In the heart of Igbo society, the Umuada embody a paradox of power. They are daughters of the land who, once married out, retain the right to return and speak with a voice that often eclipses that of men. Across the Igbo landscape, their influence still resounds, sometimes as a shield for tradition, and sometimes as a sword that cuts into dignity and rights. However, as the clash between culture, law, and human rights heightens, GODFREY GEORGE asks if they are timeless custodians of identity, or have become instruments of exclusion and abuse
“A chorom ima (I don’t want to know). You will pay everything, and not one kobo will be left. Okwa onu gi na ga wa wa wa? (You have a sharp mouth, right?) We shall see who is who!”
According to Nneoma, the only surviving daughter of a retired civil servant in Ekwusigo Local Government Area of Anambra State, those were the harsh words flung at her during her father’s burial; they were uncompromising demand of the Umuada.
The Umuada, literally translated as “daughters of the land,” are not just a gathering of women but a formidable institution in Igbo culture. Bound by tradition, they return to their natal homes as custodians of customs, wielding a kind of authority that shapes both the social and spiritual fabric of their communities.
Their presence can sanctify a burial, settle festering disputes, or, as in Nneoma’s case, turn moments of grief into tense negotiations of power.
Nneoma’s eldest sister had died during childbirth, leaving her and two brothers, who work as builders in Delta State, to shoulder the weight of family responsibilities.
Years earlier, when her mother died after a brief illness, her body was taken to Ihite for burial. Some Umuada objected, insisting her marriage rites had not been fully completed and that she could not be regarded as a true wife of the community.
“I didn’t even know my mother was not fully married to my father till that day. It was both shocking and embarrassing to be referred to as ‘children whose legs have not reached the ground,” Nneoma recalled.
The group was split, their voices rising in sharp disagreement. It took relentless pleas, coupled with the payment of fines by the in-laws and the intervention of the Umunna, the male counterpart of the Umuada, before her mother’s body was finally allowed to be lowered into the ground.
Nneoma remembered the day vividly. She and her late elder sister had clashed openly with the women, their grief colliding with tradition.
Though still young, she had refused to cower. Her voice, sharp with anger, rose against the authority of the Umuada.
Looking back now, she admits she might have spoken more harshly than she intended, but at that moment, fear had no place, only defiance.
“I think they took offence and kept a record of me,” she said with a smirk on her face.
So, when her elder sister died in childbirth and was brought home, unmarried to the man who fathered her child, the Umuada again resisted.
This time, not because of family ties, but because she, being the first daughter of her family, refused to associate and identify with the Umuada.
Nneoma’s father and brothers were forced to plead and pay some fines before the burial could proceed. The women, Nneoma noted, were only forgiving because of the circumstances surrounding the young woman’s passing.
“They accused us of failing to pay dues or join in communal chores like cleaning the village square,” Nneoma said.
Living in Lagos, with her sister in Abuja, she struggled to see the relevance.
“My father and aunts mentioned it once or twice at Christmas, but honestly, these women’s practices didn’t sit well with me. I discarded the idea,” she said.
By the time her father was laid to rest, the demands of the Umuada had become relentless, almost suffocating. For two straight days, they turned the family compound into their base, expecting to be catered for at every hour. Morning began with bread and steaming tea; by midday, full meals were required; and at night, nothing less than plates of spicy isiewu would suffice.
One midnight, as the compound lay in heavy silence, they banged on doors and roused her brother from sleep, ordering him to fetch goat meat to satisfy their craving. Their preferences were non-negotiable: a specific brand of chocolate beverage for their tea, a particular malt drink at hand, and a beer brand of their choice to “step down” their pepper soup.
“They just wanted to punish us,” Nneoma said with painful recollection. “It was terrible. We kept paying fine after fine, mostly because I couldn’t hold my tongue.
“…And my father was a very popular man, and these women claimed we abandoned him till he died, alleging that it was the same way we abandoned our mother till her demise.
