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UK recognises Alaafin as Yoruba supreme ruler, Owoade tells Ooni

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The Alaafin of Oyo, Oba Akeem Owoade, on Thursday, declared that the British had signed a treaty with Alaafin recognising him as the superior head of the Yoruba Nation.

This followed a fresh crisis between the Alaafin and Ooni of Ife, Oba Enitan Ogunwusi, after the Ooni conferred the title of Okanlomo of Yorubaland on a businessman, Dotun Sanusi, during the unveiling of 2geda media networking platform, at Ilaji Hotel, Ibadan, at the weekend.

Condemning Ooni’s action on Monday, Alaafin had, in a statement by his Director of Media, Bode Durojaye, given the Ife monarch a 48-hour ultimatum to withdraw the chieftaincy title or face “the consequences”.

The Ooni has, however, kept mum on the matter, even as the ultimatum expired on Wednesday.

In a fresh statement by his media aide, Durojaye, on Thursday, the Alaafin went historical, asserting that he remains the foremost monarch in Yoruba land.

Alaafin said, “Oyo simply rose to prominence through wealth gained from trade and its military skills. It was the largest West African empire, the most important and authoritative of all the early Yoruba principalities. More so, the British, as it was in their tradition, recognised lineage as meaningful supremacy and legitimacy, preferring to sign the Treaty of Cessation with the Alaafin as the Superior Head of the Yoruba Nation.

“Alaafin has sworn to his ancestors to defend and add glamour to Yoruba tradition; he would never be in a supremacy battle with any king.

“Why does Alaafin not need to get into any battle for supremacy with any Oba, either in Yorubaland or anywhere in the universe? These immortal words of Alexander Graham Bell – The most successful men in the end are those whose success is the result of steady accretion.”

The Thursday stated that the Alaafin, “at the hallowed ground of the Yoruba ancient shrine…made a covenant with illustrious Yoruba ancestors that he would defend, protect and add glamour to the Yoruba norms and tradition.”

The statement stressed that the Alaafin “is a veritable custodian of Yoruba culture and tradition, and has always taken into consideration the safety and welfare of his subjects and will never compromise tradition, culture and development of his people for a pot of porridge.”

It stated: “The history has been so kind and friendly to Alaafin Owoade publicity since he ascended the throne of his forefathers, as he does not need to get into any battle for supremacy with any oba, either in Yorubaland or anywhere in the universe.

“The monarch operates a government that is judged by its result, as prosperity, security, and well-being of the people dictate his popularity both in the palace and in the empire at large.”

The statement also launched into heavy praises of the Alaafin, stating that: “Alaafin combines humility with royalty to meet the modern-day demands. Kabiyesi (the king who no one questions). Iku Baba Yeye (the one who commands death/he who is parent to death). Alashe (he who wields authority). Ekeji Orisha (Second-in-command to the gods). The Alaafin was inducted into the mysteries of various gods like Ifa, Sango, etc, to be the direct representative of these deities on earth.”

“At the hallowed ground of the Yoruba ancient shrine, as Owoade made a covenant with illustrious Yoruba ancestors that he would defend, protect and add glamour to the Yoruba norms and tradition. Oduduwa’s Principal minister and grandson, Oranmiyan (Because Oduduwa begot Okanbi, an only child, and Okanbi begot Oranmiyan, among others, namely Ila-Orangun, Oni-Sabe, Olu-Popo, Ala-Ketu, Oba-Benin) founded the city of Oyo when a prolonged drought struck Ile-Ife as a result of people’s emigration.

“In politics also, he is concerned about the sanctity of his position, and whatever happens on the welfare of his people. Customs and all traditional practices of today in government, religion and economic life have had distance, and possibly age-long origins which were based on valid and accepted tenets that emerged from the synthesis and aggregated experience of a particular society.

“One of such societies is the ancient city of Oyo, reputed for cultural resources that are of rich non-material and material attributes and transmitted through generations. Moreover, the precepts and concepts of Alaafin’s administration have continued to support and nurture the people’s ancient culture and sophisticated civilisation from time immemorial.

“The basic concept of government was monarchy with a rigid adherence to the monolithic Oduduwa dynasty and of the paternal line,” the statement explained.

Sheath your swords, Olugbon urges

Meanwhile, the Olugbon of Orile-Igbon, Oba Francis Alao, on Thursday, called on supporters of both the Alaafin and the Ooni to halt the ongoing media comments fuelling the controversy between the monarchs.

Oba Alao, in a statement in Ibadan on Thursday, also cautioned all Yoruba sons and daughters across the world to avoid emotional outbursts that drag the throne of the Ooni and Alaafin in the mud over what he described as speculative title conferment on Sanusi.

