Ken Okolugbo, Communication and Strategy Consultant to the President of the Senate, Godswill Akpabio, has explained why some people from the Anioma area of Delta State do not identify as Igbo despite their ethnic and linguistic similarities.

Speaking during an interview on African Independent Television, AIT, Okolugbo said the reluctance of many Anioma people to associate with the South-East stems from the lingering stigma attached to the Biafra war.

He said: “My full name is Ekenechukwu Chikwunonazu Okolugbo, that is pure Igbo. But some of my people will say, no, we are not Igbo because they don’t want to be with the South-East, because of the stigma the region has always had in terms of the Biafra war. So they will tell you, no, I don’t want to be identified with the South-East.”

Okolugbo, who served as a consultant to the Senate President during the recent state creation deliberations, commended the 10th National Assembly for addressing the imbalance in state distribution across the country.

He noted that while the South-West, South-South, North-Central, and North-East each have six states, and the North-West has seven, the South-East remains with only five — a situation he described as inequitable.

“I give it to the 10th National Assembly for realizing that this imbalance has to be taken care of. It is not just about agitation for states, it is about fairness,” he said.

According to him, the proposal to create new states, including Anioma, Orashi, Adada, Etiti, and others, was part of efforts to promote inclusivity and reduce agitations in the South-East.

He added that granting the South-East a sixth state would help douse regional tension and send a strong message of equity and reconciliation.

“One of the reasons we have unrest in the South-East has been marginalization. If a new state is created, it will give the people a sense of belonging and help address some of the grievances fueling the Monday sit-at-home,” he said.

Okolugbo described Anioma State as the most viable among the seven proposed new states, though he acknowledged that other regions also have legitimate claims.

“It’s one and a half years into the life of this administration. I don’t think so many states can be created. But if even one is created, it will be a win-win situation for the Tinubu administration,” he added.

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Early Life & Education

Bello was born on 18 June 1975 in Okene (in what is now Kogi State), Nigeria.

He is from the Ebira ethnic group and was the youngest of six children.

For schooling:

Primary education: at LGEA Primary School, Agassa, Okene LGA starting circa 1984.

Secondary education: attended Agassa Community Secondary School, Anyava, Agassa-Okene; later completed SSCE at Government Secondary School, Suleja, Niger State (1994).

Tertiary education:

He studied Accountancy at Ahmadu Bello University (ABU) Zaria, graduating in 1999.

He holds an MBA (from the same institution, around 2002/2004).

He became a chartered fellow of the Association of National Accountants of Nigeria (ANAN) in 2004.

Political Career

Bello is a member of the All Progressives Congress (APC).

He became Governor of Kogi State on 27 January 2016, succeeding Idris Wada.

He won a second term in the November 2019 gubernatorial election.

His tenure ended on 27 January 2024, when he handed over to Usman Ododo.

During his time in office, he was noted as being the youngest governor in Nigeria.

Major Achievements & Initiatives

Education

Under his administration, the Kogi State Government developed the State Education Strategic Plan (SESP) 2021-2030 and an operational plan (SESOP) 2021-2027.

The state allocated 30 % of its budget to education in a fiscal year (from 2021), exceeding UNESCO’s recommended benchmark of 26 %.

The administration recruited nearly 3,979 teachers in February 2023 from a large applicant pool.

Other efforts included training school managers, improving infrastructure, curriculum delivery improvements.

Health & Social Interventions

He launched the “Bello Health Intervention” programme: supplied consumables and essential medical equipment, expanded solar-powered cold rooms for vaccine storage.

Undertook renovation/construction of zonal hospitals in Kabba, Idah, Okene; a cottage hospital in Kpakere; upgraded the College of Nursing & Midwifery in Obangede.

His government distributed over 2.5 million free LLIN (long-lasting insecticidal nets) in collaboration with USAID and PMI.

Security & Governance

Bello’s tenure was touted for improved security within Kogi State, leading to awards such as “Torch bearer of Security” from the Nigerian Union of Journalists and “Icon on Security” from the Association of Nigerians in Diaspora.

Reports say he commissioned a Nigeria Navy Ship Lugard and Navy Barracks, as part of upgrading security presence.

Inclusion & Youth Engagement

His administration reportedly exceeded the 35 % affirmative action threshold for gender equity and youth inclusiveness in government appointments.

Commended by the Kogi State Government on his 50th birthday for bringing youth and women into governance and giving them “a seat at the table”.

Controversies & Legal Issues

In April 2024, the Economic and Financial Crimes Commission (EFCC) declared Bello wanted in connection with alleged money-laundering of ₦80.246 billion.

He was subsequently arraigned on 19-count charges including conspiracy, money-laundering, and criminal breach of trust.

On 25 September 2024, fresh charges were filed against him involving ₦110.4 billion and allegations of property acquisitions in Abuja and Dubai using state funds.

On 20 August 2024 the Court of Appeal ordered him to present himself for arraignment.

Asset seizure orders have been upheld, including foreign properties.

His residential property in Abuja was subject to an EFCC raid in April 2024.

Legacy & Public Perception

On 30 January 2024, upon leaving office, he returned to Okene to a large, jubilant crowd who celebrated his eight-year tenure.

Supporters highlight his youthfulness, proactive governance, and infrastructural investments. For instance, in a tribute for his 50th birthday the Kogi Government described him as a “generational leader” and “symbol of courage”.

Critics point to the corruption allegations, questioning the sustainability of his achievements and the integrity of his administration.

