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Oba Ovonramwen Nogbaisi and the Fall of the Benin Kingdom

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A historic photograph taken in 1897 shows Oba Ovonramwen Nogbaisi (also called Overami), the thirty-fifth Oba of the Kingdom of Benin, standing with his special sword bearer and chiefs in his palace. This portrait was taken shortly before his forced deportation to Calabar by British colonial forces—a turning point that reshaped the destiny of Benin and its monarchy.

The 1897 Punitive Expedition

The deportation of Oba Ovonramwen was the direct result of the British punitive expedition against Benin in February 1897. Tensions between the Kingdom of Benin and British colonial authorities had been escalating over trade restrictions, taxation, and control of palm oil exports.

When a British delegation led by Acting Consul General James Phillips attempted to enter Benin City against prior warnings, they were attacked, and several members of the mission were killed. In response, Britain launched a large-scale military invasion to capture the city, depose the Oba, and secure control over trade in the region.

The punitive expedition devastated Benin City. Thousands of soldiers and sailors, heavily armed with modern rifles, artillery, and machine guns, stormed the city. The royal palace and much of the city were burned, while thousands of cultural treasures were seized and shipped to Britain. These artworks became known as the Benin Bronzes, a globally renowned collection of intricately cast bronzes, ivories, and other works that showcased the skill and sophistication of Benin’s artists. Today, many of these pieces remain in Western museums, though efforts for repatriation have been gaining momentum.

The Oba’s Capture and Exile

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Following the destruction of Benin City, Oba Ovonramwen initially fled into the forest. After months of pursuit, he surrendered to the British. In a symbolic act of humiliation, he was tried and then exiled to Calabar, a coastal city in southeastern Nigeria.

In exile, Oba Ovonramwen lived out the rest of his days under surveillance. He died in 1914, never returning to his throne or his people. His deportation marked the end of the Benin monarchy’s political power, though the institution itself would eventually be restored in a ceremonial capacity.

The Kingdom of Benin Before the Fall

For centuries before its conquest, the Kingdom of Benin was one of West Africa’s most powerful and sophisticated states. Situated in present-day Edo State, southern Nigeria, it flourished from at least the 13th century. Benin was renowned for its advanced city planning, massive earthworks, strong military organization, and flourishing art traditions.

The royal court commissioned elaborate bronze plaques, commemorative heads, and ivory carvings, which not only served as historical records but also reinforced the sacred authority of the Oba. European travelers as far back as the 15th century marveled at the city’s grandeur and artistry.

Legacy and Restoration of the Monarchy

Although British colonization dismantled Benin’s political sovereignty, the monarchy was restored in 1914 after the death of Oba Ovonramwen. However, its authority was heavily reduced under colonial rule, limited largely to cultural and traditional functions.

Today, the Oba of Benin remains an important cultural and spiritual leader, symbolizing continuity with the kingdom’s rich past. The ongoing global conversation about the return of the Benin Bronzes has renewed awareness of Oba Ovonramwen’s fate and the devastating consequences of the 1897 expedition.

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The photograph of Oba Ovonramwen Nogbaisi with his sword bearer and chiefs is more than a portrait—it is a symbol of resilience and loss. It captures the last days of an independent Benin Kingdom, moments before colonial conquest altered its destiny. The Oba’s deportation, the looting of the Benin Bronzes, and the destruction of Benin City remain among the most significant episodes in the history of European imperial expansion in Africa.

The legacy of Ovonramwen endures, not only in the survival of the monarchy but also in the global recognition of Benin’s art, history, and unbroken cultural identity.

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Declare Your Lineage – Royal Family Tells Musician KWAM 1 Over His Interest In Becoming Next Awujale Of Ijebuland

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KWAM 1, in a letter dated December 3, 2025, addressed to the chairman of the Fusengbuwa Ruling House in Agunsebi Quarters, Ijebu-Ode, announced his interest in the stool, describing himself as a “bonafide son” of the ruling house.

The Fusengbuwa ruling house of Ijebu-Ode, next in line to produce the new Awujale of Ijebuland, Ogun State, has instructed Fuji musician Wasiu Ayinde, popularly known as KWAM 1, to confirm his family’s royal lineage to validate his membership in the ruling house.

KWAM 1, in a letter dated December 3, 2025, addressed to the chairman of the Fusengbuwa Ruling House in Agunsebi Quarters, Ijebu-Ode, announced his interest in the stool, describing himself as a “bonafide son” of the ruling house.

KWAM 1 also stated that his candidacy aligns with Ijebu customary law and the Ogun State Chieftaincy Laws.