“That’s not true. On several occasions, we had asked our father to move to Delta State to stay with the boys, but he declined. He insisted on staying back at home after retirement. What were we supposed to do? When my elder sister was still here, we wanted to take him to Abuja, but he refused, saying he didn’t love the noise.”
In the end, Nneoma and her brother had no choice but to comply. They paid the fines, served bread and tea to the women for the two mornings they camped, and ensured there was more than enough refreshment throughout the funeral.
“We were warned by my father before he passed that we must obey the traditions of the land so his spirit would be accepted by the ancestors in the other world,” she explained.
“So, we just did it as part of his dying wishes. Left to me, I would have buried my father in Lagos. Let me see how they would come and drink tea at Ikoyi Cemetery,” she blurted.
Nneoma’s experience is far from isolated. Across many Igbo communities, especially among women, punishments are meted out for alleged infractions, whether neglect, abandonment, adultery, petty crimes, or even something as simple as failing to provide every item demanded during a customary occasion.
Bathed in muddy water
Umuada women in action
One February morning in a quiet Igbo community, the air heavy with the wails of mourners, an incident unfolded that unsettled many. A woman, long accused of neglecting her mother-in-law while she was alive, had dared to show up at the funeral. Her presence sparked outrage. The Umuada swiftly intervened. They accused her openly before the crowd and declared that she must be punished.
They led her to the village stream, forced her to fetch water with a clay pot balanced precariously on her head, and marched her back along the dusty path. In front of the gathered crowd, she was made to kneel while the Umuada bathed her with the water, then smeared her skin with mud scooped from the ground. Her dignity stripped, she was publicly shamed, the Umuada insisting they were enforcing cultural rights.
Scenes like this are neither rare nor entirely hidden. They speak to the enduring power and controversial role of the Umuada, once revered as custodians of morality and peacemakers in Igbo society.
Traditionally, they stood above factional politics and were known to challenge patriarchy, step into land disputes, and intervene where men’s councils faltered. But in contemporary Nigeria, their actions have become layered with contradiction: part shield, part sword.
Social media is littered with videos of Umuada gatherings where women are doused with dirty water for allegedly neglecting family obligations, some forced to grovel for forgiveness, while others are painted with ashes or mud.
Demands for bread and tea at funerals
Three months later, another episode made the same cultural friction plain. On July 5, 2025, a burial in the South-East went viral after a Facebook post from an attendee complained that a local Umuada group allegedly behaved insensitively at the service of songs held for a 26-year-old woman. They were said to be consuming tea and bread in a way the poster described as “uncaring” and inappropriate for such a young deceased.
The post, the images and video that accompanied it produced hundreds of online reactions with debate centred on what constitutes respectful mourning and the authority of Umuada at funerals.
The incident was reported and dissected by local news sites and lifestyle blogs, framing it as a flashpoint in changing expectations of ritual behaviour.
That episode surfaced a second truth: the same institution that acts as community custodian and mediator can also be seen, by many observers, as having become ritualistic, performative, or out of step with contemporary norms—tensions now amplified and archived on social media.
The pattern on video is familiar: public shaming, forced “cleansing,” and community discipline. Since February and July, reporters, rights groups, and private users have uploaded several short clips fitting two related patterns: crisis-era rites directed at widows, and local enforcement and social sanctioning at weddings and funerals.
Blockade of a monarch’s gate
A viral video from Akokwa in Imo State showing members of the Umuada storming the residence of Eze Okachie after he allegedly locked them out of his palace and refused to grant them an audience recently sparked outrage online.
In the footage, the women, armed with sticks, hurled dirt into his compound and were even seen defecating on the premises as a form of protest. For them, this dramatic display was not just defiance but a way of enforcing their authority in a community where their role remains both revered and feared.
Commenting on the video, social commentator Dr. Uche Nworah noted that while Umuada are recognised as a powerful collective of women born into a kindred or village in Igboland, their methods are often confrontational, sometimes crude, and widely considered excessive. He explained that during burials, marriages, and other ceremonies, many Umuada still insist on practices such as sleeping over in bereaved families’ homes and being served tea in the morning, an ancient tradition that some say has been overtaken by time.
