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I took inspiration from sex workers for ‘To Kill a Monkey’ role – Sunshine Rosman

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Actress, Sunshine Rosman, tells OGHENOVO EGODO-MICHAEL about her career, role played in the movie series, ‘To Kill A Monkey’, and other issues

Tell us about your family background.

My mum is from Imo State and my dad is Canadian. I grew up in the Ijeshatedo area of Surulere, Lagos. Later, I lived in Magodo, then Bode Thomas, before moving back to Ijesha (all in Lagos). I was very much a daddy’s girl and spent a lot of time with him. He was a hands-on father who even cooked for the family sometimes.

How did your journey into acting begin?

Acting is something I’ve always known. My parents always encouraged me. My sisters and I would put together little plays or record songs and make our dad watch them when he came back from work, even when he was exhausted. Many times, he pretended to be happy and applauded us regardless. We were all entertainers in my family and we loved watching movies together.

I remember watching a Marilyn Monroe film and being fascinated by her expressions beyond just her beauty. My dad told me she was one of the biggest actresses in the world, and at that moment, I said to myself, “I want to be like that.”

In what ways did Marilyn Monroe influence your acting or performance style?

Performance-wise, I can’t say I picked much directly from her, but there’s something about her that lights up a room. However, her style has definitely influenced me. Whenever I’m choosing what to wear, she is often on my mood board.

In what ways did ‘To Kill a Monkey’ push you to prepare differently?

The experience was unique. I had auditioned a year earlier but wasn’t initially cast. Just when they were about to start filming, I was contacted to step in for the role. At the exact time, I was supposed to begin my school exams. School has always been tricky for me because of work; when exams come, I focus solely on reading.

I had to choose between deferring the semester or starring in ‘To Kill a Monkey’. I didn’t want an extra year in school, but I had also prophesied that I would one day work with Kemi Adetiba. So, I went ahead to write my exams and thought I had lost the role. During my school break, I didn’t get a call back in time and decided to move on to another project. But then I had a dream where I saw myself moving across film sets in full hair and make-up. I strongly believed it was Kemi Adetiba’s set.

A few days later, I got the call. Ironically, I was at a radio interview telling them I was going to star in her film, even though I hadn’t been called yet. When the call finally came, everything fell into place.

What strong lesson did the movie teach you?

I would say that there are many “Efes” in our daily lives. In the story, no one was completely innocent— it wasn’t black and white. Each character had both good sides and flaws. I have learnt that people who glorify themselves as good may still have hidden dirt.

From Amanda Sparkles’ (her character in the movie)’s perspective, the lesson is clear: when a man brings you down, don’t stay there; flip the script.

You’ve worked across genres from comedy to drama. What helps you adapt to such contrasting roles?

I use anchors— inspirations for the characters I play. For Sparkles, it was high-class Lagos “runs” girls. These anchors could be a person, an object, or multiple things at once. Amanda Sparkles was a blend of my personal experiences and those of other women I’ve observed. Sometimes, I just sit in a club and watch people. Above all, God’s grace helps me.

How has your experience learning French and your openness to mastering other languages shaped your career?

I must clarify that I don’t speak French fluently. The rumours may have come from an interview I did years ago when I was studying at Alliance Française in Ikoyi. At the time, I had just finished my first class and could hold basic conversations. I even switched my phone language to French to immerse myself.

During an interview, I mentioned that I spoke “a little French,” which was an exaggeration. While I can understand a few words if spoken slowly, I am far from fluent.

That said, I remain fascinated by languages. If a role requires me to learn one, I’ll do the work. Whether it’s spending time in an Indian community or immersing myself in Spanish culture, I am open to the challenge. Being multilingual as an actress creates more opportunities.

Your mixed heritage gives you a bicultural perspective. How does that shape how you interpret characters?

Being biracial is sometimes an advantage, but often a disadvantage. Casting-wise, people struggle to place me. My features don’t always fit the typical Nigerian look, yet I don’t fully look foreign either.

For instance, if I’m cast as a daughter, they may have to recast one of the parents to make the family look believable. In international films, they face the same challenge. I fall in between.

Would you say your relationship with Bucci Franklin contributes to your on-screen chemistry?

I can’t speak to that directly, but Bucci is an extraordinary actor; truly a gift. I have had the honour of working with him several times, and each time was a privilege. Beyond his talent, he is a fantastic person with a great character. In this industry, it’s not just about working with skilled people but with good-hearted ones too. I look forward to more projects with him.

