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Lest We Forget: A Historical Reflection on Yoruba-Igbo Tensions

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Many people today speak of betrayal and mistrust between the Yoruba and Igbo, but few understand the deeper context or the actual conversations that took place among the leaders of both ethnic groups. I had the rare privilege though just a young observer who had learned “how to wash his hands” of sitting in on some of these meetings between Yoruba and Igbo elders.

One such memorable gathering took place in Owerri around 1989. There, I listened in awe as Uncle Bola Ige and other Yoruba leaders addressed claims made by some prominent Igbo figures, including Chief Mbakwe and R.B. Okafor. The accusation? That Chief Obafemi Awolowo had promised to support the Igbo in seceding from Nigeria, and then betrayed them by not following through.

Bola Ige responded with clarity and fire. Turning to Mbakwe, he asked directly:

“You were present at the meeting between Awolowo and Ojukwu, as I was. Did Awo ever make that promise?”

He then turned to two other Yoruba and two Igbo leaders who were also present at that historical meeting.

“I have the transcripts,” he warned. None of the Igbo elders refuted him.

Awolowo, according to Ige, had never promised to follow the East into secession. What he did say was:

“If the Igbo are ever driven out of Nigeria, the Yoruba will take it seriously and reassess their own position.”

The room fell quiet. The accusation crumbled in the face of truth. The Igbo leaders did not deny this version of events.

Then came Bola Ige’s thunderous retort:

“Who are you to accuse the Yoruba of betrayal?”

He laid out a powerful chronology:

1. At Independence, Awolowo offered a joint NCNC-AG government Zik as Prime Minister, Awo as Finance Minister. Negotiations were ongoing when suddenly Zik announced a coalition with the NPC instead. The East aligned with the North to crush the West, jailing Awo and his allies.

2. In 1965, the West and East agreed to boycott the election. They reached consensus in the early hours, but by morning, the Igbo broke ranks and voted while the Yoruba held the line.

3. In 1979, post-election negotiations for a Yoruba-Igbo coalition (UPN-NPP) were underway when the NPP suddenly entered a coalition with the North’s NPN without notice.

4. In 1983, the same betrayal occurred. Yet Awolowo still sought unity. He met Zik again in Benin, pleading that only a Yoruba-Igbo alliance could rescue Nigeria. The meeting ended inconclusively, and again the East returned to align with the North.

With visible emotion, Uncle Bola continued:

“We can go on and on. But let me ask you: how many Igbo have been killed in Yoruba towns like Lagos, Ibadan, Akure, or Oshogbo? You thrive in our cities, build your businesses here, and attend our schools yet you call us enemies. Meanwhile, your people are regularly killed in Kaduna, Kano, Bauchi, Zaria, and your shops looted. Yet you count the North as allies. If you choose to be perpetual slaves, we cannot help you.”

The silence that followed was deafening. No one interrupted him. No one challenged the facts. The Yoruba delegation stood and ended the meeting. I can only hope Chief C.O. Adebayo’s memoirs will someday detail that historic exchange further.

Key Takeaways:

A. The Yoruba have long extended a hand across the Niger. The Igbo, for decades, declined to take it until recently.

B. Many Igbo leaders of the 1970s to 1990s actively propagated the myth that Awolowo betrayed them, using it to solidify internal unity and distract from internal failures. The one common rallying point was hatred for the Yoruba.

C. Time is a great healer. Many Igbo reading this today may be learning, for the first time, that their leaders knew Awolowo never betrayed Ojukwu or the East during the Civil War.

A Call to Our Generation:

Even if our parents quarreled, should we, their children, inherit their grudges? Must we perpetuate old divisions in a Nigeria struggling for unity and growth?

It is time.

Time for a genuine handshake across the Niger.

Time to heal, to build, and to move forward together.