Yet, to avoid conflict, families frequently negotiate with them or pay cash settlements.
As Nworah observed, “They are a very powerful group and play varying roles in society. People don’t like to incur their wrath.”
The beginnings of Umuada in pre-colonial Igbo history
They are born into a house but summoned back to it by duty. The Umuada carry an authority that is at once intimate and public, ancestral and performative.
In the pre-colonial village, according to several scholarly accounts, this authority was intensely practical: they washed the dead, asked the difficult questions, quelled feuds, and shaped the morals of a community in ways that male councils often could not. Their power was not a legal precinct so much as cultural pressure, a mobilisation of daughters that could shame, reconcile, or restructure behaviour overnight.
With the coming of colonial courts and missionary exhortations, many outward trappings of that authority shifted. Some communities saw the Umuada’s rituals curtailed by a new law; others adapted, folding their work into emerging civic roles. Where the colonial state weakened male line stability, the Umuada sometimes reasserted themselves as functioning institutions still able to move families and markets. Their survival was not merely conservatism; it was a capacity for reimagination in the face of new constraints.
The late 20th and early 21st centuries brought another transformation: institutionalisation.
Umuada chapters emerged as organised associations, engaging in education, widow advocacy, and diaspora outreach. They mounted campaigns to secure women’s inheritance rights and represented communal grievances in state fora.
Yet alongside this civic turn, a more troubling continuity persisted. The same mandate that authorised daughters to discipline, ensure a woman honoured her marital obligations, test a widow’s conduct, and regulate ritual propriety could, when unchecked, slip into humiliation and coercion. In practice, the mechanism of enforcement that once held men’s excesses to account can paradoxically become a tool that polices women’s bodies and choices.
The central question for a just modern polity is a normative one: how can customary institutions retain their conflict-resolving virtues without violating inalienable rights?
A considered answer appears in an essay by a former Dean of the Faculty of Social Sciences at Ebonyi State University, Dr Ngozi Emeka Nwobia. In her July 2021 piece, “Understanding Gender Complementarity in Igbo Society: The Role of Umuada and Umunna in Peacebuilding”, Emeka Nwobia, who served as the Southeast regional consultant for the Nigerian Women Trust Fund on a Ford Foundation-backed project, argues that gender roles and relations in Igbo peacebuilding are essentially complementary, though popular misconceptions have obscured this fact.
Of note is the portrayal of Igbo women by some early scholars as subservient, voiceless, and merely appendages to men. Quoting G. T. Basden, Emeka Nwobia reproduces a sentiment that has long coloured outsider accounts of Igbo life:
“Women have but few rights in any circumstances and can only hold such property as their lords permit. There is no grumbling against their lot; they accept the situation as their grandmother did before them, taking affairs philosophically; they managed to live fairly contentedly.”
Basden’s opinion, however, has been critiqued by later scholars, notably Akachi Ezeigbo, as misleading and rooted in a limited understanding of Igbo sociopolitical relations.
Barely eight years after Basden’s observations, Igbo women rose to confront colonial policies during the anti-colonial Aba Women’s Riots of 1929. That these same women, earlier represented as powerless, could mobilise so forcefully suggests they already possessed deep social clout.
Ifi Amadiume, as cited by Emeka Nwobia, captures the flexibility of gender construction among the Igbo. She notes that women can occupy roles conventionally assigned to men in particular situations, acquiring statuses such as “male daughters” and “female husbands.”
The practice of designating a “male daughter” is often adopted when a man has no male heir: a daughter may remain in her father’s household to produce male children who will carry his name. Parents may arrange or accept a lover for her, or the daughter may choose one herself. Similarly, the role of “female husband” can be assumed by a woman who is childless or widowed and who wishes to ensure the continuity of a lineage. A female husband may marry women who will bear children in her husband’s name, or she may acquire sufficient wealth and authority to assume public power akin to that exercised by men.
