Professor Peller – The Enchanting Story of Nigeria’s Most Famous Magician and how he got Assassinated in 1997
It was one surreal day, around 4:00 pm or so, and I was out on our street for a reason I can’t really remember now, I was pretty young then. Then as I got to the maisuya end of our busy street, I noticed this huge and electrified crowd thronging after a slowly-moving convoy. At the center was a white limousine and from the sun roof, was a man full of charming smiles, waving to the frenzied crowd, he looked very smart, handsome and he was also wearing white, all white, the hat too was white.
It was quite a dazzling spectacle. The limo was headed towards the city stadium where he had a show. I had just set my eyes on Africa’s greatest magician, ‘Professor Peller’. And Abiyamo would never see him again. But for a young African child who was also seeing a limousine for the very first time or so, it was truly a magical moment for me. He performed and left my state leaving incredible tales of outstanding feats. Ladies and gentlemen, this is a piece on Nigeria’s most famous magician, Professor Peller. For about thirty years, Peller held the world’s most populous black nation spellbound with millions gasping at the whisk of his wand. I hope you find this magical.
BIRTH AND EARLY DAYS
He was born in 1941 at Iseyin, Oyo State and he was named Moshood Folorunsho Abiola. He would later pick on the stage name of ‘Professor Peller’, an appellation that has stuck to him like a second skin.
HIS MAGICAL PERFORMANCES AND EXPLOITS
When Professor Peller was alive, he was the most brilliant magician in all of Africa. I am not too sure if the record has been broken. Even in death, Peller remains the greatest of all. He performed not only before princes but also held kings spellbound with his magic. Here is how Femi Oyebode, a Professor of Psychiatry at the University of Birmingham described Peller and one of his shows in 1972 at the George V Stadium in Lagos (that is the old name of the Onikan Stadium):
My last ever visit to the stadium was to see Professor Peller, a magician, and said to be a member of the Magic Circle take on the last of our traditional magicians whose name now escapes me (itself a significant fact). Professor Peller was dressed in black tails, a top hat, a wand in one hand, black shoes and well-cut hair. He was a perfect picture of debonair gentleman and was assisted by an attractive young woman. He flicked his white handkerchief and a white dove flew out. He pulled at his cuff links and flowers bloomed under his command. He was confident, majestic. He was suave and graceful. He levitated his assistant.
He cut her in two without drawing blood. He locked her in a cupboard, chained up several times over yet she disappeared! It was a masterly performance. The crowd clapped, hooped. We were seduced against our better judgment. We wished desperately that the traditional magician would enthrall and endear us to his magic, the mysteries of African magic. We were disappointed or shall I say that I was disappointed. When he came on stage dressed only in a loincloth of indeterminate color, you could hear the audience gasp aloud.
Was this African magic?
This crude, little thin man who seemed recently woken from the dead? He swallowed a stone and turned his backside to us, slipping his loincloth to one side and excreted the stone. Awfulness and shame. He submitted his abdomen to a sharp sword to be sliced open. But by now, the absence of razzmatazz and of finesse had turned us against him. The crowd poured through the gates. That was how disgusted we were. You can say that at George V stadium, in early adulthood I lost two of my childhood dreams.
A master at his craft and a consummate entertainer, he cast a most powerful spell on the following African leaders, right in their presidential palaces:
-The late President Gnassingbe Eyadema of Togo (Eyadema later died after spending 38 years in power, he was the longest-serving ruler in Africa when he died in 2005 (see his picture below). His son, Faure, is currently the President of Togo).
-The late President Samuel Kanyon Doe of Liberia (see picture below). There is an interesting story behind his performance for the late strongman of Monrovia. There was a time Peller had a performance in Liberia in the 1970s and the crowd was just too massive. The Liberian government drafted security forces to the venue of the act to control the surging crowd. One of those responsible for maintaining security that day at Peller’s performance was a young man called Samuel Doe. So when Doe became President, he summoned Peller, Nigeria’s finest magician to come perform for him. Such was the stellar performance of Peller. Doe said he was busy controlling the surging crowd and he could not witness the even properly as at that time when he was a junior soldier.
