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Eshu: The Yoruba Trickster God and Divine Messenger

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Exploring the cultural and spiritual symbolism of Eshu, the Yoruba deity who bridges heaven and earth

The sculpture in question represents Eshu, also known as Elegba, one of the most complex and revered deities in the Yoruba religion. Eshu occupies a vital role in Yoruba cosmology as both a trickster spirit and a divine messenger, embodying the balance between chaos and order, mischief and wisdom, justice and communication.

Eshu: The Divine Messenger

In Yoruba belief, Eshu serves as the intermediary between humans and the gods (Orishas). No prayer, offering, or ritual can reach the higher deities without passing through him. This role as a cosmic gatekeeper makes Eshu indispensable to the Yoruba spiritual system.

He ensures that divine messages are properly delivered and that sacrifices reach their intended recipients. However, if ignored or disrespected, he can also disrupt communication, causing confusion or misfortune. For this reason, Yoruba devotees always begin their rituals by honouring Eshu first, a practice that underscores his spiritual authority.

A Trickster and Guardian

Eshu’s personality embodies duality—he is both a protector and a provocateur. Known as the trickster god, he uses cleverness and unpredictability to teach lessons about morality, fairness, and human nature. His tricks are never random; they serve to remind people of the consequences of dishonesty, pride, or neglect of spiritual obligations.

Despite his reputation for mischief, Eshu is a benevolent guardian who defends justice and ensures balance between good and evil. He is particularly associated with communication, truth, and reciprocity, symbolising the complex moral fabric of Yoruba philosophy, where opposites coexist in harmony.

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Eshu in Yoruba Art

The Yoruba people of Southwestern Nigeria, primarily in states such as Oyo, Osun, Ogun, and Lagos, have a long-standing artistic tradition where spirituality and aesthetics merge. Sculptures of Eshu are a crucial part of this tradition, often made from wood, metal, or clay, and adorned with symbolic motifs such as cowrie shells, beads, and iron rods.

Eshu sculptures are typically characterised by exaggerated facial features, representing his watchfulness and ability to perceive hidden truths. The dynamic poses and intricate designs reflect his vibrant personality and spiritual energy.

Shrines dedicated to Eshu are often placed at crossroads, home entrances, and marketplaces—spaces where boundaries are crossed and communication occurs. These locations emphasise his role as a deity of transitions, movement, and choices.

Cultural Symbolism and Global Influence

Eshu’s influence extends beyond the Yoruba homeland. Through the transatlantic slave trade, the worship of Eshu spread across the Americas and the Caribbean, where he evolved under various names, such as Eleggua in Cuba’s Santería religion, Legba in Haitian Vodou, and Exu in Brazilian Candomblé.

Despite the different contexts, his essence remains consistent: Eshu is the divine messenger who mediates between the spiritual and physical worlds, ensuring that balance and justice prevail.

His adaptability across cultures demonstrates the resilience of Yoruba spirituality and its ability to evolve without losing its core principles.

Modern Interpretations

Contemporary Yoruba and Nigerian artists continue to reinterpret Eshu’s image through sculpture, painting, and performance. Artists such as Ajibike Ogunyemi of Osogbo—a member of the New Sacred Art movement—draw inspiration from deities like Eshu to merge traditional spirituality with modern creativity.

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Through such artistic expressions, Eshu remains not only a religious figure but also a symbol of cultural identity, resilience, and creative expression.

Moral and Cultural Reflection

Eshu’s story serves as a profound reminder that communication, justice, and wisdom often require embracing both light and shadow. His trickster nature teaches that life’s challenges are tests of character, and true understanding often comes through confusion and correction.

In Yoruba thought, Eshu’s duality symbolises the reality of existence—nothing is purely good or evil, and every action carries consequences. Respecting Eshu means respecting the delicate balance that sustains both the spiritual and physical worlds.

References:

Lawal, Babatunde. The Gelede Spectacle: Art, Gender, and Social Harmony in an African Culture. University of Washington Press, 1996.

Drewal, Henry John. Yoruba Ritual: Performers, Play, Agency. Indiana University Press, 1992.

Smithsonian National Museum of African Art archives on Yoruba sculptures.

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Nollywood actress Sarah Martins apologises for roadside cooking

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Nollywood actress Sarah Martins has formally responded to the Lagos State Government’s warning regarding her recent public cooking activity, clarifying that the event was an emotional reconnection with vulnerable children rather than a deliberate breach of environmental laws.

The response comes after the Lagos State Commissioner for the Environment and Water Resources, Tokunbo Wahab, on Saturday, cautioned the actress against cooking on public roads, warning that she risks arrest and prosecution if she continues the practice.

In an open letter posted on her Instagram handle on Sunday, Martins, the founder of the Sarah Martins Golden Heart Foundation, sought to set the record straight, stating that the meal was prepared in a controlled environment.

“I would like to respectfully clarify that I did not cook on the walkway or on the main street.

“The meal was prepared in front of the King’s Palace under the supervision of security personnel, and the activity took place very far from the main road, ensuring that it did not obstruct movement or create any public nuisance,” she wrote.

Explaining the motivation behind the act, the actress described it as a response to the pleas of street children she frequently encounters.

“The visit was simply born out of an emotional moment. I had deeply missed the bond I share with the vulnerable street children in that area,” she explained.

“As I occasionally drive past that axis, the children often plead with me to come back and cook with them like I used to. On this particular day, I decided to spend some time with them and prepare a meal, purely to reconnect and create memories with the kids who have always shown me genuine love,” she added.