This explains why some Igbo names celebrate continuity. Examples include Amaefuna/Amaechina (“my compound will not go desolate”) and Ahamefula (“my name will not be forgotten”). The “female husband” status can thus be achieved either through strategic family arrangements or by amassing wealth and public influence. In both cases, the practice illustrates the adaptability of Igbo social institutions and how women have long negotiated power within customary frameworks.
Umuada vs. Ụmụnna
Emeka Nwobia notes that the dynamics of complementarity and power relations between Igbo men and women are visible in two transgenerational institutions, Ụmụada and Ụmụnna groups, whose legacies are passed from one generation to another.
She describes the term Ụmụada as derived from two Igbo words: Ụmụ (children) and Ada (a generic name for all first daughters, though it may loosely be used to refer to every female child of Igbo ancestry).
According to her, the Ụmụada is an association of daughters of the land from the same natal community. They are ever-present forces in their natal homes, as opposed to their matrimonial homes, where their powers are limited. They assume juridical and peacemaking roles and regularly perform purification as well as funeral rites for deceased members of their lineage.
The term Ụmụnna is derived from two Igbo words: Ụmụ (children) and Nna (a generic name for all sons). It is a group of men from the same family or sharing the same ancestry.
Like in most African societies, the extended family includes parents, grandparents, children, aunties, uncles, brothers, sisters, and cousins, and even extends to their children. This has given birth to neologisms such as “cousin-sister” and “cousin-brother” to emphasise affinity and blood ties with a cousin.
According to Emeka Nwobia, these are common terms used to describe kinship relations and show endearment and closeness.
“The duties of members of the family include education, training, and the transmission of family values, legacies, skills, and knowledge systems (such as medicine, architecture, vocation, craft-making skills, apprenticeship, trades, etc.) to the younger members of the families, who in turn transfer them to their younger ones.
“Thus, the family unit in Igboland is a transgenerational platform for the conveyance of values. The elders ensure that these transgenerational knowledge systems are effectively transferred and inculcated in the younger ones. That is why skills such as traditional orthopaedics, healing/medicine, craft-making, and artistry run in certain families. These skills are learned or transferred through participant observation and Igba boyi (apprenticeship),” she noted.
Membership of Ụmụada, Emeka Nwobia noted, comprises both married and unmarried females of a particular community, though some communities in Igboland do not welcome unmarried Ụmụada into the group.
“The unmarried daughters (those who have reached marriageable age) are not as powerful or outspoken as the married ones, as they are sidelined or easily dismissed as ‘Nna ga-alụ’ (literally meaning ‘father will marry’) or ‘Ọtọ n’aka Nne’ (‘abandoned in the hands of the mother’).
“Indeed, staying unmarried as a fully grown girl in Igbo traditional societies was a burden, and such unmarried ladies were largely treated as social outcasts. That is why, though they are daughters, their married counterparts are considered more respectable. One of the primary aims of the Ụmụada association is to enable women to sustain their matrilineal ties.
“This implies that every Igbo female at birth is socialised into automatic membership in the Ụmụada and Ndi Inyom, while upon marriage she becomes a member of both Ụmụada and Ndi Inyom / Nwunye di (a group of married wives in a particular community).
As a married woman, she performs a dual function as daughter (in her natal home) and wife (in her matrimonial home),” she noted.
According to the scholar, the association is a formidable sociocultural and political organisation in Igbo communities.
Umuada as peacekeeping pillar
The powers of Umuada can be observed in their natal homes, where they exercise power and influence, as well as contribute to informal peacemaking and peacebuilding. Decisions reached by Umuada are considered final, even by the Umunna, although their domains of operation are almost the same.
Emeka-Nwobia noted that the Umuada deploy various strategies to ensure the preservation of their cultural heritage and peaceful coexistence within the community and with their neighbours.
In traditional Igbo society, family and land disputes, as well as inter- and intra-communal conflicts, are resolved or adjudicated upon by traditional institutions like the Umunna and Umuada.