The former President of Benin Republic, Mathieu Kerekou was also one of those who patronized Peller
Apart from the Presidents mentioned above, Peller also reigned supreme in Nigeria. It was like there was no other conjurer in the land. Chief Obafemi Awolowo, the late Premier of the Western Region was one of those he used to entertain regularly.
-Peller was a prolific magician with many shows, some of which were the Invisible General, the Escaping Box, Changing Dresses and the Zigzag. One thing with Peller’s performances is that they were executed with maximum finesse and excellence. He was thorough and professional. Perhaps, if not for death, he might have even eclipsed David Copperfield of the USA in fame. Copperfield is presently the greatest magician on earth and the first person to make one billion dollars from magic.
-While growing up, he was nicknamed Moshood Olori Pupa (Moshood the Red-Headed Boy).
-One of his classical performances included putting his wife in a ‘magical coffin’ and severing the same coffin into two halves with a ‘magic coffin’.
When Peller was performing, there was really no Internet as we have it today, so it was quite easy to fool people in their millions. Now, YouTube is
spoiling the show for many magicians except the most ingenious of them. Here are few more magic clips on YouTube just to let you know they do not conjure any evil spirit or demon, it is nothing but sheer trickery.
LOVE, ROMANCE AND MARRIAGE
He was described as a very romantic man. His most prominent wife, Alhaja Silifat, fell in love with him while she was still in the secondary school. She confessed that she had always admired him and his performances even before then and each time she watched him perform, her heart fluttered with affection for the fine magician with tribal marks.
In 1967, Iseyin Grammar School in Oyo State became the place where Peller planted the seed of love even if he was there to perform but was carried away by the ravishing young beauty in the crowd called Silifat. Hear her: “I am sure he musthave been attracted to me because of my beauty. So, he just whispered to me: ‘Baby, you are beautiful.’ And I said, ‘Thank you.’ He didn’t ask me out that day. For quite a long time, we were friends.” For a couple of years more, they continued dating and Lady Peller said after two years, she said yes to his advances. They got married in 1971 and they already had a child by then.
For a man who was a showstopper at any events, it is no surprise that not a few women fell for the enchanting spell of Nigeria’s most famous magician. He was a man of many women and married many of them. However, the best known of these ladies, with whom he performed his magic tricks is Alhaja Silifat Adeboyin Peller (see picture). The whole of Nigeria knew her as Lady Peller and she is most famous for the act in which she was ‘sliced’ into pieces by Peller and had a hard time putting her back. Now 66 years of age with her husband gone and not remarrying, she is tending to her grandchildren while reminiscing over the glittering wonders of an empire of magic that once held sway. Lady Peller was born in Kishi, Oyo State where her father was the Chief Imam and had five children for him, while also raising many other step-children.
However, unknown to many, their rosy marriage later had a deep crack to the extent that they were not staying together anymore. When Peller was killed at his Onipanu residence, he was in Lagos State for a function while Lady Peller was living at the GRA, Ikeja. Although they were not officially separated as they still saw regularly, Peller checked on her in Ikeja but met her absence. As at that time, they had already reconciled and were even planning on coming back together before Peller was prematurely silenced by the assassin’s bullets.
Peller left a message for her to check on him as he was not feeling well and was rushed to Ibadan for treatment. Lady Peller was furious as to why he was taken to Ibadan since they had family doctors at the Ajayi Memorial Hospital and the EKO Hospital in Lagos but upon getting to Ibadan, she was simply told that Peller was dead. She fainted immediately only to wake up to a bucket of water and intense fanning by family members. She said: “It was a great shock and I had never seen that kind of things. I don’t ever wish to go through that kind of thing again.” While he was alive, he also taught her some magic and ensured she got some training in Michigan, USA. Little wonder they always performed together and as far as she is concerned, her religion is not against the brand of magic she performed with her late husband because according to her, ‘it was not fetish’. She still remembers the very good old days and says she will not remarry and will still marry him over and over again, rounding off: They only want to enjoy what Professor Peller was enjoying for several years. But they can’t have it.”