You volunteer for a charity organisation. What is that like?

The organisation was founded by my mother and supported by my late father. It has always been a family commitment; something I’ve done since childhood and will continue for life. Recently, my mum opened an orphanage in Abia State with about eight girls under her care.

What are your ambitions beyond Nollywood?

I want to feature in all the “woods”— Nollywood, Hollywood, Bollywood, even the Asian and British film industries. My dream is to be an international actor, not just a Nigerian one. I want roles that challenge me and push me beyond my comfort zone. I don’t want to limit myself in any way.

How do you feel about sharing the same birthday with your mum?

It makes me feel special. It’s a bond I truly cherish. As a child, I sometimes wished for my own birthday, since my sisters had theirs. I even felt jealous at times. But growing older, I’ve come to see it as a blessing.

Are there roles that are off-limits for you?

Yes. I’ve restricted intimacy scenes. Too often, producers see a beautiful girl and the first instinct is to sexualise her on screen. Sometimes, even costumes for simple roles like an office worker are unnecessarily provocative. Some directors exploit that.

I am not interested in being reduced to an object of desire, except if there’s a powerful message behind it. For example, Amanda Sparkles wasn’t just a prostitute; she was central to Oboz’s downfall and brought depth to the story.

Is there a dream role or project outside acting you’d love to pursue?

Yes. I’m a businesswoman at heart. I love fashion, haircare, skincare, and make-up. That side of me hasn’t been fully revealed yet, but soon people will meet Shine, the businesswoman.

Outside of business, how do you unwind?

I love serene places, especially being by the beach or a lake. I also treasure time with my family and close friends.

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Balogun Odueyingbo Kuku was a prominent 19th-century warlord and influential leader in Ijebu-Ode

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Balogun Odueyingbo Kuku was a prominent 19th-century warlord and influential leader in Ijebu-Ode, a key town in present-day Ogun State, Nigeria. Known for his military prowess, immense wealth, and contributions to Islam in Ijebuland, Balogun Kuku was a towering figure in both the political and religious landscape of his time.

He held the prestigious title of Balogun, meaning “warlord” or “military commander,” becoming the second person to bear this title in Ijebu-Ode. During the British expedition that led to the conquest of Ijebuland in 1892, Balogun Kuku emerged as a leading voice among the Ijebu people. Though the Awujale was the traditional ruler, Kuku’s influence as a military and spiritual leader positioned him as a central figure in the community, particularly among Ijebu Muslims.

Balogun Kuku was reputed to be the wealthiest and most powerful man in Ijebu during his lifetime. His economic influence was so substantial that he received an annual subvention from the colonial administration that amounted to half of what was allocated to the Awujale, the town’s sovereign. This level of financial power underscored his dominance not just in military and religious spheres but also in commerce and politics.

As a devout Muslim, Kuku played a significant role in the spread of Islam in Ijebuland. He is credited with initiating the Ojude Oba Festival, a vibrant cultural and religious event that began in 1896 and continues to this day. Originally conceived as a Muslim tribute to the Awujale after the Eid-el-Kabir celebration, the festival has grown into one of Nigeria’s most colorful and enduring cultural traditions.

Balogun Kuku was born into a distinguished family. His father, Odusanya, was a respected community figure, while his mother, Detimoku, was the daughter of Erelu Adeoti, the first woman to hold the title of Erelu in Ijebu-Ode. Following his mother’s death, young Kuku was raised by his grandmother, Erelu Adeoti, in a household that was deeply involved in the political and spiritual affairs of the town. This upbringing helped shape his leadership style and deepened his commitment to community development.

Kuku’s residence, the Olorunsogo House, is a testament to his legacy. Constructed by skilled Brazilian returnees (often referred to as “Aguda”) who brought Afro-Brazilian architectural techniques to Nigeria, the building remains an architectural landmark and a symbol of Ijebu heritage. Today, his descendants continue to preserve his memory and uphold the values he championed—leadership, faith, and cultural pride.