Originally shared on the “Friends Ikoyi Club 1938” Forum by Dr. Adenike Marinho
(Medical Doctor and Social Commentator)

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Late Actress Rebecca Adebimpe Adekola a.k.a Ireti

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Rebecca Adebimpe Adekola a.k.a Ireti | was One of Nigerian Actress That Should Not Be Forgotten In The HISTORY Of Nollywood Film Industry. One of generation of actors who made home videos popular in the 1990s

Aunty Ireti was born in Abeokuta, Ogun State, where she also grew up. Aunty Ireti was a producer, film writer, director and an outstanding actress. Unknown to many, her younger relative, Opeyemi Adekola(Not Odunlade)is also an actor and was inspired to take to the thespian art because of his latè aunty. While speaking with Naijarchives, Mr. Opeyemi Ohiomare Adekola explained that the làte Ireti and his own dad were cousins. Mr. Adekola also revealed to us that while both Odunlade Adekola and their family are both from Oyo State, they hail from different parts: Ireti’s own are from Ogbomosho while Odunlade Adekola is from Otun Ekiti. I guess that lays to rest the popular rum0ur that Odunlade Adekola is Ireti’s younger brother. While an actress, the late Ireti was known for starring in many fl|cks alongside Taiwo Hassan aka Ogogo

Following her d£ath, there was a sp0ntaneous outpouring of grief across the nation. On the 30th September, 2002, her body in a glistening white c0ffin was on display for her last public appearance at the National Theatre, Iganmu Lagos before her ßurial. Ireti mentored many actress in her lifetime, grooming them to become stars in their own right, one of whom is Bisi-Ibidapo Obe aka Omo Logba Logba. Ireti was also the role model for Ibironke Ojo aka Ronke Oshodi-Oke.

HOW DID SHE GET THE NAME ‘IRETI’?

In 1993, Jide Kosoko released a movie titled Asiri Nla and in it, she acted the role of Ireti, and that was how the name stuck.

HER D£ATH

Rebecca Adebimpe Adekola di£d after a brief illn£ss due to some c0mplications susp£cted to be from typh0id f£ver. She gave up the gh0st at Unity Hospital, a private medical center in Surulere, Lagos State
This writeup(Caption) is from Ayeni Abayomi page

In October 2012, ten years after she di£d, the National Association of Nigerian Theatre Arts Practitioners (NANTAP) decided to launch the Ireti Adekola Foundation (IAF) at the National Theatre, Iganmu, Lagos to imm0rtalize her name. The foundation was established to take care of single mothers and mentor upcoming and talented actors and actresses.

In the 1990s before the likes of Jenifa and the rest, Nigerian actress, Rebecca Adebimpe Adekola graced the screen of millions across the nation, especially lovers of Yoruba movies. Popularly known as Ireti, she dazzled many with her acting skills until her d£ath on Friday, 27th September, 2002.

Some of the movie She got starred in includes👇

-IKE OWO
-AGBA AKIN
-OLAONIRAN
-23/24 LORO ILE AYE
-AYE AWA OBINRIN (the last movie she appeared in before her d£mise)

Rest well Legend

You’re a screen g0ddess and one of the few most s0ught after relatively younger actresses who made Nollywood attractive in the late 1990s. You are part of the generation of actors who made home videos popular in the 1990s.

©️Ayeni Abayomi

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Toyin Adegbola: The Enduring Star of Yoruba Cinema

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From “Asewo to Re Mecca” to cultural icon – the remarkable journey of one of Nollywood’s most beloved actresses

Early Life and Family Background

Toyin Adegbola was born on December 28, 1961, in Osun State, Nigeria. She hails from a family with deep creative roots, being the cousin of the legendary actor and filmmaker Adeyemi Afolayan (Ade Love) and his children — among them Kunle Afolayan, Gabriel Afolayan, and Moji Afolayan, all prominent figures in Nigerian cinema.

Growing up in southwestern Nigeria, Toyin’s early exposure to Yoruba culture and storytelling inspired her passion for performance. Before venturing into acting, she worked briefly as a television broadcaster and teacher, experiences that shaped her confidence and communication skills.

Rise to Stardom

Toyin Adegbola began her acting career in 1984, marking her debut in the Yoruba-language sector of Nollywood. She gained national fame after starring in the classic Yoruba film Asewo to Re Mecca (translated as The Prostitute Who Went to Mecca), which earned her the enduring nickname “Toyin Asewo to Re Mecca.”

The film, released during a period when Yoruba cinema was expanding rapidly, portrayed themes of repentance, morality, and redemption, resonating deeply with audiences across Nigeria. Her ability to bring authenticity and emotional depth to complex characters quickly made her one of the most recognisable faces in the industry.

