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PHOTOS: Seriki Williams Abass Slave Museum: A Historic Reminder of Nigeria’s Role in the Transatlantic Slave Trade
The Badagry monument that tells the story of pain, power, and redemption through the legacy of Chief Seriki Williams Abass
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Located in Badagry, Lagos State, the Seriki Williams Abass Slave Museum—also known as the Seriki Abass Barracoon—stands as a solemn reminder of Nigeria’s involvement in the transatlantic slave trade and the complex legacy of Chief Seriki Williams Abass, a former slave turned slave merchant.
A Gateway to History and Memory
The image depicts the entrance to the Seriki Williams Abass Slave Museum, one of Nigeria’s most haunting and historically significant landmarks. Situated in Badagry, Lagos State, this museum occupies a 19th-century barracoon—a holding cell where enslaved Africans were kept before being shipped across the Atlantic.
The structure was once owned by Chief Seriki Williams Abass, a man whose life tells a complex story of bondage, survival, and complicity. Born in the early 19th century, Abass was captured and sold into slavery at a young age. He was taken to Brazil, where he learned to read, write, and speak Portuguese fluently. Upon his return to Nigeria, he became a powerful middleman in the slave trade, working with European merchants to supply enslaved people from the interior to the coast.
The Man Behind the Museum
Chief Seriki Williams Abass, born Ifaremilekun Fagbemi, hailed from Ijoga-Orile in Ogun State. After his capture and eventual return from Brazil, he settled in Badagry, where he established a thriving business empire. His multilingual skills and connections with European traders elevated him to a position of immense influence.
Although he had once suffered the horrors of enslavement, Abass participated in the trade for decades, maintaining large holding rooms—known as barracoons—where enslaved people awaited transportation. His barracoon, now a museum, is said to have held at least 40 captives per room, often shackled and awaiting an uncertain fate across the ocean.
After the abolition of the slave trade, Abass transitioned into legitimate commerce and governance. He served as a traditional chief and maintained relations with the British colonial administration until his death in 1919.
Preserving the Legacy of the Enslaved
The Seriki Williams Abass Slave Museum was designated a national monument in 2003 by the National Commission for Museums and Monuments (NCMM). Today, the site offers visitors a glimpse into the dark history of slavery in West Africa.
The museum’s exhibits include chains, branding irons, documents, and photographs that detail the transatlantic slave trade. Some of the original wooden holding rooms are still intact, preserving the eerie atmosphere of a place that once echoed with the cries of men, women, and children bound for the unknown.
Guides at the museum narrate the stories of the enslaved, the traders, and the eventual abolition efforts that reshaped global history. Visitors can also explore nearby landmarks such as the “Point of No Return”, where captives were loaded onto ships bound for the Americas, never to return.
Badagry: A City of History and Resilience
Badagry itself is one of Nigeria’s most historically significant towns. Located along the Atlantic coast, it was one of the major ports for the exportation of enslaved Africans between the 16th and 19th centuries.
Today, Badagry stands as a centre of remembrance, featuring several notable attractions, including:
The First Storey Building in Nigeria (1845)
The Slave Route and Point of No Return
The Vlekete Slave Market
The Heritage Museum
These sites, including the Seriki Abass Museum, collectively form a living classroom for history, reminding Nigerians and the world of the human cost of slavery and the resilience of those who endured it.
The Symbolism and Lessons of the Museum
Beyond its historical significance, the museum symbolises the complexity of human morality. Chief Seriki Williams Abass represents both the victim and the participant—captured and enslaved as a young man, yet later complicit in perpetuating the same system that once destroyed his own freedom.
This contradiction invites reflection on the cycles of oppression, the human thirst for power, and the redemptive potential of memory. By preserving this history, Nigeria confronts its past not to glorify it, but to ensure it is never repeated.
A Journey Through Time
Visitors to the museum often describe the experience as deeply emotional. Standing within the barracoon’s narrow rooms, one can almost feel the weight of chains and hear the whispers of those who never made it home. It’s a reminder that the past lives on—not in bitterness, but in the pursuit of truth, justice, and reconciliation.
References
National Commission for Museums and Monuments (NCMM)
UNESCO Slave Route Project
Vanguard Nigeria: “The Story of Chief Seriki Williams Abass”
Badagry Heritage Museum Records
Guardian Nigeria Archives
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