He said, “The latest controversy over the speculative conferment of Okanlomo of Yoruba land on one of our illustrious sons, Dotun Sanusi, who is the proprietor of Ilaji Resort and Sports Centre, Ibadan, is unnecessary.

“There is no substance in the issue because it was a mere speculation. I am in touch with both Alaafin and Ooni, and I can confirm that both traditional rulers are not interested in dragging the issue. They are both for peace and unity. I have said it before that Ooni remains Ooni, and Alaafin remains Alaafin. There is no supremacy battle.

“I, therefore, appeal to all Yoruba sons and daughters all over the world to be calm, avoid nursing any pain on the issue and stop the media comments that are dragging the controversy unnecessarily.”

The Olugbon noted that Yoruba culture is built around unity, peace, kindness, respect for others and honour for obas, saying, “Dragging one another in the media over a speculative issue runs against our moral fabrics, honour for the thrones of both obas,  and the sense of togetherness that stands us out as a people.”

“Obas’ thrones are too sacred to be desecrated by all and sundry. I urge us to keep the sanctity of our thrones, which represent the totality of who we are. Let us continue to uphold the omoluabi ethos in all situations,” he said.

In a related development, a group, Think Yoruba First Ogo Adulawo Socio-Cultural Association, on Thursday, called for a more accurate and respectful representation of Yoruba culture to protect its historical legacy and identity.

Addressing a press conference, TYF’s Lead Legal Consultant, Mr. Oluwatobi Sanwo, warned that distorted narratives pose a serious threat to the intellectual integrity and global perception of Yoruba civilisation.

He explained that the conference was convened to highlight cultural defamation and historical distortion against the Yoruba people, found in a recently published academic book.

According to him, the book falsely claims that the non-Yoruba group were original inhabitants of Ile-Ife, alleging Yoruba were immigrants who usurped authority in their ancestral home.

Other falsehoods, he noted, included a fabricated empire preceding Ile-Ife, assertions unsupported by Ifa Corpus, oral traditions, or credible historical and anthropological research.

Sanwo condemned the distortions as cultural defamation, intellectual dishonesty, and potential ethnic provocation.

He stressed that Ile-Ife remained the undisputed cradle of Yoruba civilisation, recognised worldwide by scholars and authorities.

He said TYF had submitted petitions to Nigerian and international institutions, while raising public awareness to defend Yoruba heritage and intellectual truth against distortion and falsified narratives.

The association urged Yoruba people worldwide to unite in defence of Ile-Ife, while calling on the media to responsibly promote authentic Yoruba history and scholarship.

Sanwo reaffirmed TYF’s commitment to peaceful dialogue and collaboration with traditional rulers, academics, and the press, insisting Yoruba history was sacred, Ile-Ife non-negotiable, and identity indivisible.

The association also appealed to government agencies, universities, and international cultural organisations to support Yoruba scholarship, fund research, and strengthen frameworks preserving African histories and indigenous knowledge systems.

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South Africa’s top court rules men can take wives’ surnames

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South Africa’s top court ruled Thursday that men should be able to take their wives’ surnames and a law that prevented this amounted to unfair gender discrimination.

The Constitutional Court said the legal ban served no legitimate government purpose and was suspended, paving the way for parliament to enact amendments to the legislation.

While men were deprived of the ability to take their wives’ surnames, the discrimination was “far more insidious” for women, the ruling said.

It “reinforces patriarchal gender norms, which prescribe how women may express their identity, and it makes this expression relational to their husband, as a governmental and cultural default,” it said.

The case was brought to court by two couples, one of which wanted to honour the woman’s parents who died when she was young. In the other case, the woman wanted to keep her ties to her family surname as she was an only child.

Previously, men would have to apply to the home affairs department to change their surname, a request that was not automatically granted.

Provisions allowing men to assume their wives’ surname on marriage are already in place in other countries, mainly in Europe and in certain US states.

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Adewale Ayuba: The Bonsue Fuji Maestro

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Adewale Ayuba (born 25 March 1965), popularly known as Mr. Johnson, is a celebrated Nigerian Fuji musician. A dynamic performer and innovative artist, he is best recognized for pioneering a distinct subgenre of Fuji known as Bonsue Fuji, earning him the titles “Bonsue Fuji King” and “Bonsue Fuji Maestro.”

Early Life

Adewale Ayuba was born in Ijebu-Ode, Ogun State, Nigeria, where he grew up immersed in the vibrant Yoruba musical culture. His passion for music developed at a young age, and by the time he was a teenager, Ayuba had already begun performing publicly. His early exposure to Fuji—a genre rooted in traditional Yoruba Islamic music and social commentary—shaped his career trajectory.

Musical Career

Ayuba gained prominence in the late 1980s and early 1990s, standing out for his smooth voice, energetic stage presence, and ability to modernize Fuji without losing its cultural essence.
In 1986, he released his debut album, Ibere (Beginning), which set the stage for his rise in the Fuji music scene.