The actress offered an apology to the state government for any perceived impropriety, saying, “My brief return to that location was never intended to create any form of public nuisance, but simply to share a heartfelt moment with children who have continued to ask for my presence.

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“However, if my actions were perceived as inappropriate in any way, I sincerely apologide. I hold the laws and environmental standards of Lagos State in the highest regard.

“Going forward, I will ensure that all cooking activities are carried out strictly within the charity kitchen provided for the foundation.”

In her response, Martins also expressed gratitude to Seyi Tinubu, the President’s son, noting that his donation of a charity kitchen was specifically intended to ensure her feeding programs are conducted in a proper and organised environment, which she said her foundation remains committed to using.

PUNCH Online reports that Martins was arrested in October 2025 by KAI officials while she was cooking on a road median in Lekki, seizing her equipment.

The Lagos State Government defended the operation, with Wahab stating that the actress had engaged in unauthorised activities on public infrastructure in contravention of environmental and sanitation regulations.

While she previously claimed to have received ₦20 million from his office, Seyi Tinubu reportedly denied making the donation personally, saying some friends, moved by compassion, had raised funds to help her secure a proper space for her charity work, but stressed that he did not support any act that violated Lagos State laws.

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My father fought well to stay alive – Onigbinde’s son

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Mr Oyekunle Onigbinde, the last child of the late national coach Festus Onigbinde, has said that although his father was sick, he fought well to stay alive.

Oyekunle made the remarks in an interview with the News Agency of Nigeria in Ibadan on Tuesday.

Describing his father as a generous man who cared for everyone, Oyekunle said his death on Monday came as a huge shock.

“He fought well to stay alive.

“He was sick, but due to old age, his body couldn’t fight the recovery.

“My father was very accommodating; he pulled everyone together.

“He didn’t care who you were; he just wanted everyone happy and united.

“He was the string that knitted many together,” he said.

Meanwhile, renowned sports analyst Tayo Balogun told NAN that his 40-minute phone conversation with Onigbinde in 2025 would forever linger in his memory.

“We went down memory lane, and I thanked him for being who he was: painstaking, foresighted, forthright, forthcoming, and incredibly hardworking.

“I told him I appreciated him and that I was calling to let him know that his contributions to Nigerian football will always be footnoted in history.

“During the call, I noticed his voice had lost some of its vibration. He attributed this to old age, claiming he was as fit as a fiddle.

“He asked after my TV Gang of Feyi Ogunduyile and Modele Sarafa-Yusuf (then known as Oshiinaike),” he said.

Balogun said he praised Onigbinde for his contributions to Shooting Stars Sports Club (3SC).

“He actually changed the name from IICC Shooting Stars.

“I asked him if he remembered that I asked him why he was practising penalty kicks after 3SC had comprehensively beaten Tonnere Kalara Club of Yaounde at the Liberty Stadium, just before the second-leg match.

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“He told me Remi Asuni, the then Oyo State FA Chairman, asked him the same question and that he answered, ‘If we can beat them 4-0 in Ibadan, they may pay us back in Yaounde,’” he said.

The 73-year-old analyst said he also praised Onigbinde for his bravery in selecting players for the 2002 World Cup.

“I told him I understood why he included Mutiu Adepoju, but did not understand why he didn’t play him in any of the matches.

“He said that was the only mistake he made, but that if I noticed, we were quite close in all the matches we played, and if he brought in Mutiu and we lost, it would be blamed on Adepoju,” he said.

Balogun described Onigbinde as the most thorough Nigerian coach he knew.

“Each year, he would draw up a list of requirements for his team.

“With Shooting Stars, he would get 20 per cent, and with the Eagles, he didn’t even get 10 per cent.

“All the same, he got spectacular results with both teams.

“He was the first coach to take a group of rookies like Chibuzor Ehilegbu, Paul Okoku, Femi Olukanmi, and others to Ghana and beat the then-dreaded Black Stars in their country.

“Onigbinde’s memory will remain indelible.

“He was a gentleman, humble, and highly intelligent.

“I am glad I got to know you, sir,” he said.

(NAN)

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The Name Given To Me By My Parents Was A Curse – Phyna

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Reality TV star, Josephina Otabor, popularly known as Phyna, has opened up about the struggles she faced while growing up and why she does not like the name given to her at birth.

During a recent interview with Ezinne Akudo on the show Beyond With Ezinne, the former Big Brother Naija winner said her parents named her Blessing, but she came to dislike the name because her life did not reflect its meaning.

It was reports that Phyna explained that as she was growing up, many parts of her life were very difficult.

According to her, she often felt like she was always begging for love from people around her, including family members, friends and even in relationships.

She said the situation made her feel as if the name Blessing did not match the experiences she was going through.

The reality star also spoke about the pain she felt after the death of her sister. She said the loss deeply affected her, and at one point, she even wished she could die because of the emotional burden she was carrying at the time.

She said, “The name given to me by my parents is Blessing. My reasons for hating that name was you don’t see sense of blessing in my life. Because you know, it felt like I was always begging for love, family love, friendship, even in relationships. In fact, Dem don use am curse me. All aspects of life for me, growing up was very crazy. Even when you’re a teenager, there are things you could get from parents, from friends, family I didn’t have that, but I knew for one that I was going to be big.

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“Then I always tell my aunts, everybody, even when they beat me or maltreat me, today, the next minute I will see when I go watch me for television, you know, I go get money. People always say negative things about me. Even when I’m trying my best, it affects me. It affects my workload. They are quick to broke shame me. In fact, when my sister died, I wanted to die. A lot was going on with me. It actually makes me feel God is with me because so many things have happened that I suppose don really run mad.”

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