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Oleku Ija Ore: Historical Account of the Battle of Ore in the Nigerian Civil War

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The Nigerian Civil War (1967–1970), also called the Biafran War, was one of the bloodiest conflicts in post-colonial Africa. Among its many turning points, the Battle of Ore, remembered in Yoruba memory as “Oleku Ija Ore” (“the fierce battle of Ore”), stands out as a decisive episode that changed the trajectory of the war.

This is the full history of the battle, the Yoruba dimension, and its lasting legacy.

Background: The Road to War

The Nigerian Civil War broke out on July 6, 1967, following deep ethnic, political, and military crises:
The January 1966 coup, led largely by Igbo officers, killed many northern leaders including Prime Minister Abubakar Tafawa Balewa and the Sardauna of Sokoto, Ahmadu Bello.

A counter-coup in July 1966, led by northern officers, brought Lt. Col. Yakubu Gowon to power. This coup also sparked massacres of Igbos in the North, leading to mass migrations eastward.

On May 30, 1967, Col. Chukwuemeka Odumegwu Ojukwu declared the Republic of Biafra, seceding from Nigeria.

War was inevitable. Initially, Biafra had the upper hand due to its motivated troops, sympathetic foreign media, and the daring strategies of Yoruba officer Lt. Col. Victor Banjo, who sided with Ojukwu.

The Midwest Invasion

On August 9, 1967, Biafran forces crossed the Niger River and invaded Nigeria’s Midwestern Region. Commanded by Col. Banjo, the invasion aimed to achieve three key goals:

1. Capture Lagos, Nigeria’s capital, to force Gowon’s government into collapse.

2. Gain Yoruba support, using Banjo’s ethnicity as leverage.

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3. Expand Biafran control westward, securing international recognition.

Within days, towns such as Asaba, Agbor, Benin, and even Ore fell under Biafran occupation. The invasion shocked the Nigerian government, which had believed the war would be quickly contained in the East.

The Advance to Ore

By mid-August, Banjo’s troops had advanced to Ore in Ondo State, only about 130 miles from Lagos. The road to the capital was wide open, and panic gripped the Nigerian government.

Gowon called emergency meetings in Lagos.

Yoruba leaders were divided: should they support Banjo (a Yoruba fighting for Biafra) or stand with the federal government?

In the barracks, confusion reigned. The West had very few soldiers, and many Yoruba officers were unsure of their allegiance.

Only a small Nigerian platoon of 32 soldiers from the 11th Battalion, led by Lt. Raphael Iluyomade, held their ground at Ore. Their resistance, though modest, gave the Nigerian command precious time to regroup.

Banjo’s Hesitation

This was the critical moment. If Banjo had pressed forward to capture Lagos, history might have been rewritten. But instead, he hesitated.

Several reasons explain this delay:

Yoruba leaders reminded him of Afonja of Ilorin, a Yoruba warlord who invited Fulani allies in the 19th century but later lost Ilorin to them. Banjo was warned not to betray his people by handing Yorubaland to Biafra.

Banjo reportedly entered secret negotiations with Nigerian General Murtala Mohammed, perhaps seeking a peaceful Yoruba-led solution.

Biafran leader Ojukwu grew suspicious of Banjo’s loyalty and ordered him to halt at Ore.

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This hesitation proved fatal. Time allowed Nigeria to rally its forces and counterattack.

The Battle of Ore (August 14 – September 17, 1967)

The Nigerian Army, under General Murtala Mohammed, launched a counteroffensive at Ore. Fierce fighting ensued. Though poorly equipped at first, Nigerian forces gradually gained the upper hand with reinforcements from the North and Midwest.

Banjo’s troops, low on supplies, became overstretched.

Local Yoruba support for Biafra was lukewarm at best. Most saw the Biafran invasion as foreign occupation.

Nigerian propaganda painted the invasion as an “Igbo attempt to conquer the West.”
By early September, the tide had turned. Nigerian troops pushed Biafra back from Ore to Benin City. On September 19, 1967, Benin fell.

The Fall of Victor Banjo

Back in Enugu, Ojukwu accused Banjo of betrayal. Along with three others (Philip Alale, Sam Agbam, and Emmanuel Ifeajuna), Banjo was tried by a Biafran military tribunal for allegedly plotting to negotiate with Nigeria behind Ojukwu’s back.

They were executed by firing squad in September 1967. Banjo’s death marked the end of Yoruba leadership in Biafra’s military campaign.

Significance of the Battle of Ore

The Battle of Ore was one of the war’s most decisive turning points:

1. Stopped Biafra’s Advance – Had Ore fallen completely and Lagos been captured, Gowon’s government might have collapsed.

2. Secured Yoruba Loyalty – The invasion convinced the West that Biafra could not be trusted, cementing Yoruba alignment with the federal side.

3. Shifted the War’s Momentum – The Nigerian counteroffensive from Ore marked the beginning of federal dominance in the war.

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4. Destroyed Midwest Support for Biafra – Many Midwesterners, especially non-Igbos, turned against Biafra after the failed campaign.

Aftermath

Following Ore:

The self-declared Republic of Benin (a Biafran puppet state) lasted only one day before Nigerian forces crushed it.

By October 4, 1967, Nigerian troops captured Enugu, Biafra’s capital.

Over the next two years, Nigeria gradually strangled Biafra militarily and economically.
On January 15, 1970, Biafra surrendered, ending the war.

Legacy of “Oleku Ija Ore”

Today, the phrase “Oleku Ija Ore” remains part of Yoruba historical memory. It symbolizes:
The ferocity of the battle.

The fragile politics of Yoruba identity during the war.