Over the years, she has featured in hundreds of Yoruba films, spanning genres from traditional folklore to contemporary drama. Some of her notable works include:

Deadly Affair (1995)

Irapada (2006)

Arojinle (2018)

Arinola, Alaanu Mi, and Temidire

Through these roles, Toyin Adegbola established herself as a versatile actress, capable of interpreting both comedic and deeply emotional characters.

Beyond Acting: Producer, Director, and Cultural Ambassador

In addition to her acting career, Toyin Adegbola has worked as a producer and director, contributing to the growth of Yoruba-language cinema and mentoring younger filmmakers. Her deep understanding of cultural nuances allows her to bring authenticity to her productions, preserving Yoruba values and traditions through storytelling.

In 2016, she was conferred with the chieftaincy title of Yeye Amuludun of Osogboland by the Ataoja of Osogbo, Oba Jimoh Olanipekun Larooye II. The title, meaning “Mother of Entertainment”, recognised her outstanding contributions to Nigeria’s entertainment industry and her role in promoting Yoruba culture globally.

Legacy and Influence

Toyin Adegbola’s influence extends far beyond the screen. She represents a generation of Nigerian actresses who helped shape the identity of Yoruba cinema before the digital boom of Nollywood. Her continued presence in film and television demonstrates resilience, adaptability, and a commitment to artistic excellence.

She has also served in various capacities within industry associations, advocating for the welfare of actors and supporting emerging talents. In interviews, she has often spoken about the importance of discipline, humility, and cultural pride for those aspiring to build lasting careers in the entertainment sector.

Personal Life

Toyin Adegbola is a mother and grandmother, often described as warm and deeply spiritual. She balances her creative pursuits with community involvement and philanthropic activities, particularly in Osun State. Despite facing personal and professional challenges, she remains one of the most respected figures in Nigerian entertainment.

References

Vanguard Nigeria. (2016). Toyin Adegbola Bags Chieftaincy Title in Osogbo.

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Patricia Olubunmi Etteh: Nigeria’s First Female Speaker of the House of Representatives

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A trailblazer in Nigerian politics and the first woman to lead the country’s House of Representatives

Patricia Olubunmi Etteh remains one of the most notable figures in Nigeria’s democratic history, recognised as the first woman to serve as Speaker of the House of Representatives. Her appointment in June 2007 marked a significant moment for women’s representation in Nigerian politics — a symbolic breakthrough that inspired many across the nation.

Born on August 17, 1953, in Ikire, Osun State, Patricia Etteh trained and worked as a beauty therapist before venturing into politics. She attended the University of Abuja, where she earned a Law degree, demonstrating her commitment to self-development and governance.

Etteh began her political journey as a member of the Alliance for Democracy (AD) and was elected to the House of Representatives in 1999, representing Ayedaade/Isokan/Irewole Federal Constituency of Osun State. Her charisma, grassroots appeal, and advocacy for women’s inclusion in leadership quickly made her a respected voice in the legislature.

In June 2007, she made history when she was elected Speaker of the 6th House of Representatives, becoming the first and only woman to occupy that position in Nigeria’s history. Her emergence was seen as a victory for gender equality and a testament to her political influence within the People’s Democratic Party (PDP).

However, her tenure was short-lived. In October 2007, Etteh faced allegations of financial misconduct related to the renovation of her official residence and the purchase of vehicles for the National Assembly. Though she denied any wrongdoing and maintained that all processes were duly approved, public and political pressure led to her resignation after just five months in office.

Despite the controversy, Patricia Etteh’s impact on Nigerian politics cannot be dismissed. Her rise to the position of Speaker shattered long-standing gender barriers, paving the way for more women to aspire to top political offices. Over the years, she has remained active in political and social advocacy, supporting initiatives that promote women’s empowerment and participation in governance.

Etteh’s story is not merely one of power and controversy — it is a narrative of courage, ambition, and the pursuit of equality in a male-dominated political landscape. As a Yoruba woman from Osun State, her achievement continues to resonate as a source of pride in Nigeria’s democratic history.

Her portrait — often used in educational and historical references — serves as a reminder of the progress made and the journey yet to come for Nigerian women in politics.

References:

National Assembly of Nigeria archives

Daily Trust historical profiles (2007)

Premium Times Nigeria political retrospectives

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