Connect with us

Lifestyle

Ajibike Ogunyemi: The Osogbo Sculptor Bridging Tradition and Modernity

Published

on

Exploring the life and art of Ajibike Ogunyemi, a leading Nigerian sculptor whose metalworks preserve Yoruba spirituality through contemporary expression.

The image depicts a striking metal sculpture created by Ajibike Ogunyemi, one of Nigeria’s most respected contemporary sculptors. A native of Osogbo, Osun State, Ogunyemi is widely known for his mastery of metalwork and his connection to the New Sacred Art movement, which blends traditional Yoruba spirituality with modern artistic innovation. His works embody the living relationship between art, religion, and identity in southwestern Nigeria.

Early Life and Cultural Background

Ajibike Ogunyemi was born and raised in Osogbo, a historic Yoruba city celebrated for its rich cultural traditions, craftsmanship, and devotion to the goddess Osun, the deity of fertility, love, and rivers. Growing up in such an environment, Ogunyemi was surrounded by a thriving community of artists, carvers, and craftsmen inspired by Yoruba cosmology.

His artistic journey began under the influence of the Osogbo art movement, a collective of Nigerian artists who redefined African art during the mid-20th century. This movement was notably influenced by Austrian artist and priestess Susanne Wenger, who, along with local collaborators, revitalised the Osun-Osogbo Sacred Grove through sculpture, painting, and shrine design. Ogunyemi’s deep appreciation for Yoruba spirituality and his natural skill in metalwork positioned him as one of the heirs to this enduring legacy.

The New Sacred Art Movement

Ogunyemi’s association with the New Sacred Art movement is central to his identity as an artist. Founded in the 1960s by Susanne Wenger (Adunni Olorisha) and a circle of Yoruba artists, this movement sought to restore and preserve the sanctity of Yoruba religious sites, especially the Osun-Osogbo Grove — now recognised as a UNESCO World Heritage Site.

See also  MFM’s Daniel Olukoya releases 2026 prophecies

The group’s members, including artists like Adebisi Akanji, Buraimoh Gbadamosi, and Jimoh Buraimoh, dedicated their craft to creating sculptures that depict Yoruba deities (Orisha) and mythological scenes. Ogunyemi emerged as one of the prominent sculptors of the second generation of this movement, known for his bold use of metal as a primary medium.

His works often feature symbolic forms inspired by Yoruba cosmology — serpents representing transformation, birds symbolising divine messages, and human figures embodying ancestral spirits.

Artistic Style and Medium

Unlike earlier Yoruba sculptors who primarily used wood, Ajibike Ogunyemi is known for his innovative use of metal. His sculptures often feature welded iron sheets, rods, and recycled materials, shaped into elaborate forms that reflect both spiritual and environmental awareness.

The choice of metal not only represents strength and durability but also connects to Yoruba notions of Ogun, the god of iron and war. In many of his works, Ogunyemi subtly references this deity, celebrating the spiritual power of metal as both a creative and protective force.

Through texture, scale, and rhythm, his sculptures evoke a sense of movement and ritual energy — as if the figures themselves are engaged in eternal dance with the divine.

Connection to Yoruba Religion and Symbolism

Ogunyemi’s art draws deeply from Yoruba mythology, where every creation embodies a link between the physical and spiritual worlds. His pieces are not merely decorative; they are ritual instruments designed to maintain the balance between humanity and the gods.

Many of his sculptures are installed within the Osun-Osogbo Sacred Grove, where they serve as guardians of shrines, paths, and altars. These works continue the Yoruba tradition of sacred art — not confined to galleries but integrated into daily worship and community life.

See also  Buhari vs Fela: How Buhari Administration illegally Jailed Fela in 1984

By reimagining traditional forms in modern materials, Ogunyemi ensures that Yoruba spirituality remains relevant in the 21st century.

Legacy and Influence

Ajibike Ogunyemi’s contribution to Nigerian art goes beyond aesthetic innovation. His work symbolises the continuity of Yoruba culture amid rapid modernisation. Through his sculptures, he has bridged generational and cultural gaps, ensuring that sacred Yoruba symbols remain alive in the global art scene.

