Haunting photographs of Patrice Lumumba, Congo’s first Prime Minister, alongside his closest allies, Maurice Mpolo and Joseph Okito, under guard as they await their fate, January 1961
It was not merely the image of three men under arrest, but of a young nation’s dream being strangled before it could take root.
Patrice Émery Lumumba was born on 2 July 1925 in Onalua, Kasai Province, in the Belgian Congo. By the late 1950s, as the winds of independence swept across Africa, he emerged as one of the sharpest voices against colonial domination. In 1958, he co-founded the Mouvement National Congolais (MNC), the first truly national party calling for unity in a country divided by ethnicity, class, and Belgian influence.
When Congo held its first elections in May 1960, Lumumba’s party triumphed, and on 24 June 1960, at just 34 years old, he was sworn in as the country’s first Prime Minister. At the independence ceremony on 30 June, before King Baudouin of Belgium and international dignitaries, Lumumba refuses to follow the expected script of polite gratitude. Instead, he delivered a speech that resonated with Africans everywhere and unsettled the colonial establishment. He spoke openly about the hardships of Belgian rule and reminded his people that independence had been won “through struggle and sacrifice, not a gracious gift.” That moment marked him as a symbol of African pride, and a target for those who opposed his vision.
Barely weeks after independence, Congo plunged into crisis. The army mutinied, their colonial officers supported the secession of the mineral-rich province of Katanga under Moïse Tshombe, and chaos spread. Lumumba turned to the United Nations, appealing for help to preserve Congolese sovereignty. But the UN limited its role to peacekeeping without challenging their colonizers involvement directly.
This left Lumumba increasingly isolated as his opponents consolidated power.
Seeking assistance elsewhere, Lumumba approached the Soviet Union. In the Cold War climate, this move raised concern in Western capitals. Western officials described Lumumba as a serious risk to Western interests, and their colonizers also worked with Katangan leaders to weaken him.
Internal betrayal cut deepest. Joseph Kasavubu, the ceremonial President meant to share power with Lumumba, announced Lumumba’s dismissal on 5 September 1960. Lumumba refused to step down, insisting on his legitimacy as the elected head of government. But days later, on 14 September, Colonel Joseph-Désiré Mobutu, an officer Lumumba himself had elevated seized power in a coup. Mobutu presented himself as neutral, but he was aligned with external backers. Lumumba was placed under house arrest by the very men he had trusted.
Still defiant, Lumumba attempted to escape in early December 1960 to Stanleyville (Kisangani), where his supporters had declared the Free Republic of the Congo. Betrayed en route, he was captured on 1 December by Mobutu’s soldiers. His humiliation began immediately: soldiers mocked him, paraded him through villages, and, according to some accounts, even forced him to swallow the written text of one of his own speeches.
On 17 January 1961, Lumumba and his closest allies; Maurice Mpolo and Joseph Okito were flown under guard to Katanga, then controlled by his rivals. During the flight, they were beaten by Congolese soldiers. In Élisabethville (today Lubumbashi), they were taken to a villa where Moïse Tshombe, Katangan officials, and colonial authorities awaited. That night, they were executed by firing squad.
In the days that followed, efforts were made to conceal what had happened. The authorities initially claimed that Lumumba had escaped custody and been killed by villagers. Few believed this, and when the truth emerged, it triggered outrage across the globe.
Protests and demonstrations broke out in many countries. In Belgrade, Yugoslavia (now Serbia), crowds gathered outside the Belgian embassy chanting slogans in Lumumba’s honor.
In Nigeria, demonstrations erupted in Lagos, Enugu, and Onitsha. In Lagos, protesters converged at Rowe Park in Yaba, and anger spilled over into attacks on foreign-owned businesses before being dispersed by police. Across Africa and beyond, Patrice Lumumba had become more than a man, he was a symbol of independence and dignity.
Even in his final hours, Lumumba remained unbowed. In his last letter to his wife Pauline, he declared that though he might not survive, the Congo’s dignity and freedom would endure. He wrote that history would not be written in Brussels, Washington, or Paris, but in Africa itself, by peoples who had thrown off colonial chains. “Africa,” he promised, “will write its own history, a history of glory and dignity.”
Patrice Lumumba was only 35 when his life was cut short. His death was the result of a web of betrayals: by Kasavubu, who dismissed him; by Mobutu, whom he had promoted but who seized power; by the United Nations, which failed to intervene; and by foreign powers who opposed his leadership. Yet in death, he rose higher than his enemies. His name adorned streets and monuments from Lagos to Belgrade, Accra to Cairo, and beyond.