His breakthrough came in the 1990s, particularly after the release of Bubble, which enjoyed both commercial success and critical acclaim.

Unlike traditional Fuji, Ayuba’s Bonsue Fuji introduced faster rhythms, contemporary arrangements, and lyrics that appealed to both young and older audiences.

Contributions and Style

Ayuba’s Bonsue Fuji represents a deliberate reinvention of Fuji, making it more accessible to urban audiences and international listeners. Some defining features of his style include:

Upbeat, dance-friendly tempos.

Cleaner, more radio-friendly lyrical delivery compared to traditional Fuji.

Infusion of contemporary instruments and production styles.

This reinvention helped Fuji cross into mainstream Nigerian pop culture and attracted non-Fuji audiences.

Recognition and Legacy

Ayuba has been widely celebrated for his innovations in Fuji music, often credited with making the genre appealing beyond its traditional fan base.

His albums and live performances have earned him accolades within Nigeria and among the Nigerian diaspora.

He remains a strong advocate of Fuji as a cultural export, performing across Africa, Europe, and North America.

Personal Life

Though details about his private life remain relatively low-profile, Ayuba is admired not only for his music but also for his discipline and clean image, which set him apart in an industry sometimes plagued by controversies.

Legacy

Adewale Ayuba’s work has cemented him as one of the most innovative voices in Nigerian Fuji. By creating Bonsue Fuji, he bridged generational gaps in music, ensuring Fuji’s relevance in a rapidly changing Nigerian music industry. His influence continues to inspirer younger Fuji and Afrobeats artists who look to blend tradition with modernity.

Sources:
Vanguard Nigeria Music Archives.

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Oba Abdul-Lateef Adeniran Akanni (Obaarun-Oladekan I): The Olofin Adimula of Ado-Odo

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Oba Abdul-Lateef Adeniran Akanni (3 December 1958 – 7 January 2022), known by his regnal title Ojikutujoye Obaarun-Oladekan I, was a Nigerian monarch who ruled as the Oba of Ado and Olofin Adimula Oodua of Ado-Odo, an ancient Yoruba kingdom in Ogun State, Nigeria. His reign, which began in 2009, was marked by efforts to uphold the traditions of Ado-Odo while navigating modern governance and community development.

Early Life and Background

Abdul-Lateef Adeniran Akanni was born on 3 December 1958 in Ado-Odo, a culturally significant Yoruba settlement in present-day Ogun State. Ado-Odo holds a unique place in Yoruba history as one of the oldest Awori towns, with deep ancestral ties to Ile-Ife, the spiritual cradle of the Yoruba people.

Details of Oba Akanni’s childhood, education, and early career are not widely documented. However, his lineage and deep cultural grounding prepared him for eventual ascension to the revered Ado-Odo throne.

Ascension to the Throne

The throne of Ado-Odo became vacant following the death of Oba J. O. Akapo, who passed away on 7 February 1989. After a long interregnum that lasted two decades, Abdul-Lateef Adeniran Akanni was chosen as the next monarch.

On 2 May 2009, he was installed as the Oba of Ado and Olofin Adimula Oodua of Ado-Odo, assuming the regnal name Ojikutujoye Obaarun-Oladekan I. His coronation marked the end of a prolonged vacancy on the throne, restoring continuity in the traditional leadership of the ancient Awori community.

Role as Monarch

As Olofin Adimula, Oba Akanni held not only political and cultural authority within Ado-Odo but also spiritual responsibilities, given the sacred status of the Olofin stool in Awori and Yoruba tradition.
His reign was characterized by:

Custodianship of Yoruba Tradition: He safeguarded the customs, festivals, and rituals that define the cultural heritage of Ado-Odo.

Community Leadership: He played a mediatory role between his people and government institutions, advocating for development in infrastructure, education, and healthcare.

Symbol of Unity: His leadership maintained cohesion among the diverse Awori sub-communities under his jurisdiction.

Death

Oba Abdul-Lateef Adeniran Akanni passed away on 7 January 2022 at the age of 63. His death was a major loss to the people of Ado-Odo and the wider Awori community, who regarded him as a custodian of both cultural heritage and social stability.

Following his death, the throne of Ado-Odo once again entered an interregnum as the community and ruling houses began the traditional processes of succession.

Legacy

Oba Akanni’s reign is remembered for the restoration of traditional authority in Ado-Odo after a long period without a monarch.

His leadership helped maintain the spiritual and cultural prestige of the Olofin Adimula throne.
He is honored among Yoruba monarchs who carried the responsibility of preserving indigenous governance systems in a modern Nigerian state.

Sources:
Ogun State Traditional Council Archives (referenced in local reports)

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