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Balaraba Ramat Yakubu: The Voice of Northern Nigerian Women Through Hausa Literature

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From early marriage to literary empowerment, Balaraba Ramat Yakubu’s journey reshaped women’s narratives in Hausa society.

A Trailblazer in Hausa Literature

Balaraba Ramat Yakubu stands as one of Northern Nigeria’s most influential literary voices. Born in 1959 in Kano State, she rose from a conservative background to become a powerful advocate for women’s rights and education through her writing. Her novels, written in Hausa, belong to a popular literary genre known as littattafan soyayya—literally translated as “books of love.” But beneath their romantic surface lies sharp social commentary on patriarchy, gender inequality, and the struggles of Northern Nigerian women.

She holds the distinction of being the first female Hausa-language author whose work was translated into English, bringing Northern Nigerian women’s experiences to a global audience.

Early Life and Education

Balaraba Ramat Yakubu was born into a traditional Hausa family in Kano, Northern Nigeria. Growing up in a society where women’s roles were often confined to domestic spaces, her opportunities for formal education were limited. She attended only a few years of primary school before being married off at the age of 13, an experience that would later shape much of her creative and thematic vision.

Her early marriage exposed her to the realities of polygamy, societal expectations, and gender inequality—issues she would later confront directly in her writing. Despite these obstacles, Balaraba nurtured a passion for storytelling and literacy. Her self-driven education and persistence transformed her into a writer of remarkable cultural influence.

Rise of a Literary Icon

Yakubu’s literary journey began in the 1980s, during a time when women’s voices were largely absent from the Hausa literary scene. The littattafan soyayya movement emerged as a new wave of popular fiction that blended love stories with moral and social lessons. However, Yakubu’s contributions went beyond mere entertainment. Her stories highlighted the daily struggles of women navigating marriage, poverty, and societal expectations.

Her most famous novel, Alhaki Kuykuyo Ne (Sin is a Puppy that Follows You Home), became a landmark in Hausa literature. The novel tells the story of a woman mistreated by her husband, exploring themes of betrayal, justice, and moral accountability. It offered readers a bold critique of gender oppression and religious hypocrisy in Northern Nigeria.

In 2012, the novel was translated into English by Aliyu Kamal and published by the African Books Collective, earning Yakubu international recognition as a feminist literary pioneer.

Themes and Influence

At the heart of Balaraba Ramat Yakubu’s work lies a deep concern for women’s empowerment and education. She often uses her female characters to challenge societal norms and question traditional gender roles. Through her stories, she promotes literacy, independence, and self-awareness among women in Hausa society.

Her works also reflect her Islamic faith, merging moral teachings with social reform. She has stated that her writing seeks to “correct societal wrongs” by teaching moral lessons in a language and style that resonates with Hausa-speaking audiences.

Yakubu’s novels are often discussed in the context of African feminist literature. However, she identifies not as a Western-style feminist, but as a reformer working within her cultural and religious framework—a stance that has made her both respected and controversial within conservative circles.

Beyond Writing: Film and Cultural Work

In addition to her success as an author, Balaraba Ramat Yakubu is a screenwriter, producer, and director in the Kannywood film industry—the Hausa-language film scene based in Kano. Her transition from literature to film allowed her to reach wider audiences, especially women who could not read.

Her screenwriting often mirrors her literary themes, portraying female characters who defy stereotypes and fight for dignity and justice. By working in film, Yakubu helped expand the visibility of women’s voices in a male-dominated industry, contributing to the cultural evolution of Northern Nigerian cinema.

Personal Life and Legacy

Balaraba Ramat Yakubu’s life reflects resilience and purpose. Having faced early marriage and limited access to education, she transformed personal adversity into creative power. Her stories continue to inspire women to pursue education and self-reliance, especially in communities where such ideals are often discouraged.

Today, she is celebrated as one of the matriarchs of Hausa literature and a pioneer of women’s writing in Northern Nigeria. Her influence extends beyond literature into social advocacy and cultural preservation. Through her writing, she gave a voice to countless women whose stories were previously unheard.

References

Yakubu, Balaraba Ramat. Alhaki Kuykuyo Ne (Sin is a Puppy that Follows You Home). African Books Collective, 2012.

Furniss, Graham. “Love, Romance and Popular Fiction in Northern Nigeria.” Research in African Literatures, Vol. 42, No. 4, 2011.