Alhaja Silifat Abiola Peller, the wife of late magician, Professor Peller, has opened up on why the popular socialite was killed.
While speaking in an interview with BBC News Yoruba, Mrs Peller revealed that the assassination of her husband was made possible because of the personal information he leaked to the media after a performance she had with her husband that got everyone scared.
She said during the performance, the late magician sliced her into two on stage but found it difficult to restore her back to normal.
“On that unforgettable day, Professor Peller performed at the National Theatre. He sliced Lady Peller into two but found it difficult to restore her back to normal,” she said.
“He did his best to the point of sweating which was noticed by the spectators. The show ended at that point.
“Thanks to God, Lady Peller later came back to life. But people were yet to know until the following day.
“While Professor Peller was performing (the following day), the spectators were not all that interested. All they wanted to see was Lady Peller.
“As soon as they saw me, they were excited to the point that some of them called it a day, saying my appearance was entertaining enough.”
Silifat said presidents and prominent people used to come to the shows which they performed across the world.
On how she heard of her husband’s death, she said she was in Lagos when she got the information.
“It was an unfortunate day which I can’t really explain. Some said I fainted and later got revive after water was poured on me,” she said.
On how her husband died, Silifat said “He was observing the Sujud prayer when he died.”
She continued, “The media knows how to ask questions that can make one say things he ought not to say.
“Professor Peller was asked by the media to reveal the particular time he could be found without his powers.
“He told them that he could only be found without his powers when he’s observing the Islamic prayers.
“That’s what Professor Peller said that led to his fall.”
Silifat said the assassins who killed the magician ensured they carried out the act at the time he was observing prayers.
Remembering Flora Ogbenyeanu Ogoegbunam Azikiwe — the graceful wife of Dr. Nnamdi Azikiwe and the woman who quietly shaped Nigeria’s political beginnings.
Early Life and Background
Flora Ogbenyeanu Ogoegbunam Azikiwe (née Ogoegbunam) was born on 7 August 1917 in Onitsha, present-day Anambra State, Nigeria. She hailed from a respected Igbo Christian family known for its educational and civic-minded values. Her father, Chief Ogoegbunam, was a traditional leader and community elder who played a vital role in Onitsha’s socio-cultural development during the early 20th century.
Flora grew up in a disciplined and faith-oriented environment. Her early exposure to education and Western values shaped her into a woman of grace, intellect, and strong moral conviction — qualities that would later define her public life as Nigeria’s first First Lady.
Education and Early Life Aspirations
Though specific records about her schooling are limited, it is known that Flora received formal education at mission schools established by the Church Missionary Society (CMS) in Eastern Nigeria. These schools were among the earliest centres of Western education for Nigerian women. Her literacy, poise, and confidence reflected the missionary emphasis on both academic and moral instruction, preparing her for life alongside one of Africa’s greatest nationalist leaders.
Her education and cultural exposure made her one of the early educated Igbo women who could confidently engage in social discourse, which later proved vital as she assumed public roles alongside her husband.
Marriage to Dr. Nnamdi Azikiwe
Flora married Dr. Nnamdi Azikiwe — affectionately known as “Zik of Africa” — in the late 1930s, long before he rose to national prominence. Their marriage was built on deep companionship and mutual respect. Together, they raised four children: Chukwuma, Uwakwe, Njideka, and Molokwu Azikiwe.
Throughout their marriage, Flora served as both a partner and moral support to her husband. As Zik pursued his political ambitions — leading movements for independence and serving as Nigeria’s first Governor-General (1960–1963) and first President (1963–1966) — Flora remained his constant source of strength and counsel.
Role as Nigeria’s First Lady
Flora Azikiwe became Nigeria’s first official First Lady when her husband assumed office as President of the Federal Republic of Nigeria on 1 October 1963, following the country’s transition into a republic. She served in this capacity until 16 January 1966, when the First Republic was overthrown by the military coup that marked the beginning of years of political instability.
As First Lady, Flora maintained a modest but dignified public image. Unlike modern First Ladies who often take on visible advocacy roles, her era demanded discretion and decorum. She represented the emerging image of the Nigerian woman — educated, cultured, and supportive of national unity.