On the political front, his early ascendancy (in his 40s) is seen as a signal to younger Nigerian politicians — emphasizing youth inclusion and fast-tracked leadership roles.

Personal Life & Other Notes

He is sometimes referred to by the nickname “White Lion”.

Bello reportedly enjoys sports and fitness, especially boxing.

On his birthday (18 June 2025) he turned 50; the state and his party released tributes acknowledging his service.

Summary

Yahaya Bello is a prominent Nigerian politician whose rise to become the youngest governor in Nigeria underscored a generational shift. During his eight-year tenure in Kogi State he pursued major reforms in education, health, security, and inclusion. However, his legacy is clouded by significant corruption allegations and legal battles. His impact on Kogi is still debated: while many praise the infrastructure and systems he put in place, the allegations against him raise questions about accountability and governance.

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How a postage stamp featuring the Bronze Head of Ife became a proud declaration of Nigeria’s ancient civilisation and postcolonial identity

In 1961, barely a year after Nigeria gained independence from British colonial rule, a new postage stamp was released — one that carried far more than a monetary value. It bore the image of the Bronze Head from Ife, an exquisite artifact often called the Ooni Lafogido Bronze, representing one of Africa’s most advanced precolonial artistic traditions.

This stamp was more than a token of postage; it was a declaration of national pride, cultural continuity, and artistic excellence. By replacing colonial insignia with indigenous imagery, Nigeria announced to the world that it was ready to define itself — through its own history, artistry, and identity.

From Colonial Symbols to Cultural Sovereignty

Before independence, Nigerian stamps carried the images of British monarchs, notably Queen Victoria and later Queen Elizabeth II. These colonial-era stamps reflected imperial dominance rather than local heritage.

However, with Nigeria’s independence on October 1, 1960, came a conscious effort to reimagine national symbols — from the flag and anthem to the designs on its currency and postage stamps.

The 1961 Ife Bronze stamp marked a decisive shift. By featuring the Ife Bronze Head, the Nigerian government and postal service sought to showcase the country’s long-standing civilisation and artistic sophistication that predated European contact.

This act transformed postage — a mundane, everyday necessity — into an instrument of cultural diplomacy and national identity.

The Bronze Head from Ife: A Masterpiece of Precolonial Nigeria

The image chosen for the 1961 stamp was based on the Bronze Head from Ife, one of the most iconic pieces of ancient Nigerian art. Discovered in Ile-Ife, the sacred city of the Yoruba people, this masterpiece is believed to represent Ooni Lafogido, an ancient ruler of Ife.

Dating from the 12th to 15th century, the bronze head was created using the lost-wax casting technique, a sophisticated metalworking process that demonstrates the technical mastery of Yoruba artisans long before European contact.

The naturalism, facial symmetry, and craftsmanship of the Ife bronzes astonished European archaeologists when they were first uncovered in the early 20th century, challenging racist colonial assumptions about African art and civilisation.

By placing this artwork on a national stamp, Nigeria sent a powerful message: our civilisation is ancient, our artistry is world-class, and our identity is rooted in greatness.

A New Era of Nigerian Stamps

The 1961 Ife Bronze stamp was part of the first definitive series issued by the Nigerian Postal Service (NIPOST) after independence. The decision to feature indigenous themes reflected a wider movement in postcolonial Africa to reclaim national imagery from colonial narratives.

Other stamps from this era featured cultural icons, agricultural produce, and wildlife — each representing different aspects of Nigeria’s identity, economy, and environment.

The Ife Bronze Head stamp, however, stood out for its symbolism. It connected Nigeria’s modern statehood with its ancient artistic legacy, bridging centuries of history in a single image.

The Early History of Nigerian Postage

To fully appreciate the 1961 stamp, it is essential to understand the history of postal development in Nigeria.

Nigeria’s first postal marking appeared in 1859, when a hand-struck stamp inscribed “Paid in Lagos” was introduced under British colonial administration. The first adhesive postage stamps were released in Lagos on June 10, 1874, featuring the image of Queen Victoria.

As different regions of Nigeria came under British control — Lagos Colony, Northern Nigeria, and Southern Nigeria — each issued its own stamps until the territories were merged in 1914 to form modern Nigeria.

After independence, the country began to issue stamps that reflected its unity in diversity, heritage, and national aspirations.

Cultural and Historical Significance

The 1961 Ife Bronze stamp carried deep cultural resonance beyond postal use. It was a symbol of self-definition — a nation affirming its worth not through colonial approval, but through its ancestral artistry.

For many Nigerians, seeing indigenous symbols on official postage represented a profound sense of ownership and pride. It also introduced international audiences to Nigeria’s artistic achievements, positioning the country as a centre of African civilisation.

Today, surviving copies of the 1961 Ife Bronze stamp are considered collectors’ items, valued both for their beauty and their historical importance in Nigeria’s journey toward cultural reclamation.

Legacy and Continuing Relevance

More than six decades later, the message behind the 1961 Ife Bronze stamp remains powerful. It stands as a testament to Nigeria’s ability to tell its own story — not through colonial imagery, but through its own masterpieces, traditions, and voices.

The Bronze Head from Ife, immortalised on that small piece of paper, continues to represent the artistic genius and enduring spirit of the Yoruba civilisation and Nigeria as a whole.

References

Nigerian Postal Service (NIPOST) Archives

National Museum, Ife — Yoruba Bronze Collections

British Museum: Bronze Head from Ife Exhibit Notes

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