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I took inspiration from sex workers for ‘To Kill a Monkey’ role – Sunshine Rosman

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Actress, Sunshine Rosman, tells OGHENOVO EGODO-MICHAEL about her career, role played in the movie series, ‘To Kill A Monkey’, and other issues

Tell us about your family background.

My mum is from Imo State and my dad is Canadian. I grew up in the Ijeshatedo area of Surulere, Lagos. Later, I lived in Magodo, then Bode Thomas, before moving back to Ijesha (all in Lagos). I was very much a daddy’s girl and spent a lot of time with him. He was a hands-on father who even cooked for the family sometimes.

How did your journey into acting begin?

Acting is something I’ve always known. My parents always encouraged me. My sisters and I would put together little plays or record songs and make our dad watch them when he came back from work, even when he was exhausted. Many times, he pretended to be happy and applauded us regardless. We were all entertainers in my family and we loved watching movies together.

I remember watching a Marilyn Monroe film and being fascinated by her expressions beyond just her beauty. My dad told me she was one of the biggest actresses in the world, and at that moment, I said to myself, “I want to be like that.”

In what ways did Marilyn Monroe influence your acting or performance style?

Performance-wise, I can’t say I picked much directly from her, but there’s something about her that lights up a room. However, her style has definitely influenced me. Whenever I’m choosing what to wear, she is often on my mood board.

In what ways did ‘To Kill a Monkey’ push you to prepare differently?

The experience was unique. I had auditioned a year earlier but wasn’t initially cast. Just when they were about to start filming, I was contacted to step in for the role. At the exact time, I was supposed to begin my school exams. School has always been tricky for me because of work; when exams come, I focus solely on reading.

I had to choose between deferring the semester or starring in ‘To Kill a Monkey’. I didn’t want an extra year in school, but I had also prophesied that I would one day work with Kemi Adetiba. So, I went ahead to write my exams and thought I had lost the role. During my school break, I didn’t get a call back in time and decided to move on to another project. But then I had a dream where I saw myself moving across film sets in full hair and make-up. I strongly believed it was Kemi Adetiba’s set.

A few days later, I got the call. Ironically, I was at a radio interview telling them I was going to star in her film, even though I hadn’t been called yet. When the call finally came, everything fell into place.

What strong lesson did the movie teach you?

I would say that there are many “Efes” in our daily lives. In the story, no one was completely innocent— it wasn’t black and white. Each character had both good sides and flaws. I have learnt that people who glorify themselves as good may still have hidden dirt.

From Amanda Sparkles’ (her character in the movie)’s perspective, the lesson is clear: when a man brings you down, don’t stay there; flip the script.

You’ve worked across genres from comedy to drama. What helps you adapt to such contrasting roles?

I use anchors— inspirations for the characters I play. For Sparkles, it was high-class Lagos “runs” girls. These anchors could be a person, an object, or multiple things at once. Amanda Sparkles was a blend of my personal experiences and those of other women I’ve observed. Sometimes, I just sit in a club and watch people. Above all, God’s grace helps me.

How has your experience learning French and your openness to mastering other languages shaped your career?

I must clarify that I don’t speak French fluently. The rumours may have come from an interview I did years ago when I was studying at Alliance Française in Ikoyi. At the time, I had just finished my first class and could hold basic conversations. I even switched my phone language to French to immerse myself.

During an interview, I mentioned that I spoke “a little French,” which was an exaggeration. While I can understand a few words if spoken slowly, I am far from fluent.

That said, I remain fascinated by languages. If a role requires me to learn one, I’ll do the work. Whether it’s spending time in an Indian community or immersing myself in Spanish culture, I am open to the challenge. Being multilingual as an actress creates more opportunities.

Your mixed heritage gives you a bicultural perspective. How does that shape how you interpret characters?

Being biracial is sometimes an advantage, but often a disadvantage. Casting-wise, people struggle to place me. My features don’t always fit the typical Nigerian look, yet I don’t fully look foreign either.

For instance, if I’m cast as a daughter, they may have to recast one of the parents to make the family look believable. In international films, they face the same challenge. I fall in between.

Would you say your relationship with Bucci Franklin contributes to your on-screen chemistry?

I can’t speak to that directly, but Bucci is an extraordinary actor; truly a gift. I have had the honour of working with him several times, and each time was a privilege. Beyond his talent, he is a fantastic person with a great character. In this industry, it’s not just about working with skilled people but with good-hearted ones too. I look forward to more projects with him.

You volunteer for a charity organisation. What is that like?

The organisation was founded by my mother and supported by my late father. It has always been a family commitment; something I’ve done since childhood and will continue for life. Recently, my mum opened an orphanage in Abia State with about eight girls under her care.

What are your ambitions beyond Nollywood?

I want to feature in all the “woods”— Nollywood, Hollywood, Bollywood, even the Asian and British film industries. My dream is to be an international actor, not just a Nigerian one. I want roles that challenge me and push me beyond my comfort zone. I don’t want to limit myself in any way.