She noted, “Their influence and power have survived in contemporary society, mainly because of the bias and lack of trust in inherited Western legal systems whose methods of adjudication are expensive, time-consuming, and tend to reward winners and punish losers without leaving space for reconciliation.
“Also, the courts mostly offered temporary relief, and conflicts tended to be reignited by the little provocation. Again, in the colonial era, it was common knowledge that the court clerks collected bribes to slant judgment in favour of erring parties.
“This led to a lack of trust in the colonial court system, as the Igbo people preferred settling their cases through customary law and traditions. Okechukwu Ibeanu observed that the colonial legal processes were alien to local people and took a long time, contributing to the preference and reliance on indigenous institutions where people felt free to express themselves without fear of being misrepresented or misunderstood.”
She further noted that the Umuada do not wait for crises to be reported to them before they weigh in, because their ears are always on the ground to identify conflict situations, though in some situations they may be formally invited, especially in cases that have defied the efforts of Umunna.
Thus, they are always the last resort when men fail.
Umuada meeting
A typical meeting of the Umuada starts with an opening prayer, then the generic greeting of, ‘Chee che che, Umuada ekelee m’ unu’ (‘Umuada, I greet you’), which is followed by the response, ‘Hia.’
“This is given by the oldest daughter, known as ‘Isi Ada,’ who provides discourse rights to whoever wants to speak.
“The Isi Ada hails the daughter by calling her an honourific name. This is to validate her right to speak and show solidarity. The daughters take turns speaking in a session usually moderated by the Isi Ada. From time to time, the owner of the floor calls on the listeners to validate her right to the floor and their support for her opinions. She calls out in the following words: ‘Kam kwube?’ (‘Should I continue?’). The women respond in the affirmative, and then she goes on to speak,” the scholar noted.
The contributions of Umuada toward resolving domestic and communal conflicts in Igboland are noteworthy.
To give a few examples, their interventions were significant in the peace processes that culminated in the resolution of the Aguleri/Umuleri conflict in Anambra State, the Umuode/Oruku conflict in Enugu State, and many others.
In the Aguleri/Umuleri conflict, the Umuada utilised the following strategies to ensure peace: questioning and information gathering (Igba Nju), dialogue, one-on-one conversations, and reconciliation meetings with the conflicting parties.
In Mbaise and other parts of Igboland, they may go as far as staging nude protests to ensure compliance with their verdict. People are afraid of incurring the wrath of Umuada; as such, they are the final arbiters in traditional conflict resolution in Igboland. Conflicts resolved under this platform are binding on every member of the communities and are usually sealed by oath-taking (iyi) or blood covenant (iko mme), which are performed or overseen by the Umunna.
In the entertainment space, fame often arrives with a darker companion: online bullying. From actresses to musicians and reality-TV stars, social media has become a brutal arena where women’s bodies are mocked, dissected and policed. Yet, many of these targets have refused to stay silent, choosing instead to reclaim their narratives. Faith Ajayi highlights entertainers who have pushed back against body-shaming and the digital cruelty that comes with stardom
Nkechi Blessing
Actress Nkechi Blessing has never shied away from controversy, but in September 2025, she found herself at the centre of a storm she never anticipated. While taking a break during a routine gym session at an iFitness branch in Lagos, an unflattering photo of her midsection was taken without her knowledge and posted online.
The image triggered harsh mockery from social media users and even a colleague, Blessing CEO, who revisited their past feud in a video.
She said, “Nkechi Blessing, I am shocked you are angry that people are body-shaming you.”
She continued, “Even though we reconciled at JP 2025’s wedding, I remember how you body-shamed me… You told the world you had my nude videos… You went live and showed those videos I sent you in confidence.”
Verydarkman also weighed in, playing an old clip of Blessing promoting a weight-loss product while questioning her claims about body transformation.
Blessing initially responded with humour, writing on Instagram, “I went to the gym to stay fit and healthy, not for a fashion show or runway. With my big belle with pride, una go dey alright!”