In an interview with Punch, the Chairman of the ruling house and former National President of the Institute of Chartered Accountants of Nigeria, Abdulateef Owoyemi, said only bonafide members of the family would be allowed to participate in the selection process.

Owoyemi explained that KWAM 1, Olori Omooba of Ijebu land and others interested in the stool have been directed to complete the Fusengbuwa ruling house royal lineage data form.

According to him, the form, which requires contenders to trace their genealogy back seven generations, ensures that only genuine princes from the family can participate, thereby blocking “strangers” from claiming the throne.

He said, “The first step for anyone interested in contesting for the Awujale throne is to declare their lineage by filling the standard Fusengbuwa ruling house royal lineage data form. Once confirmed as a legitimate member of the ruling house, they can then apply for the expression of interest form.

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“We have told him, just like everyone else interested in the Awujale throne, that the first step is to declare his lineage. He will do this by completing the royal lineage data form, showing his full name, which parent and grandparent he descends from, and continuing up to seven generations.

“The completed form will be signed and submitted to the head of the ruling house unit of the Fusengbuwa ruling house, who will affirm that he is a genuine member. Only then will the process move forward.”

Owoyemi emphasised that although the application window for the throne officially closed on December 5, KWAM 1 had been given a five-day extension, which would lapse on December 10.

He noted, “We won’t shut anybody out of picking the next Awujale, but we must ensure that you are a legitimate member of Fusengbuwa. Every right comes with responsibilities. For a royal family, everyone must prove their legitimacy by completing the royal lineage data form.

“When we receive the form, we will review it meticulously. If clarification is needed, we will contact the applicant. We welcome men of influence who will use their influence to enhance the throne, not to claim it, ensuring that what truly belongs to our family is preserved.”

Owoyemi explained that the local government has given them 14 days to select candidates, and the ruling house hopes to have a new Awujale by the second or third week of January 2026.

He added, “The local government has given us 14 days to select candidates, which expires on December 18. After that, the kingmakers have seven days to deliberate and choose one candidate, whose name will be forwarded to the governor.

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“Legally, the government then has 21 days to conduct background checks and security clearance, allowing for objections or protests. After this period, the State Executive Council will ratify the nominee, and the governor will announce the next Awujale, after which coronation rites will commence.

“So, combining the candidate selection, kingmakers’ deliberation, and legal objection period, we are looking at around 42 days. Therefore, we expect the next Awujale to emerge between the second and third week of January.”

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VIDEO: I’m Married But Not In My Husband’s House; I Didn’t Have The Experience Of Living Happily Ever After – Singer Shola Allyson Reveals

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While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sola Allyson, the popular Nigerian gospel singer, has revealed that she is not currently living with her husband.

The musician made this known in her latest interview on Oyinmomo TV.

While speaking about her love life, the 54-year-old who came into limelight with a love album ‘Eji Owuro’, revealed that she is married but not living with her husband.

Sharing her marital experience, the singer said she has never enjoyed the kind of happiness many people describe.

“I’m married, but I’m not in my husband’s house. We live separately. He in his house and I in mine.”

The interviewer asked: “You sang ‘Eji Owuro’, did you experience genuine love from your husband?

She replied, “We lied before. Those older than us didn’t inform us that it’s tough. They made us believe that so long as you both love each other, you will live happily ever after, but it’s a lie.

“That’s not the experience I have. I didn’t have the experience of living happily ever after. I did all I could to make it work.

“Marriage has been a big challenge. I hear people talk about joy in marriage, but I have never experienced it.”

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VIDEO: Shola Allyson Finally Opens Up, Reveals Why She Does Not Reference Jesus In Her Songs

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Recall that Allyson, who is regarded as a gospel singer, was dragged on social media in March 2025 for not directly referencing ‘Jesus’ in all her songs.

Shola Allyson, the renowned Nigerian songstress, has opened up on the real reason she avoids mentioning the name of Jesus in all her songs.

Recall that Allyson, who is regarded as a gospel singer, was dragged on social media in March 2025 for not directly referencing ‘Jesus’ in all her songs.

Reacting to her critics in a post on X, the songstress stated that “No one can bully me into joining their darkness that looks like light because indolent souls find comfort in it”.

Finally revealing her reason for not mentioning Jesus in her songs, Shola Allyson on Saturday during her latest interview on Oyinmomo TV, stated that Jesus did not ask her to do PR for him.

She said “I’m not a religious singer. As I am, I have never introduced myself as a gospel singer. My name is Shola Allyson. I’m a singer”.

Interviewer; “Some people said you don’t mention ‘Jesus’ name’ in all your songs”.

She quickly responded “Jesus did not instruct us to mention his name in songs nor did Jesus ask us to do PR for Him”.

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