How do you feel about sharing the same birthday with your mum?

It makes me feel special. It’s a bond I truly cherish. As a child, I sometimes wished for my own birthday, since my sisters had theirs. I even felt jealous at times. But growing older, I’ve come to see it as a blessing.

Are there roles that are off-limits for you?

Yes. I’ve restricted intimacy scenes. Too often, producers see a beautiful girl and the first instinct is to sexualise her on screen. Sometimes, even costumes for simple roles like an office worker are unnecessarily provocative. Some directors exploit that.

I am not interested in being reduced to an object of desire, except if there’s a powerful message behind it. For example, Amanda Sparkles wasn’t just a prostitute; she was central to Oboz’s downfall and brought depth to the story.

Is there a dream role or project outside acting you’d love to pursue?

Yes. I’m a businesswoman at heart. I love fashion, haircare, skincare, and make-up. That side of me hasn’t been fully revealed yet, but soon people will meet Shine, the businesswoman.

Outside of business, how do you unwind?

I love serene places, especially being by the beach or a lake. I also treasure time with my family and close friends.

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Late Actress Rebecca Adebimpe Adekola a.k.a Ireti

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Rebecca Adebimpe Adekola a.k.a Ireti | was One of Nigerian Actress That Should Not Be Forgotten In The HISTORY Of Nollywood Film Industry. One of generation of actors who made home videos popular in the 1990s

Aunty Ireti was born in Abeokuta, Ogun State, where she also grew up. Aunty Ireti was a producer, film writer, director and an outstanding actress. Unknown to many, her younger relative, Opeyemi Adekola(Not Odunlade)is also an actor and was inspired to take to the thespian art because of his latè aunty. While speaking with Naijarchives, Mr. Opeyemi Ohiomare Adekola explained that the làte Ireti and his own dad were cousins. Mr. Adekola also revealed to us that while both Odunlade Adekola and their family are both from Oyo State, they hail from different parts: Ireti’s own are from Ogbomosho while Odunlade Adekola is from Otun Ekiti. I guess that lays to rest the popular rum0ur that Odunlade Adekola is Ireti’s younger brother. While an actress, the late Ireti was known for starring in many fl|cks alongside Taiwo Hassan aka Ogogo

Following her d£ath, there was a sp0ntaneous outpouring of grief across the nation. On the 30th September, 2002, her body in a glistening white c0ffin was on display for her last public appearance at the National Theatre, Iganmu Lagos before her ßurial. Ireti mentored many actress in her lifetime, grooming them to become stars in their own right, one of whom is Bisi-Ibidapo Obe aka Omo Logba Logba. Ireti was also the role model for Ibironke Ojo aka Ronke Oshodi-Oke.

HOW DID SHE GET THE NAME ‘IRETI’?

In 1993, Jide Kosoko released a movie titled Asiri Nla and in it, she acted the role of Ireti, and that was how the name stuck.

HER D£ATH

Rebecca Adebimpe Adekola di£d after a brief illn£ss due to some c0mplications susp£cted to be from typh0id f£ver. She gave up the gh0st at Unity Hospital, a private medical center in Surulere, Lagos State
This writeup(Caption) is from Ayeni Abayomi page

In October 2012, ten years after she di£d, the National Association of Nigerian Theatre Arts Practitioners (NANTAP) decided to launch the Ireti Adekola Foundation (IAF) at the National Theatre, Iganmu, Lagos to imm0rtalize her name. The foundation was established to take care of single mothers and mentor upcoming and talented actors and actresses.

In the 1990s before the likes of Jenifa and the rest, Nigerian actress, Rebecca Adebimpe Adekola graced the screen of millions across the nation, especially lovers of Yoruba movies. Popularly known as Ireti, she dazzled many with her acting skills until her d£ath on Friday, 27th September, 2002.

Some of the movie She got starred in includes👇

-IKE OWO
-AGBA AKIN
-OLAONIRAN
-23/24 LORO ILE AYE
-AYE AWA OBINRIN (the last movie she appeared in before her d£mise)

Rest well Legend

You’re a screen g0ddess and one of the few most s0ught after relatively younger actresses who made Nollywood attractive in the late 1990s. You are part of the generation of actors who made home videos popular in the 1990s.

©️Ayeni Abayomi

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Toyin Adegbola: The Enduring Star of Yoruba Cinema

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From “Asewo to Re Mecca” to cultural icon – the remarkable journey of one of Nollywood’s most beloved actresses

Early Life and Family Background

Toyin Adegbola was born on December 28, 1961, in Osun State, Nigeria. She hails from a family with deep creative roots, being the cousin of the legendary actor and filmmaker Adeyemi Afolayan (Ade Love) and his children — among them Kunle Afolayan, Gabriel Afolayan, and Moji Afolayan, all prominent figures in Nigerian cinema.

Growing up in southwestern Nigeria, Toyin’s early exposure to Yoruba culture and storytelling inspired her passion for performance. Before venturing into acting, she worked briefly as a television broadcaster and teacher, experiences that shaped her confidence and communication skills.