But in December 2025, during an appearance on The Honest Bunch podcast, she broke down while discussing the emotional strain. “This is who I am. I wear clothes that make me comfortable. You get BBL and troll me with a natural body?” She added that she tracked down the person who took the photo and had her arrested for privacy invasion and defamation.
Turning the experience into advocacy, Blessing launched the “Big Belle Challenge,” encouraging women to post unfiltered photos. “I don’t like stress. Instead of fighting online, I handled it privately,” she said.
Uriel
Former Big Brother Naija star, actress and entrepreneur, Uriel Oputa, has consistently challenged Nigeria’s rigid beauty standards. One of her major encounters with body-shaming occurred in 2017 during the BBNaija show, when viewers mocked her breasts and questioned her age. She fired back with confidence: “Proud of what God gave me. If my boobs offend you, look away.”
The attacks resurfaced in 2024 after a photo of her at a Lagos party circulated online. Trolls revived conversations about her body, while some made derogatory remarks about her being mixed-race. Uriel later described those comments as “ignorance wrapped in insecurity.”
Uriel
She pushed back again, posting a bold lingerie video with the caption:
“My body, my rules. My breasts don’t sag for your approval; that’s your insecurity talking.
Do women body-shame other women? Mehn, we’re our own worst enemies.”
Uriel later turned the backlash into an empowerment movement through her Boob Freedom campaign, partnering with lingerie brands to promote natural bodies of all shapes.
“I once lost weight, and they said my boobs got worse. Now? I’m embracing the sag. It’s premium content,” she joked.
Rapper Ruggedman has been one of her biggest supporters, openly celebrating her physique and shutting down trolls whenever they resurface.
DJ Cuppy
Florence Otedola, popularly known as DJ Cuppy, has often found herself the target of colourist and body-shaming attacks despite her global acclaim. After sharing swimsuit photos from her father’s 60th birthday yacht celebration in 2022, trolls criticised her skin tone and mocked her body, with comments such as “too dark and uneven” and “preggy vibes.”
Cuppy responded firmly on social media: “My skin’s my superpower — dark, bold, unapologetic.” She questioned Nigeria’s selective celebration of beauty, asking, “Black excellence, but only if it’s lightened?”
Her fans amplified her message through #CuppyMelaninMagic, which she supported with donations to anti-colourism and skin-positivity organisations across West Africa.
By 2025, Cuppy had turned the incident into fuel for her expanding global brand, performing at international DJ sets, collaborating with top artistes and leaning fully into her identity without apology.
Ayra Starr
Since her breakout in 2021, Ayra Starr has faced intense scrutiny over her fashion choices. At just 18, she was criticised for wearing skimpy clothes, but the backlash intensified after her performance at a Meta concert on October 11, 2022.
Trolls accused her of being “immoral,” while some commentators blamed her label boss, Don Jazzy. But the young star refused to bend. The next day, she went live wearing an even shorter skirt, declaring, “My skirt is short because I’m hot, literally and figuratively. If my legs disturb you, close your eyes when you stream my music.”
She doubled down with the release of Rush, whose lyrics underscored her message of self-assurance.
This year, she followed up with another confidence anthem, Hot Body, reaffirming her stance on self-expression. Today, Ayra Starr performs globally on her own terms, and even her critics queue to take photos with her.
Etinosa Idemudia
Actress Etinosa Idemudia has been open about her struggles with Polycystic Ovary Syndrome, but after giving birth in December 2020, she became the focus of harsh comments about her postpartum body.
In an Instagram video, Idemudia confronted the insults directly. Lifting her dress, she rubbed her stomach and said, “This is my Christabel tummy! I carried emotions, stress and love. If you don’t have a belly, sorry for your flat life.”
The body-shaming continued for years.
In a 2025 interview with PUNCH, she admitted the constant attacks wore her down. “I have been constantly bullied and mocked for my stomach. It affected me… My fat is largely caused by PCOS, but many people don’t know,” she said.