The decisive role the West played in shaping the outcome of the Nigerian Civil War.
The Battle of Ore is remembered not only as a military clash but also as a moment when Yoruba destiny could have swung either way — toward Biafra or toward Nigeria. History chose the latter.

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Declare Your Lineage – Royal Family Tells Musician KWAM 1 Over His Interest In Becoming Next Awujale Of Ijebuland

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KWAM 1, in a letter dated December 3, 2025, addressed to the chairman of the Fusengbuwa Ruling House in Agunsebi Quarters, Ijebu-Ode, announced his interest in the stool, describing himself as a “bonafide son” of the ruling house.

The Fusengbuwa ruling house of Ijebu-Ode, next in line to produce the new Awujale of Ijebuland, Ogun State, has instructed Fuji musician Wasiu Ayinde, popularly known as KWAM 1, to confirm his family’s royal lineage to validate his membership in the ruling house.

KWAM 1, in a letter dated December 3, 2025, addressed to the chairman of the Fusengbuwa Ruling House in Agunsebi Quarters, Ijebu-Ode, announced his interest in the stool, describing himself as a “bonafide son” of the ruling house.

KWAM 1 also stated that his candidacy aligns with Ijebu customary law and the Ogun State Chieftaincy Laws.

In an interview with Punch, the Chairman of the ruling house and former National President of the Institute of Chartered Accountants of Nigeria, Abdulateef Owoyemi, said only bonafide members of the family would be allowed to participate in the selection process.

Owoyemi explained that KWAM 1, Olori Omooba of Ijebu land and others interested in the stool have been directed to complete the Fusengbuwa ruling house royal lineage data form.

According to him, the form, which requires contenders to trace their genealogy back seven generations, ensures that only genuine princes from the family can participate, thereby blocking “strangers” from claiming the throne.

He said, “The first step for anyone interested in contesting for the Awujale throne is to declare their lineage by filling the standard Fusengbuwa ruling house royal lineage data form. Once confirmed as a legitimate member of the ruling house, they can then apply for the expression of interest form.

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“We have told him, just like everyone else interested in the Awujale throne, that the first step is to declare his lineage. He will do this by completing the royal lineage data form, showing his full name, which parent and grandparent he descends from, and continuing up to seven generations.

“The completed form will be signed and submitted to the head of the ruling house unit of the Fusengbuwa ruling house, who will affirm that he is a genuine member. Only then will the process move forward.”

Owoyemi emphasised that although the application window for the throne officially closed on December 5, KWAM 1 had been given a five-day extension, which would lapse on December 10.

He noted, “We won’t shut anybody out of picking the next Awujale, but we must ensure that you are a legitimate member of Fusengbuwa. Every right comes with responsibilities. For a royal family, everyone must prove their legitimacy by completing the royal lineage data form.

“When we receive the form, we will review it meticulously. If clarification is needed, we will contact the applicant. We welcome men of influence who will use their influence to enhance the throne, not to claim it, ensuring that what truly belongs to our family is preserved.”

Owoyemi explained that the local government has given them 14 days to select candidates, and the ruling house hopes to have a new Awujale by the second or third week of January 2026.

He added, “The local government has given us 14 days to select candidates, which expires on December 18. After that, the kingmakers have seven days to deliberate and choose one candidate, whose name will be forwarded to the governor.

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“Legally, the government then has 21 days to conduct background checks and security clearance, allowing for objections or protests. After this period, the State Executive Council will ratify the nominee, and the governor will announce the next Awujale, after which coronation rites will commence.

“So, combining the candidate selection, kingmakers’ deliberation, and legal objection period, we are looking at around 42 days. Therefore, we expect the next Awujale to emerge between the second and third week of January.”

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VIDEO: I’m Married But Not In My Husband’s House; I Didn’t Have The Experience Of Living Happily Ever After – Singer Shola Allyson Reveals

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While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sola Allyson, the popular Nigerian gospel singer, has revealed that she is not currently living with her husband.

The musician made this known in her latest interview on Oyinmomo TV.

While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sharing her marital experience, the singer said she has never enjoyed the kind of happiness many people describe.

“I’m married, but I’m not in my husband’s house. We live separately. He in his house and I in mine.”

The interviewer asked: “You sang ‘Eji Owuro’, did you experience genuine love from your husband?

She replied, “We lied before. Those older than us didn’t inform us that it’s tough. They made us believe that so long as you both love each other, you will live happily ever after, but it’s a lie.

“That’s not the experience I have. I didn’t have the experience of living happily ever after. I did all I could to make it work.

“Marriage has been a big challenge. I hear people talk about joy in marriage, but I have never experienced it.”

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VIDEO: Shola Allyson Finally Opens Up, Reveals Why She Does Not Reference Jesus In Her Songs

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Recall that Allyson, who is regarded as a gospel singer, was dragged on social media in March 2025 for not directly referencing ‘Jesus’ in all her songs.

Shola Allyson, the renowned Nigerian songstress, has opened up on the real reason she avoids mentioning the name of Jesus in all her songs.

Recall that Allyson, who is regarded as a gospel singer, was dragged on social media in March 2025 for not directly referencing ‘Jesus’ in all her songs.

Reacting to her critics in a post on X, the songstress stated that “No one can bully me into joining their darkness that looks like light because indolent souls find comfort in it”.

Finally revealing her reason for not mentioning Jesus in her songs, Shola Allyson on Saturday during her latest interview on Oyinmomo TV, stated that Jesus did not ask her to do PR for him.

She said “I’m not a religious singer. As I am, I have never introduced myself as a gospel singer. My name is Shola Allyson. I’m a singer”.

Interviewer; “Some people said you don’t mention ‘Jesus’ name’ in all your songs”.

She quickly responded “Jesus did not instruct us to mention his name in songs nor did Jesus ask us to do PR for Him”.

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