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Three Pillars of Nigerian Nationalism: Azikiwe, Bello, and Awolowo

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This iconic photograph brings together three of Nigeria’s most influential nationalist leaders—Nnamdi Azikiwe, Sir Ahmadu Bello, and Obafemi Awolowo—men whose political vision and leadership shaped the country’s path to independence and the fragile years of early nationhood. Captured during the constitutional negotiations of the late 1950s that paved the way for independence in 1960, the image embodies the delicate alliance of regional leaders who worked—sometimes in competition, often in uneasy partnership—to define Nigeria’s federal destiny.

Nnamdi Azikiwe: The “Father of Nigerian Nationalism”

On the left stands Rt. Hon. Dr. Nnamdi Azikiwe (1904–1996), affectionately called “Zik of Africa.” A journalist turned statesman and pan-Africanist, Azikiwe used the press as a weapon against colonial rule and helped awaken nationalist consciousness across West Africa.

He co-founded the National Council of Nigeria and the Cameroons (NCNC) in 1944 and became Nigeria’s first indigenous Governor-General (1960–1963) before assuming office as the country’s first President (1963–1966) when Nigeria became a republic.

Azikiwe’s vision of a united, democratic Nigeria and his belief in non-violent, constitutional methods made him a bridge-builder among Nigeria’s many ethnic and regional groups. His writings and political strategy earned him the title “Father of Nigerian Nationalism,” inspiring future generations of African leaders.

Sir Ahmadu Bello: The Premier of the North

At the center is Sir Ahmadu Bello (1910–1966), Sardauna of Sokoto and the first—and only—Premier of Northern Nigeria. A descendant of the Sokoto Caliphate’s founder, Usman dan Fodio, Bello co-founded the Northern People’s Congress (NPC) and became the most powerful political figure in the North.

During the independence negotiations, Bello deliberately chose to remain Premier of the Northern Region, elevating his protégé Abubakar Tafawa Balewa to become Nigeria’s first Prime Minister. This decision demonstrated his commitment to strengthening the North’s political base while allowing for a national government that reflected Nigeria’s federal character.

Bello championed education, regional development, and political modernization, ensuring that Northern Nigeria entered independence with a stronger institutional footing. His assassination during Nigeria’s first military coup in January 1966 cut short a towering career, but his influence on northern politics remains profound.

Obafemi Awolowo: Visionary of the West

On the right stands Chief Obafemi Awolowo (1909–1987), Premier of the Western Region and founder of the Action Group (AG). Awolowo introduced free primary education and comprehensive health-care initiatives, making Western Nigeria the first in Africa to achieve near-universal primary schooling.

A trained lawyer, economist and political strategist, Awolowo was a strong advocate of federalism as the best system to manage Nigeria’s diversity. After independence, he served as Leader of the Opposition in the federal parliament, providing an articulate counterweight to the ruling coalition and shaping national debate on economic planning and social welfare.

Awolowo’s progressive policies and intellectual rigor earned him enduring respect as one of Nigeria’s foremost thinkers and reformers.

A Shared Legacy of Nation-Building

Though they represented different regions and parties—the NCNC in the East, the NPC in the North, and the Action Group in the West—Azikiwe, Bello and Awolowo were united in their determination to end British colonial rule and lay the foundation of a federal Nigeria.

Their collaboration and rivalry defined the years leading up to 1 October 1960, when Nigeria achieved independence. Yet their regional power bases and competing visions for the young nation also foreshadowed the political tensions that would later test Nigeria’s unity.

This historic photograph captures more than three men; it captures a pivotal moment when the dream of a united, independent Nigeria rested on the shoulders of leaders whose legacies continue to shape the nation’s political landscape.

Sources
James S. Coleman, Nigeria: Background to Nationalism (University of California Press, 1958).

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King George Pepple Orugbeji of Bonny (1849–1888)

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George Oruigbi Pepple, born in 1849, reigned as King of the Kingdom of Bonny, a powerful trading state in the Niger Delta, during one of the most turbulent periods of its history.

He ascended the throne on 30 September 1866 but was deposed on 14 December 1883 amid intense political rivalries and shifting trade dynamics. His exile reflected the growing influence of both local merchant factions and the British colonial authorities in reshaping Niger Delta politics.

Following the signing of a treaty that made Bonny a British protectorate, King Pepple was restored to the throne on 22 January 1887, ruling until his death on 31 October 1888.

His reign captures the complexities of a Niger Delta kingdom caught between indigenous power struggles, missionary influence, and the encroaching weight of British imperial policy.

Photo Credit: asirimagazine

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