For decades, his family pleaded for the return of his remains. In 2002, Belgium formally acknowledged its role in his killing, but no amount of recognition could erase the injustice. In 2022 they handed back one of his teeth, the last physical fragment of the man.
Patrice Lumumba’s life was brief, his time in office shorter still, but his vision for an Africa united in dignity and independence endures. He remains not only Congo’s first prime minister, but one of the immortal martyrs of African freedom.
Rebecca Adebimpe Adekola a.k.a Ireti | was One of Nigerian Actress That Should Not Be Forgotten In The HISTORY Of Nollywood Film Industry. One of generation of actors who made home videos popular in the 1990s
Aunty Ireti was born in Abeokuta, Ogun State, where she also grew up. Aunty Ireti was a producer, film writer, director and an outstanding actress. Unknown to many, her younger relative, Opeyemi Adekola(Not Odunlade)is also an actor and was inspired to take to the thespian art because of his latè aunty. While speaking with Naijarchives, Mr. Opeyemi Ohiomare Adekola explained that the làte Ireti and his own dad were cousins. Mr. Adekola also revealed to us that while both Odunlade Adekola and their family are both from Oyo State, they hail from different parts: Ireti’s own are from Ogbomosho while Odunlade Adekola is from Otun Ekiti. I guess that lays to rest the popular rum0ur that Odunlade Adekola is Ireti’s younger brother. While an actress, the late Ireti was known for starring in many fl|cks alongside Taiwo Hassan aka Ogogo
Following her d£ath, there was a sp0ntaneous outpouring of grief across the nation. On the 30th September, 2002, her body in a glistening white c0ffin was on display for her last public appearance at the National Theatre, Iganmu Lagos before her ßurial. Ireti mentored many actress in her lifetime, grooming them to become stars in their own right, one of whom is Bisi-Ibidapo Obe aka Omo Logba Logba. Ireti was also the role model for Ibironke Ojo aka Ronke Oshodi-Oke.
HOW DID SHE GET THE NAME ‘IRETI’?
In 1993, Jide Kosoko released a movie titled Asiri Nla and in it, she acted the role of Ireti, and that was how the name stuck.
HER D£ATH
Rebecca Adebimpe Adekola di£d after a brief illn£ss due to some c0mplications susp£cted to be from typh0id f£ver. She gave up the gh0st at Unity Hospital, a private medical center in Surulere, Lagos State
This writeup(Caption) is from Ayeni Abayomi page
In October 2012, ten years after she di£d, the National Association of Nigerian Theatre Arts Practitioners (NANTAP) decided to launch the Ireti Adekola Foundation (IAF) at the National Theatre, Iganmu, Lagos to imm0rtalize her name. The foundation was established to take care of single mothers and mentor upcoming and talented actors and actresses.
In the 1990s before the likes of Jenifa and the rest, Nigerian actress, Rebecca Adebimpe Adekola graced the screen of millions across the nation, especially lovers of Yoruba movies. Popularly known as Ireti, she dazzled many with her acting skills until her d£ath on Friday, 27th September, 2002.
Some of the movie She got starred in includes👇
-IKE OWO
-AGBA AKIN
-OLAONIRAN
-23/24 LORO ILE AYE
-AYE AWA OBINRIN (the last movie she appeared in before her d£mise)
Rest well Legend
You’re a screen g0ddess and one of the few most s0ught after relatively younger actresses who made Nollywood attractive in the late 1990s. You are part of the generation of actors who made home videos popular in the 1990s.
From “Asewo to Re Mecca” to cultural icon – the remarkable journey of one of Nollywood’s most beloved actresses
Early Life and Family Background
Toyin Adegbola was born on December 28, 1961, in Osun State, Nigeria. She hails from a family with deep creative roots, being the cousin of the legendary actor and filmmaker Adeyemi Afolayan (Ade Love) and his children — among them Kunle Afolayan, Gabriel Afolayan, and Moji Afolayan, all prominent figures in Nigerian cinema.
Growing up in southwestern Nigeria, Toyin’s early exposure to Yoruba culture and storytelling inspired her passion for performance. Before venturing into acting, she worked briefly as a television broadcaster and teacher, experiences that shaped her confidence and communication skills.
Rise to Stardom
Toyin Adegbola began her acting career in 1984, marking her debut in the Yoruba-language sector of Nollywood. She gained national fame after starring in the classic Yoruba film Asewo to Re Mecca (translated as The Prostitute Who Went to Mecca), which earned her the enduring nickname “Toyin Asewo to Re Mecca.”
