for them.

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Adekunle Gold embraces Nigerian roots with new album ‘Fuji’

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Nigerian singer Adekunle Gold returns to his roots on Friday with the release of his sixth album, “Fuji”, which he described as a tribute to the ancestral sounds of his home country.

“That sound is the soundtrack of Lagos. It’s everywhere. That sound gave birth to Afrobeats and all the things that we hear right now,” Gold told AFP in Paris.

A descendant of the Kosoko royal family, the Afropop icon draws inspiration from the Indigenous Yoruba community, one of the largest ethnic groups in West Africa.

It is “one of the oldest sounds of Nigeria”, the 38-year-old singer said.

Fuji music, a popular genre that evolved from Yoruba Muslim culture, is known for its fast beats, large ensemble of percussion instruments, and lyrics based on key sociopolitical themes.

The genre took off in Nigeria in the 1960s, shortly after the country declared independence.

Late singer-songwriter Ayinde Barrister, widely regarded as the pioneer of Fuji music, named the style after the famous Japanese mountain.

Gold blends traditional elements from Nigeria’s rich musical heritage with the catchy melodies of contemporary R&B.

Like Burna Boy or Davido, he represents this generation of Nigerian artists who have bridged divides between past and present for an international audience.

“You listen to it, and it makes your body move. It’s magical,” the singer said.

“Fuji, Highlife (another traditional genre), every sound from Nigeria makes you feel alive. I feel like that’s why it does well,” he added.

Full of colourful outfits, lively dancing, and flower-covered boats, his “Party No Dey Stop” music video — a viral duet with fellow Nigerian Zinoleesky — has amassed 29 million views on YouTube.

The song is his first major hit in the United States.

Gold, also known as AG Baby, gained fame in Nigeria in 2014 after he covered a song by popular boy band One Direction.

Since then, he has signed with American label Def Jam Recordings and has collaborated on the track “Falling Up” with funk legend Nile Rodgers and musician Pharrell Williams.

Spreading culture

Gold invites listeners to delve deep into the latest album, an emotional journey inspired by significant events from his life.

“I talk about my grief when I lost my father. I talk about my love life, my daughter, about being a family man,” he explained.

While Gold lives in the United States, he said his “heart is in Lagos”.

“I’m spreading the culture, talking about my heritage, talking about tradition,” he said.

However, challenges persist in Nigeria, where nearly 60 per cent of the population lives below the poverty line

“There have been steps in the right direction,” Gold said as he expressed hope for the future of his country.

“It is not enough for the government to do everything,” he added, calling on people to “do what we can as citizens”.

Committed to the fight against sickle cell disease, which he has lived with his entire life, Gold launched a foundation this year to fund treatment and support local charities.

punch.ng

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Lara George: Nigerian Gospel Icon with a Global Voice

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Lara George is a Nigerian gospel singer, songwriter, and producer whose powerful voice and timeless songs have made her one of the most respected figures in African gospel music. Based in the United States, she continues to influence gospel music worldwide through her artistry, leadership, and devotion to worship.

Early Life and Education

Lara George was born into a music-loving family in Lagos State, Nigeria. Her passion for singing was evident from an early age, and she nurtured her talent while growing up in Lagos. She later studied Architecture at the University of Lagos, where she also began to actively pursue her passion for gospel music.

Musical Career and Breakthrough

George rose to prominence as a member of the inspirational music group Kush, active in the early 2000s. The group, made up of gospel-influenced young artists, became popular for its innovative fusion of gospel, hip hop, and contemporary African sounds. Though the group disbanded, it laid the foundation for George’s successful solo career.

Her debut solo album, Forever in My Heart (2008), included the breakout hit “Ijoba Orun.” The song quickly became a gospel anthem in Nigeria, sung in churches and concerts across Africa and beyond. Its success established Lara George as one of the leading gospel voices of her generation.

Following this, she released other notable projects, including Higher (2012), Love Nwantintin (2014), and The Best of Lara George (2017), showcasing her versatility and consistency as a gospel artist.

Achievements and Recognition

Over the years, Lara George has earned numerous accolades. She won Best Female Gospel Artiste at the 2012 Africa Gospel Music Awards, among other honors.

Beyond her music, George has contributed to the industry through leadership. She serves as the Vice President of SoForte Entertainment Distribution Ltd., a pioneering Nigerian company focused on strengthening music distribution across Africa.

In 2021, her global impact was further recognized when she was invited to join the Recording Academy (organizers of the Grammy Awards) as a Voting Member, affirming her status as an international gospel voice.

Personal Life

Lara George is married to Gbenga George, an accomplished legal practitioner. Together they have two children. The family resides in Alpharetta, Georgia, United States, where George balances her family life with her music career and industry work.

Legacy and Influence

Lara George’s music blends heartfelt worship with contemporary gospel sounds, inspiring believers and non-believers alike. Songs like Ijoba Orun remain evergreen classics, while her career continues to highlight the global reach of Nigerian gospel music.

Through her voice, leadership, and consistency, Lara George has left an indelible mark on gospel music, both in Nigeria and internationally.

Sources

Vanguard Nigeria – Lara George: Life as a Gospel Singer (2018)

Africa Gospel Music Awards – Winners List 2012

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The 1973 Nigerian “Hides and Skins” Postage Stamp: A Window into Economic Identity

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In 1973, Nigeria introduced a new definitive postage stamp series to reflect the country’s transition from the British sterling system to the Naira and Kobo currency. Known as the Industry and National Pride issue, or simply the 1973–1986 Definitive Issue, the series highlighted major sectors that shaped Nigeria’s economy and cultural identity in the post-independence period.

Among the most notable designs in the set was the 1 kobo “Hides and Skins” stamp, which depicted the trade in animal hides and skins. This was not a casual choice. For decades, hides and skins were one of Nigeria’s leading agricultural exports, particularly from the northern region, and they played a major role in the nation’s foreign exchange earnings during the 1960s and 1970s. By placing this industry on a definitive stamp, Nigeria emphasized its economic significance while also projecting a sense of national pride rooted in traditional livelihoods.

The Role of Definitive Stamps

Unlike commemorative stamps, which are printed for specific events or anniversaries, definitive stamps are produced for everyday postal use and often remain in circulation for many years. The “Hides and Skins” stamp, therefore, went beyond a symbolic tribute. It became a practical emblem of Nigerian economic identity, traveling across the country and abroad through the nation’s postal system.

Artistic Contributions

The 1973 series included designs created by Nigerian artists such as Austin Onwudimegwu and Erhabor Emokpae, both of whom contributed to different denominations in the set. While collectors and catalogues acknowledge their involvement in the issue, attribution for specific denominations, including the “Hides and Skins” design, is not always clearly documented. What remains clear, however, is that the series as a whole reflected a conscious effort to use Nigerian artistic talent to celebrate national industry.

A Stamp as History

To philatelists and historians, the “Hides and Skins” stamp is more than just a piece of postal paper. It embodies a snapshot of Nigeria’s economic priorities at a time when agriculture, rather than oil, still dominated the country’s exports. It also reflects the broader post-independence aspiration to craft a distinctly Nigerian visual identity in official symbols.

Today, this stamp is valued not only for its function and design but also for its historical resonance. It offers collectors and researchers a window into how a young nation sought to represent itself to the world—through industry, culture, and pride.

Sources

Stanley Gibbons Stamp Catalogue: Commonwealth and British Empire Stamps (West Africa listings).

Scott Standard Postage Stamp Catalogue (Nigeria 1973–1986 definitive issues)

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