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Vintage Coca-Cola Cone-Top Cans: 1950s Packaging Innovation

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The image shows two vintage Coca-Cola cone-top cans from the 1950s—rare relics that mark a turning point in beverage history. With their bold red branding, crown-cap tops, and distinct sizes (pint and quart), these cans reflect Coca-Cola’s early experiments with packaging beyond the glass contour bottle that defined its identity for decades.

The Cone-Top Era

Introduced in the United States in the mid-1930s, cone-top cans were a bridge between bottles and modern cans. Designed with a narrow spout sealed by a crown cap, they mimicked the familiar shape of a glass bottle while allowing beverage companies to use existing bottling machinery.

For Coca-Cola—synonymous with its patented contour bottle—cone-top cans were a cautious but innovative step, ensuring loyal customers accepted the shift to canned drinks without losing brand familiarity.

Sizes and Consumer Appeal

The two cans in the image highlight Coca-Cola’s mid-century strategy of offering convenience and choice:
Quart (32 oz.) – Marketed for families and group consumption.

Pint (16 oz.) – Ideal for individuals or small gatherings.

Both carried the clear label “NET CONTENTS”, reinforcing Coca-Cola’s transparency in portion sizes at a time when standardized packaging was building consumer trust.

Branding and Marketing Messages

Despite the new format, Coca-Cola stayed anchored to its identity:

The timeless slogan “Delicious and Refreshing” (first used in the 1880s) appears prominently.
The phrase “CANNED SPECIALLY FOR USE AT HOME AND ON OUTINGS” targeted post-WWII suburban life—picnics, road trips, and family recreation—positioning Coca-Cola as both portable and social.

This approach echoed America’s booming leisure culture, tying the brand to relaxation and togetherness.
Historical Context: From Bottles to Cans

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Coca-Cola began testing cans in 1936, but wartime rationing and consumer habits delayed large-scale adoption. After WWII, soldiers’ familiarity with canned beverages accelerated demand back home. By the 1950s, with improved steel can technology, Coca-Cola expanded its canned offerings in select markets.

Cone-top cans were phased out in favor of flat-top steel cans in the late 1950s and early 1960s, which required a “church key” opener. This evolution paved the way for pull-tab aluminum cans by the late 1960s—the format still dominant today.

Legacy and Collectibility

Today, Coca-Cola cone-top cans are prized artifacts of both design and cultural history. Collectors especially seek:

Intact cans with legible labels and minimal rust.

Large quart-size cans, which are far rarer than pints.

Values vary by condition and rarity, with some cone-top Coca-Cola cans fetching $200 to over $1,000 at auctions. Beyond their monetary worth, they symbolize Coca-Cola’s adaptability: from soda fountains in the 1890s, to glass bottles in the 1910s, and cans by the mid-20th century.

Sources
Coca-Cola Archives. “Coca-Cola Packaging: A Timeline.” The Coca-Cola Company.

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Nollywood actor Lateef Adedimeji, wife welcome triplet sons

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Popular Nollywood actor, Lateef Adedimeji, on Friday announced the arrival of his triplet sons with his wife and fellow actress, Adebimpe Oyebade, popularly known as Mo Bimpe.

Adedimeji made the announcement via his official Instagram page, sharing an emotional message in which he described the children as his world, responsibility, and legacy.

“I’ve been quiet… not absent. I was building, protecting, and embracing the greatest blessing of my life. God gave me more than I prayed for — a woman who became a mother of three, and three kings to call my own,” he wrote.

The actor, who closed the post with the Islamic expression of gratitude, “Alhamdulilah,” did not disclose the date of birth or the names of the children.

The announcement drew an outpouring of congratulations from fans and colleagues.

Fellow Nollywood actress, Mercy Aigbe wrote, “To God be the glory. Congratulations.”

OloyedeJuliana also wrote, “God is Good!!! God is Good!!!God is Good!!! Watching this again, I’m in tears, congratulations my fam, so happy for you two. Can’t believe
I’m an Auntie”

Also reacting, Omowumi Dada wrote, “Such GOODNEWS for the month of May. THANK YOU JESUSSSSSSSSSSSSS. Congratulations fam”

Adedimeji and Mo Bimpe, both prominent figures in the Yoruba film industry, had their wedding ceremony in 2021.

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I take full responsibility, Sisi Alagbo’s husband apologises over leaked sex tape

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The husband of popular social media personality Eniola Fagbemi, known as Sisi Alagbo, Adesola Akeem, has issued a public apology over a leaked sex tape involving his wife, himself and another woman.

The video went viral on Monday and has since generated widespread controversy online.