After medical consultations, she opted for cosmetic surgery, framing it as an act of self-care rather than defeat. “Science exists to make life easier… As an actor, looks and skill go hand in hand,” she said.
Moyo Lawal
Moyo Lawal has always been vocal about her body confidence, but her most difficult battle came in 2023 when an ex-partner leaked an intimate video of her. The clip spread rapidly across social media and messaging platforms, triggering intense slut-shaming and online harassment.
Lawal initially responded candidly: “Yes, I make love. I’m single, not a nun. Stop acting brand new.” But the situation escalated when strangers attempted to locate her home, turning body-shaming into life-threatening bullying.
In an emotional live session on September 18, 2023, she said, “You watched, you judged, you shared. That was rape by distribution.” She reported the matter to the police and pursued legal action against those circulating the video.
The trauma pushed her into a year-long break from Nollywood. In early 2024, she admitted, “People think bullying is just comments. It’s violence. It almost pushed me into depression.”
Lawal returned in late 2024 with Curvy Queens, a film celebrating body acceptance, which became a streaming hit and marked a triumphant comeback.
Her battles continued into 2025 when trolls mocked her weight. She responded on X: “If I do surgery, I will tell you. If I don’t, I will still tell you. My body is not your national project.” To another critic, she wrote, “Curves don’t expire. Mind your mileage.”
Now an advocate for digital rights and consent awareness, Lawal has turned her experience into a platform for education, proving that resilience can coexist with vulnerability.
The 14th Emir Of Kano, HRH Khalifa Muhammad Sanusi II, has announced the upcoming wedding of his daughter, Aisha Lamido Sanusi.
Aisha. who bagged First Class from University of Swansea, UK in 2023, will marry Flying Officer Dr. Sayyed Ahmed Usman, on Friday December 12, 2025, at the Emir’s Palace in Kofar Kudu.
Family members, including Fulani Siddika, shared the wedding invite on Thursday.
The Nasrul-Lahi-li Fathi Society of Nigeria (NASFAT) has warned against what it described as the growing misuse of Qur’anic verses and prophetic traditions to justify the abuse and discrimination of women and girls, describing the trend as dangerous, misleading, and un-Islamic.
The organisation issued the warning on Wednesday as part of its activities marking the global 16 Days of Activism Against Gender-Based Violence.
It stated that many acts of violence carried out in the name of Islam were rooted in harmful cultural beliefs, ignorance, and extremism, not in the teachings of the faith.
According to NASFAT in a statement shared with The PUNCH, Islam promotes justice, dignity, and compassion for all human beings, stressing that no verse of the Qur’an or hadith supported the oppression of women.
The Society listed several widespread misconceptions used to excuse abusive behaviour, such as the claim that Hawwā’ (Eve) was responsible for Adam’s fall, the false notion that killing non-Muslims guarantees “72 virgins,” and the misinterpretation of verses on polygyny and marital conflict.
NASFAT also flagged the misuse of texts on inheritance, the hadith on women’s “deficiency,” and the story of Prophet Yūsuf, pointing out that such narratives were frequently taken out of context to reinforce patriarchal norms.
According to NASFAT, Prophet Muḥammad (Peace Be Upon Him) honoured women, condemned injustice, and embodied compassion, principles that directly contradicted any form of gender-based violence.
“Abuse does not come from Islam. It comes from cultural attitudes, ignorance, and the deliberate twisting of religious texts,” the organisation said.
To counter harmful interpretations and reduce gender-based violence, NASFAT urged religious institutions, scholars, families, and community leaders to take concrete steps, including the promotion of accurate Islamic teachings on women’s rights.
It also urged stakeholders to avoid unverified narrations and cultural myths in sermons and to provide contextual explanations of sensitive religious texts.
The Society canvassed the integration of GBV education into mosque programmes, the raising of boys and girls with equal respect, and the condemnation and reporting of domestic violence as a criminal offence.
NASFAT also called on Muslims globally to uphold justice and protect women from all forms of harm.