He has exhibited his work both locally and internationally, contributing to Nigeria’s growing reputation in contemporary art. Many of his pieces are preserved in museums, galleries, and spiritual sites, particularly in Osogbo, where his artistic journey began.

Ogunyemi is often described as one of the spiritual successors of Susanne Wenger, continuing her mission to protect and celebrate Yoruba sacred spaces through art.

References

1. UNESCO World Heritage – Osun-Osogbo Sacred Grove

2. Drewal, Henry John. Yoruba Ritual: Performers, Play, Agency. Indiana University Press, 1992.

3. National Commission for Museums and Monuments (Nigeria) – Artists of the Osogbo School.

4. African Arts Journal, Vol. 35, No. 2 (2002) – The Osogbo Artists and the Sacred Grove Tradition.

FOLLOW US ON:

FACEBOOK

TWITTER

PINTEREST

TIKTOK

YOUTUBE

LINKEDIN

TUMBLR

INSTAGRAM

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Lifestyle

Ìwòyè-Kétu: The Yoruba Town That Spans Two Nations and Lives by Ancient Taboos

Published

on

Ìwòyè-Kétu is one of the most remarkable Yoruba communities in West Africa, not only for its deep-rooted traditions but also for its unique geopolitical identity. The ancient town straddles two modern nation-states—Nigeria and the Republic of Benin—yet remains culturally, spiritually, and traditionally unified as one Yoruba settlement.

A Town Without Borders in Spirit

Geographically, Ìwòyè-Kétu is primarily located in Imeko/Afon Local Government Area of Ogun State, Nigeria, while its western section lies across the international boundary in the Republic of Benin. This border, imposed during the colonial partition of Africa, cuts through the town but has failed to divide its people.

Families live on both sides of the boundary, speak the same Yoruba dialect, observe the same customs, and recognise one traditional authority. Daily life reflects this dual reality: residents freely transact using both the Nigerian naira and the West African CFA franc, depending on location and convenience.

Unified Kingship Across Nigeria and Benin

Despite existing in two countries, Ìwòyè-Kétu is governed traditionally by one paramount ruler. The recognised monarch is:

His Royal Majesty Oba (Sir) Isaac Adegbenro Oyero,
the Ooye of Ìwòyè-Kétu, also styled Adekilúrójú – Ada Páàkó II.

His authority is acknowledged by the community on both sides of the border, making Ìwòyè-Kétu a rare example of a binational Yoruba town under a single royal institution.

Origins in Ile-Ife

According to Yoruba oral tradition, Ìwòyè-Kétu was founded by Olúmu (or Olómù), a legendary migrant from Ilé-Ifẹ̀, the spiritual homeland of the Yoruba people. Like many Yoruba settlements, its founding narrative emphasises migration from Ife, reinforcing the town’s ancient roots within the broader Yoruba civilisational story.

See also  MFM’s Daniel Olukoya releases 2026 prophecies

Ìwòyè-Kétu forms part of the historic Kétu region, once a powerful Yoruba kingdom before European colonial boundaries fragmented it between British-ruled Nigeria and French-ruled Dahomey (now Benin).

Sacred Taboos That Still Govern Daily Life

Ìwòyè-Kétu is widely known for its strict traditional prohibitions, which continue to be enforced by custom and belief:

Use of umbrellas is strictly forbidden anywhere within the town.

Rearing pigs is prohibited, and pork is traditionally avoided.

In some oral accounts, digging wells is either forbidden or tightly regulated.

These taboos are believed to be tied to ancestral covenants, spiritual agreements, and the town’s founding myths. Violations are traditionally thought to invite misfortune, reinforcing collective adherence across generations.

Language, Culture, and Continuity

Despite the Nigeria–Benin divide, Ìwòyè-Kétu remains culturally seamless. Yoruba language, customs, festivals, and lineage systems are shared. The town stands at a linguistic crossroads where English and French meet administratively, but Yoruba remains dominant socially and spiritually.