The video, which depicted the trio in an intimate encounter, began circulating on WhatsApp groups and Telegram channels before spreading rapidly to gossip blogs, Instagram pages and explicit-content websites.

In the footage, Fagbemi is seen filming Akeem having sexual relations with the third woman while all three were unclothed. It remains unclear how the video made its way online.

Akeem, in a statement posted on his Facebook page on Thursday, said he took full responsibility for his actions and acknowledged the disappointment the incident had caused.

“I write with a deep sense of responsibility and sincere remorse to extend my heartfelt apologies to my family, friends, business associates, religious leaders, fans, loved ones, and the entire Nigerian public over the recent incident involving a leaked sex scandal.

“I acknowledge the disappointment, embarrassment, and concern this situation has caused, and I take full responsibility for my actions,” he wrote.

He added that his conduct had fallen short of the values expected of him by those who had trusted and supported him.

Akeem also directed specific apologies to family members, friends, business associates, and religious bodies.

“To my fans and supporters, I deeply regret letting you down,” he said.

He described the period as one of reflection and said he was committed to making better decisions and rebuilding trust.

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“I am committed to making better decisions, rebuilding trust, and upholding integrity in both my private and public life going forward,” he added.

Sisi Alagbo had on Wednesday also apologised on her verified Facebook account, saying she had been unable to eat or sleep since the video emerged.

“I own my mistakes, and I apologize with all sincerity for the video circulating online. I am deeply sorry to everyone who felt disappointed in me,” she wrote.

Fagbemi rose to prominence through her promotion of herbal concoctions and became a social media sensation after a viral video of her kneeling to greet Super Eagles striker Victor Osimhen at the 2025 Africa Cup of Nations in Morocco.

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Portable, Efe trade words ahead Chaos in the Ring

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Social media stars Habeeb ‘Portable’ Badmus and Carter Efe traded fresh threats ahead of their celebrity boxing bout at Chaos in the Ring 4, as the main event fighters Ezra Arenyeka and Godday Appah also exchanged sharp words at a face-off ahead of the May 1 card at the Balmoral Hall, Federal Palace Hotel, Victoria Island, Lagos.

Portable, who previously beat both Charles Okocha and Speed Darlington in celebrity exhibition bouts to win two belts, made clear he intended to add a third at Efe’s expense.

“I will use you to collect my third belt. Charles Okocha was bigger than you, Speed Darlington was bigger than you and I beat them. I will beat you now,” he told Efe directly.

Efe was unmoved, dismissing Portable’s record and warning that the bout would be brief.

“You can’t beat me. You that is scared of me — when we meet in the ring, I will beat you. One punch and you fall,” he fired back.

In the main event, Arenyeka and Appah, whose bout is billed as a symbolic WBO Peace Fight between the Itsekiri and Ijaw communities of the Niger Delta, set aside any goodwill between them at the face-off.

Appah was unsparing in his assessment of what awaited his opponent.

“We were friends but there is no friendship in the ring. Right now, I am fighting for my belt, for my people and for the win. He knows who the king is. I am here for the knockout — this is war. You will not survive six rounds with me,” he said.

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Arenyeka replied without hesitation saying, “I am going to break your head. You said six rounds — I will beat you in five. You will sleep in the ring.”

Elsewhere on the card, Ghana’s Elvis Ahorgah and Newcastle’s Joe Laws added their own flavour to proceedings, with Ahorgah delivering his threats in rhyme in the manner of Muhammad Ali, while Laws painted his face in the colours of the Nigerian flag in a bid to win over the home crowd against a fighter from a rival nation.

British southpaw Michael McKinson, whose father is of Nigerian descent, also features on the card against Algerian prospect Mohammad Sahnoun and said he was looking forward to making a statement while soaking in the Nigerian culture.

Balmoral Group Promotions CEO Ezekiel Adamu said the face-offs reflected the broader ambition behind the event.

“It’s entertainment, but I want these young guys to trust me that the world is watching. When you have a platform like this, it changes lives. This is what it is all about for us: giving these guys the opportunity and visibility and showing the best of African boxing. It’s wartime and let’s show the world what we have to offer here in Africa,” he said.

The nine-bout card, promoted by Balmoral Group Promotions in association with former world heavyweight champion Amir Khan’s AK Promotions and sanctioned by the Nigeria Boxing Board of Control, will be broadcast live worldwide on DAZN.

It also features teenage sensation Raheem Animashaun against Tanzanian veteran Emmanuel Amos, national middleweight champion Rasheed Adeyemo against Tanzanian Nicolaus Mdoe, Basit Adebayo against Loren Japhet, UK-based Ghanaian Samuel Antwi against Congolese veteran Paul Kamanga, and a welterweight clash between Seun Wahab and Saidi Mkola.

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