The film, released during a period when Yoruba cinema was expanding rapidly, portrayed themes of repentance, morality, and redemption, resonating deeply with audiences across Nigeria. Her ability to bring authenticity and emotional depth to complex characters quickly made her one of the most recognisable faces in the industry.
Over the years, she has featured in hundreds of Yoruba films, spanning genres from traditional folklore to contemporary drama. Some of her notable works include:
Deadly Affair (1995)
Irapada (2006)
Arojinle (2018)
Arinola, Alaanu Mi, and Temidire
Through these roles, Toyin Adegbola established herself as a versatile actress, capable of interpreting both comedic and deeply emotional characters.
Beyond Acting: Producer, Director, and Cultural Ambassador
In addition to her acting career, Toyin Adegbola has worked as a producer and director, contributing to the growth of Yoruba-language cinema and mentoring younger filmmakers. Her deep understanding of cultural nuances allows her to bring authenticity to her productions, preserving Yoruba values and traditions through storytelling.
In 2016, she was conferred with the chieftaincy title of Yeye Amuludun of Osogboland by the Ataoja of Osogbo, Oba Jimoh Olanipekun Larooye II. The title, meaning “Mother of Entertainment”, recognised her outstanding contributions to Nigeria’s entertainment industry and her role in promoting Yoruba culture globally.
Legacy and Influence
Toyin Adegbola’s influence extends far beyond the screen. She represents a generation of Nigerian actresses who helped shape the identity of Yoruba cinema before the digital boom of Nollywood. Her continued presence in film and television demonstrates resilience, adaptability, and a commitment to artistic excellence.
She has also served in various capacities within industry associations, advocating for the welfare of actors and supporting emerging talents. In interviews, she has often spoken about the importance of discipline, humility, and cultural pride for those aspiring to build lasting careers in the entertainment sector.
Personal Life
Toyin Adegbola is a mother and grandmother, often described as warm and deeply spiritual. She balances her creative pursuits with community involvement and philanthropic activities, particularly in Osun State. Despite facing personal and professional challenges, she remains one of the most respected figures in Nigerian entertainment.
References
Vanguard Nigeria. (2016). Toyin Adegbola Bags Chieftaincy Title in Osogbo.
A trailblazer in Nigerian politics and the first woman to lead the country’s House of Representatives
Patricia Olubunmi Etteh remains one of the most notable figures in Nigeria’s democratic history, recognised as the first woman to serve as Speaker of the House of Representatives. Her appointment in June 2007 marked a significant moment for women’s representation in Nigerian politics — a symbolic breakthrough that inspired many across the nation.
Born on August 17, 1953, in Ikire, Osun State, Patricia Etteh trained and worked as a beauty therapist before venturing into politics. She attended the University of Abuja, where she earned a Law degree, demonstrating her commitment to self-development and governance.
Etteh began her political journey as a member of the Alliance for Democracy (AD) and was elected to the House of Representatives in 1999, representing Ayedaade/Isokan/Irewole Federal Constituency of Osun State. Her charisma, grassroots appeal, and advocacy for women’s inclusion in leadership quickly made her a respected voice in the legislature.
In June 2007, she made history when she was elected Speaker of the 6th House of Representatives, becoming the first and only woman to occupy that position in Nigeria’s history. Her emergence was seen as a victory for gender equality and a testament to her political influence within the People’s Democratic Party (PDP).
However, her tenure was short-lived. In October 2007, Etteh faced allegations of financial misconduct related to the renovation of her official residence and the purchase of vehicles for the National Assembly. Though she denied any wrongdoing and maintained that all processes were duly approved, public and political pressure led to her resignation after just five months in office.
Despite the controversy, Patricia Etteh’s impact on Nigerian politics cannot be dismissed. Her rise to the position of Speaker shattered long-standing gender barriers, paving the way for more women to aspire to top political offices. Over the years, she has remained active in political and social advocacy, supporting initiatives that promote women’s empowerment and participation in governance.
Etteh’s story is not merely one of power and controversy — it is a narrative of courage, ambition, and the pursuit of equality in a male-dominated political landscape. As a Yoruba woman from Osun State, her achievement continues to resonate as a source of pride in Nigeria’s democratic history.
Her portrait — often used in educational and historical references — serves as a reminder of the progress made and the journey yet to come for Nigerian women in politics.