She was deeply involved in community service, church activities, and women’s associations, particularly within the Eastern region. Through quiet diplomacy, she fostered goodwill and respect among Nigeria’s early political families and the wider public.
Personality and Values
Flora Azikiwe was known for her humility, calmness, and quiet confidence. Those who knew her described her as a woman of prayer, discipline, and graceful influence. She believed in the power of education and good upbringing, often encouraging women to balance family responsibilities with civic engagement.
Her personal style — elegant yet conservative — reflected both her Christian upbringing and her understanding of the symbolic weight of her position as the first lady of an independent African nation.
Later Years and Death
After her husband’s removal from office in 1966, Flora withdrew from public life. She spent her later years focusing on her family and faith, occasionally attending public events in Onitsha and Enugu.
She passed away on 22 August 1983, at the age of 66, and was buried in Onitsha, Anambra State. Her death marked the end of an era for many who saw her as a symbol of dignity in Nigeria’s early political history.
Legacy
Flora Azikiwe’s legacy lies not in fiery speeches or political movements, but in her symbolic role as the mother of a young nation. As the first First Lady of Nigeria, she set the tone for future occupants of that office — embodying modesty, cultural pride, and quiet strength.
Her contribution to the image of the Nigerian woman during the 1960s remains significant. She represented an ideal of womanhood that combined tradition, education, and faith — qualities that resonated deeply in the post-independence years when Nigeria sought to define its identity.
Today, Flora Azikiwe is remembered alongside her husband, Dr. Nnamdi Azikiwe, as part of the generation that laid the foundation for Nigeria’s independence and nationhood.
References:
Vanguard Nigeria (2023). “Remembering Flora Azikiwe: Nigeria’s First First Lady.”
Premium Times Nigeria (2022). “Nigeria’s First Ladies: The Women Behind the Power.”
The Guardian Nigeria (2019). “Zik’s Family Legacy and the Quiet Strength of Flora Azikiwe.”
Celebrating over five decades of laughter, mentorship, and storytelling from one of Yoruba cinema’s most beloved icons
A Lifelong Stage of Laughter
The image features Sunday Omobolanle, fondly known by millions as “Papi Luwe” or “Baba Aluwe.” A veteran Nigerian actor, comedian, director, and producer, Omobolanle stands as one of the most influential figures in the Yoruba film industry. His career, which began in the theatre era before the dominance of home videos, has helped shape the foundation of modern Nigerian comedy and cinema.
Born on October 10, 1954, Sunday Omobolanle turned 71 in 2025, marking a milestone that celebrates not just his age but his legacy — a legacy filled with laughter, cultural storytelling, and mentorship that spans generations.
Early Life and Theatre Roots
Omobolanle’s journey into entertainment began through the Yoruba travelling theatre tradition, an art form that combined acting, music, dance, and cultural performance. Like many of his contemporaries, including Moses Olaiya (Baba Sala) and Hubert Ogunde, he honed his craft performing live plays across southwestern Nigeria, often in makeshift venues that brought communities together through humour and folklore.
It was within this vibrant theatre scene that Omobolanle developed his stage name, “Papi Luwe”, a character that became synonymous with his mischievous humour and social satire. His performances seamlessly blended moral lessons with comedy, a style that resonated deeply with Yoruba audiences and earned him a national following.
Rise to Stardom: From Stage to Screen
With the evolution of Nigerian entertainment into television and home video in the late 1980s and 1990s, Omobolanle transitioned from live theatre to film production. His comedic genius shone through in films such as Adun Ewuro, Papi Luwe, Baba Lukudi, and Ojo Idogo. These movies showcased his ability to portray both serious and humorous characters while addressing societal issues like greed, family conflict, and urbanisation.
Beyond comedy, Omobolanle also earned respect as a scriptwriter and director, producing works that preserved Yoruba culture and moral values for future generations.
Family and Legacy
Sunday Omobolanle’s personal life is as rooted in the arts as his career. He is married to Peju Ogunmola, a respected actress and daughter of the legendary dramatist Kola Ogunmola. Their union represents a bridge between two great theatrical lineages in Nigeria.