A Living Example of Pre-Colonial African Unity

Ìwòyè-Kétu exemplifies how pre-colonial African societies continue to transcend modern borders. Long before Nigeria or Benin existed, the town functioned as a single cultural entity—and it still does.
In an era where borders often define identity, Ìwòyè-Kétu reminds us that history, tradition, and shared ancestry can be stronger than lines drawn on maps.

Sources

Yoruba oral traditions and local historical accounts of Ìwòyè-Kétu

Ogun State local government and cultural heritage records (Imeko/Afon LGA)

Nigerian media reports and cultural features on Ìwòyè-Kétu’s taboos and binational status

Community welcome signage and local testimonies

Cross-border Yoruba history of the Kétu Kingdom (Nigeria–Benin)

See also  Fela Kuti to receive Grammy lifetime achievement award nearly 30 years after his death

FOLLOW US ON:

FACEBOOK

TWITTER

PINTEREST

TIKTOK

YOUTUBE

LINKEDIN

TUMBLR

INSTAGRAM

Continue Reading

Lifestyle

Emotan; The Benin Heroine (PHOTOS)

Published

on

Throughout history, in every culture around the world, extraordinary women have pushed society to think bigger, move forward and create.

Emotan is a glowing example of boundless courage and world-changing ingenuity.

Emotan a market woman, single-handedly raised an army and overthrew the illegal regime of Oba Uwaifiokun who usurped his brother and conspired with his chief to kill King Ewuare.

She protected Oba Ewuare in her hut and showed him kindness when he was trying to reclaim his throne back.

Emotan helped install Oba Ewuare the Great, who was the most outstanding Oba in the ancient Benin Kingdom around 1440AD.

Eventually, when Oba Ewuare regained his throne, Emotan became the King’s favourite citizen.

Moreso, her kindness wasn’t restricted to the Oba alone, history tells us that Emotan converted her hut to a crèche to help nursing mothers who patronized her or came to the market for other things.

At that time, her daycare centre was popular in Benin and it can be said authoritatively that she started the first-day care centre in Benin.

After her death, her body was buried at the Oba market at the exact spot where she sold her goods. A tree was planted on her grave and she is being worshipped as the mother of love and kindness

Source: Benin achive

FOLLOW US ON:

FACEBOOK

TWITTER

PINTEREST

TIKTOK

YOUTUBE

LINKEDIN

TUMBLR

INSTAGRAM

See also  Declare Your Lineage – Royal Family Tells Musician KWAM 1 Over His Interest In Becoming Next Awujale Of Ijebuland
Continue Reading

Lifestyle

Michael Adekunle Ajasin (1908–1997): Scholar, Educationist, and Statesman of Principle

Published

on

Michael Adekunle Ajasin remains one of the most respected figures in Nigeria’s political and educational history, remembered for his intellectual depth, personal integrity, and unwavering commitment to democratic ideals and public education.

Born on 28 November 1908 in Owo, present-day Ondo State, Ajasin’s early life was shaped by discipline, learning, and service. He attended St. Andrew’s College, Oyo between 1924 and 1927, one of the foremost teacher-training institutions in colonial Nigeria. After qualifying as a teacher, he worked in the profession for several years, laying the foundation for what would become a lifelong dedication to education.

In 1943, Ajasin gained admission to Fourah Bay College, Sierra Leone, then one of the most prestigious higher institutions for Africans in British West Africa. He graduated in June 1946 with a Bachelor of Arts degree in English, Modern History, and Economics. Determined to deepen his professional competence, he proceeded to the Institute of Education, University of London, where he obtained a Postgraduate Diploma in Education in June 1947.

Family Life

Ajasin married Babafunke Tenabe, also a teacher, on 12 January 1939. Their marriage produced four children—two sons and two daughters. One of his daughters, Mrs Olajumoke Anifowoshe, distinguished herself in public service, becoming Attorney-General and Commissioner for Justice in Ondo State, further reflecting the family’s strong tradition of civic engagement.

Educational Leadership

On 12 September 1947, Michael Adekunle Ajasin was appointed Principal of Imade College, Owo. His tenure was marked by visionary leadership and an aggressive staff development programme. Notably, he facilitated opportunities for teachers to pursue further training at University College, Ibadan, at a time when such advancement was rare.