British Library. “Balaraba Ramat Yakubu: Hausa Writer and Filmmaker.”

BBC Hausa Archives, “Women Who Changed Northern Nigeria,” 2019.

Nigerian Tribune, “Balaraba Ramat Yakubu: The Woman Who Dared to Write in Hausa,” 2021.

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Genevieve Nnaji slams viral tweet urging Igbo men to marry non-Igbo women

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Nollywood icon Genevieve Nnaji has fired off a sharp response after a man on X (formerly Twitter) advised Igbo men to stop marrying Igbo women and instead seek wives from other African countries.

The controversy began after a photo of a Rwandan woman said to be engaged to an Anambra man went viral.

Resharing the image, the user wrote, “Dear Igbo men, instead of marrying an Igbo woman who’ll falsely accuse you of r4ping your daughter, better look outside for a wife.

“Go to East Africa, especially Rwanda, and pick a damsel. They’re all over social media, and you can link up with them.”

Genevieve, who rarely comments on online drama, responded, “In other words, instead of checking yourself and taking accountability, go for the unsuspecting and carry on with your evil. Got it.”

Another user attempted to challenge her, claiming the original tweet was aimed at “false rape accusers” and that Genevieve was avoiding the real issue.

“His tweet was clearly against false rape accusers, but instead of holding the evil women accountable and demanding change, you chose to tweet this?”

But the actress hit back with equal clarity: “The same way a woman can’t tell an abusive man apart from a good one is the same way you shouldn’t say avoid all Igbo women. ‘Not all women’.”

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Don’t handle your family feud like I did, Phyna advises Imisi

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Reality TV star Phyna has offered words of encouragement to fellow Big Brother Naija winner Imisi amid a family feud between the latter and her mother.

In an X post on Monday, Phyna wrote,”To Imisi, @imisiofficial and to anyone walking through the same fire… I’m praying for your strength.

“My own experience broke me, but I’m slowly rising.

“And I’m rooting for you with everything in me, don’t handle it like I did, build strong and focus on you baby girl.”

The post comes against the backdrop of a family dispute in which Imisi’s mother accused her daughter of hatred and revealed the poor condition of the home where she currently lives, despite Imisi winning N150 million after her Big Brother victory.

Imisi replied in Yoruba,”This is why Aunty Debola said you should not show your face to the world. I can’t be saying all that now, you are in the midst of people. Just overlook everything and leave social media.

“Don’t worry, I will send you money to rent a new house. I am tired of all this drama. I am still recovering from the stress of Big Brother.

“Should I be facing another stress now? Please forgive me, I am your daughter.”

Recall Imisi’s mother has publicly expressed frustration on social media, saying she does not need her daughter’s money after being sidelined following the win.

She also blamed Imisi for recounting her childhood experiences, which she claims involve untrue allegations of parental neglect and sexual assault.

In a video, she showed the old house she currently resides in, saying she is content with her situation, a revelation that sparked online controversy.

In 2023, after Phyna’s BBNaija win, her father, Felix Otabor, revealed in an interview that he was distressed by his daughter’s actions following her BBNaija win.

Otabor said Phyna had asked him to stop working as a hearse driver and requested that he sell his cars, promising to improve the family’s life.

He said he later struggled financially after selling the vehicles, losing his business momentum and community position, and has not seen his daughter since her victory.

He described feeling sidelined while she enjoyed her wealth.

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Ned Never Slept Outside Because I Held Him Well In The Other Room – Regina Daniels

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Nollywood actress, Regina Daniels, has opened up about her marriage to her estranged husband, Senator Ned Nwoko.

It was reports that the embattled wife revealed why their seven-year relationship remained faithful despite his polygamous lifestyle.

In a reply to a comment on her Instagram page, Daniels said that during their years together, Nwoko never slept with other women outside their home because she held him well in the other room.

She wrote: “Yes i think he loved me but a toxic one! Because tell me why a polygamous man forgot what it meant to be in polygamy, except for the media.

“Just because it boosted his ego of being seen with multiple women which is easy by me because anyone that sees a man as an odogwu sees the wife as what? He basically had to beg that he share days at ours and other days with his other wives because they begged for his attention.

“Y’all should pls forget this yeye social media comparison because my ex man never slept outside one day in our 7 years of marriage. You know why? Because as a delta babe, I hold am well for the other room ladies use your skills that’s all men want actually!”

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