Their son, Sunkanmi Omobolanle, continues the family legacy as a popular Nollywood actor and filmmaker. Together, the Omobolanle family embodies three generations of artistic excellence — from stage drama to modern cinema.
Contributions and Recognition
Over the years, Baba Aluwe has received several honours for his immense contribution to Nigerian entertainment. He has been recognised by industry bodies, cultural associations, and fans for promoting Yoruba culture and humour through film and theatre.
His influence also extends to mentoring younger actors and comedians. Many modern Yoruba film stars regard him as a mentor who paved the way for the success of indigenous storytelling in Nollywood.
A Legacy Beyond Comedy
While most Nigerians remember Sunday Omobolanle for his infectious laughter and slapstick humour, his work has always carried deeper meaning. Through satire, he highlighted issues such as corruption, family unity, education, and respect for tradition.
Even in his later years, Omobolanle remains active in the entertainment industry, occasionally appearing in films and cultural events. His enduring relevance speaks to his adaptability and deep understanding of the Nigerian audience.
References
The Guardian Nigeria, “Veteran Actor Sunday Omobolanle at 70: A Legacy of Laughter and Culture,” 2024.
Punch Newspapers, “Papi Luwe: Five Decades of Stage and Screen Comedy,” 2023.
Nollywood Reinvented, “Sunday Omobolanle: The Living Legend of Yoruba Cinema,” 2022.
BBC Pidgin, “How Baba Aluwe Take Start Comedy for Yoruba Theatre,” 2021.
Vanguard Nigeria, “Peju Ogunmola and Sunday Omobolanle: A Love Story Built on Art,” 2022.
In August, 1977, that’s three years after he left the Nigerian Army, Brigadier Benjamin Adekunle, told Muyiwa Adetiba, a journalist:
“I had been labelled as a legalised murde3er by the society called Nigerians.
Right now, I will do any job that will lead to the saving of souls of fellow Nigerians. Not that I regrët my period as a soldier, or my kill!ng days as some people would like to refer to it. But there are certain times when you need to do some reassessments. To be a soldier can be a cūrse in that you are branded. People look at you as if there is no good in you, as if you are just a bløød-thirsty cãnnibāl.”
Some have argued that Benjamin Adekunle’s success in Eastern Nigeria during the battle to keep the country as one was partly because he once served as Aide-de-Camp to the Governor of the Eastern Region, Sir Akanu Ibiam, in 1962. They argue that he might have mastered the terrain before he was deployed to the battlefield. Others say he only showed his passion as a soldier. He was just 31 when the wãr started.
Born in Kaduna, Nigeria; his father was from Ogbomoso, Oyo State. He completed secondary education at Government College, Okene and enlisted in the Nigerian Army in 1958 and commissioned as 2nd Lieutenant on 15 December 1960.
During the Civil Wãr (1967-1970), he led the amphibious assāūlt on Bonny Island in July 1967 (sometimes called the ‘Bonny landing’), one of the early successes for Federal førces.
– He commanded Operation Tiger Claw, captūring the important Biafran port of Calabar.
– Under his command, the 3rd Marine Commando Division (which he renamed to underscore its amphibious/riverside operations) achieved many victories in riverine and coastal areas: taking control of places like Escravos, Burutu, Urhonigbe, Owa, Aladima, Bomadi, Patani, Youngtown, Koko, Sapele, Ajagbodudu, Warri, Ughelli, Orerokpe, Umutu, Itagba Uno.
– His forces’ operations were strategic in cutting off Biafra’s supply routes via coast and riverine areas, helping to isolate Biafra.
In 1972, he was promoted to Brigadier and was put in charge of decongesting the Lagos ports, a significant logistical/economic task, and succeeded in reducing congestion. He retired from the Nigerian Army on 20 August, 1974. He was 38 then.
He said in the interview with Adetiba: “I wanted to do 22 years in the Army. I only did 14.”
He passed away on September 13, 2014 at age 78.
MAY HIS UNITY SOUL CONTINUE TO REST IN PERFECT PEACE. AMEN