Rise to Stardom

Toyin Adegbola began her acting career in 1984, marking her debut in the Yoruba-language sector of Nollywood. She gained national fame after starring in the classic Yoruba film Asewo to Re Mecca (translated as The Prostitute Who Went to Mecca), which earned her the enduring nickname “Toyin Asewo to Re Mecca.”

The film, released during a period when Yoruba cinema was expanding rapidly, portrayed themes of repentance, morality, and redemption, resonating deeply with audiences across Nigeria. Her ability to bring authenticity and emotional depth to complex characters quickly made her one of the most recognisable faces in the industry.

Over the years, she has featured in hundreds of Yoruba films, spanning genres from traditional folklore to contemporary drama. Some of her notable works include:

Deadly Affair (1995)

Irapada (2006)

Arojinle (2018)

Arinola, Alaanu Mi, and Temidire

Through these roles, Toyin Adegbola established herself as a versatile actress, capable of interpreting both comedic and deeply emotional characters.

Beyond Acting: Producer, Director, and Cultural Ambassador

In addition to her acting career, Toyin Adegbola has worked as a producer and director, contributing to the growth of Yoruba-language cinema and mentoring younger filmmakers. Her deep understanding of cultural nuances allows her to bring authenticity to her productions, preserving Yoruba values and traditions through storytelling.

In 2016, she was conferred with the chieftaincy title of Yeye Amuludun of Osogboland by the Ataoja of Osogbo, Oba Jimoh Olanipekun Larooye II. The title, meaning “Mother of Entertainment”, recognised her outstanding contributions to Nigeria’s entertainment industry and her role in promoting Yoruba culture globally.

Legacy and Influence

Toyin Adegbola’s influence extends far beyond the screen. She represents a generation of Nigerian actresses who helped shape the identity of Yoruba cinema before the digital boom of Nollywood. Her continued presence in film and television demonstrates resilience, adaptability, and a commitment to artistic excellence.

She has also served in various capacities within industry associations, advocating for the welfare of actors and supporting emerging talents. In interviews, she has often spoken about the importance of discipline, humility, and cultural pride for those aspiring to build lasting careers in the entertainment sector.

Personal Life

Toyin Adegbola is a mother and grandmother, often described as warm and deeply spiritual. She balances her creative pursuits with community involvement and philanthropic activities, particularly in Osun State. Despite facing personal and professional challenges, she remains one of the most respected figures in Nigerian entertainment.

References

Vanguard Nigeria. (2016). Toyin Adegbola Bags Chieftaincy Title in Osogbo.

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Patricia Olubunmi Etteh: Nigeria’s First Female Speaker of the House of Representatives

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A trailblazer in Nigerian politics and the first woman to lead the country’s House of Representatives

Patricia Olubunmi Etteh remains one of the most notable figures in Nigeria’s democratic history, recognised as the first woman to serve as Speaker of the House of Representatives. Her appointment in June 2007 marked a significant moment for women’s representation in Nigerian politics — a symbolic breakthrough that inspired many across the nation.

Born on August 17, 1953, in Ikire, Osun State, Patricia Etteh trained and worked as a beauty therapist before venturing into politics. She attended the University of Abuja, where she earned a Law degree, demonstrating her commitment to self-development and governance.

Etteh began her political journey as a member of the Alliance for Democracy (AD) and was elected to the House of Representatives in 1999, representing Ayedaade/Isokan/Irewole Federal Constituency of Osun State. Her charisma, grassroots appeal, and advocacy for women’s inclusion in leadership quickly made her a respected voice in the legislature.

In June 2007, she made history when she was elected Speaker of the 6th House of Representatives, becoming the first and only woman to occupy that position in Nigeria’s history. Her emergence was seen as a victory for gender equality and a testament to her political influence within the People’s Democratic Party (PDP).

However, her tenure was short-lived. In October 2007, Etteh faced allegations of financial misconduct related to the renovation of her official residence and the purchase of vehicles for the National Assembly. Though she denied any wrongdoing and maintained that all processes were duly approved, public and political pressure led to her resignation after just five months in office.

Despite the controversy, Patricia Etteh’s impact on Nigerian politics cannot be dismissed. Her rise to the position of Speaker shattered long-standing gender barriers, paving the way for more women to aspire to top political offices. Over the years, she has remained active in political and social advocacy, supporting initiatives that promote women’s empowerment and participation in governance.

Etteh’s story is not merely one of power and controversy — it is a narrative of courage, ambition, and the pursuit of equality in a male-dominated political landscape. As a Yoruba woman from Osun State, her achievement continues to resonate as a source of pride in Nigeria’s democratic history.

Her portrait — often used in educational and historical references — serves as a reminder of the progress made and the journey yet to come for Nigerian women in politics.

References:

National Assembly of Nigeria archives

Daily Trust historical profiles (2007)

Premium Times Nigeria political retrospectives

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