See also  Police removed me from my abusive marriage — Victoria Inyama

In December 1962, Ajasin left Imade College to establish Owo High School, where he served as founder, proprietor, and first principal from January 1963 to August 1975. Under his leadership, the school earned a reputation for academic excellence and discipline, reinforcing his belief that education was the most effective instrument for social transformation.

Political Thought and Early Activism

Ajasin was deeply involved in Nigeria’s nationalist and pre-independence politics. In 1951, he authored a policy paper that later became the education blueprint of the Action Group (AG), boldly advocating free education at all levels. This proposal would later be implemented in Western Nigeria under Chief Obafemi Awolowo and remains one of the most impactful social policies in Nigerian history.

He was among the founders of the Action Group, a party whose ideology centred on immediate independence from Britain, universal healthcare, and the eradication of poverty through sound economic planning. During the 1950s, Ajasin served as National Vice President of the Action Group.

Legislative and Local Government Service

Ajasin’s political career expanded steadily. He became an elected ward councillor, then Chairman of Owo District Council, which covered Owo and surrounding communities such as Idashen, Emure-Ile, Ipele, Arimogija, Ute, Elerenla, and Okeluse.

In 1954, he was elected to the Federal House of Representatives in Lagos, serving as a federal legislator until 1966, when military rule interrupted Nigeria’s First Republic. His years in parliament were characterised by advocacy for education, regional development, and constitutional governance.

Return to Politics and Governorship

In 1976, Ajasin became Chairman of Owo Local Government. With the return to civilian rule, he joined the Unity Party of Nigeria (UPN), the ideological successor to the Action Group.

See also  MFM’s Daniel Olukoya releases 2026 prophecies

In 1979, he was elected Governor of Ondo State, with Akin Omoboriowo as his deputy. His administration prioritised education, rural development, and fiscal discipline. However, political tensions emerged when Omoboriowo defected to the National Party of Nigeria (NPN) and contested the 1983 gubernatorial election against him. Although Omoboriowo was initially declared winner, the results were later annulled, and Ajasin was sworn in for a second term.

His tenure was abruptly terminated by the military coup of 31 December 1983, which brought General Muhammadu Buhari to power.

Integrity and Personal Example

Michael Adekunle Ajasin was widely admired for his personal honesty. Reflecting on his years in office, he famously stated:

“I came into office in October 1979 with a set of my own rich native dresses and left office in December 1983 with the same set of dresses; no addition and no subtraction.”

He further noted that he owned no personal cars upon leaving office, having exhausted the two he had before assuming governorship. This statement has since become a benchmark for ethical leadership in Nigeria.

Pro-Democracy Struggle

In the 1990s, Ajasin emerged as a leading elder statesman within the National Democratic Coalition (NADECO), which opposed military dictatorship and demanded the validation of Chief M.K.O. Abiola’s annulled June 12, 1993 presidential mandate.

In 1995, he was arrested by the Abacha military regime, alongside 39 other activists, for participating in what the government termed an illegal political meeting—an episode that underscored his lifelong commitment to democracy and civil liberties.

Educational Legacy

As governor, Ajasin signed into law the establishment of Ondo State University in 1982, located in Ado-Ekiti (now in Ekiti State). In 2000, during the administration of Chief Adebayo Adefarati, a new university in Akungba-Akoko was named Adekunle Ajasin University in his honour. He also played a key role in the establishment of The Polytechnic, Owo.

See also  Buhari vs Fela: How Buhari Administration illegally Jailed Fela in 1984

Michael Adekunle Ajasin stands as a rare example of a Nigerian leader whose intellectual rigour, moral discipline, and public service aligned seamlessly. His legacy lives on through the institutions he built, the policies he shaped, and the enduring example of integrity he set in public life.

Source:
Ondo State Government Historical Records; Nigerian Political Biographies; Action Group Party Archives; Adekunle Ajasin University Documentation

FOLLOW US ON:

FACEBOOK

TWITTER

PINTEREST

TIKTOK

YOUTUBE

LINKEDIN

TUMBLR

INSTAGRAM

Continue Reading

Trending