The Badagry monument that tells the story of pain, power, and redemption through the legacy of Chief Seriki Williams Abass
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Located in Badagry, Lagos State, the Seriki Williams Abass Slave Museum—also known as the Seriki Abass Barracoon—stands as a solemn reminder of Nigeria’s involvement in the transatlantic slave trade and the complex legacy of Chief Seriki Williams Abass, a former slave turned slave merchant.
A Gateway to History and Memory
The image depicts the entrance to the Seriki Williams Abass Slave Museum, one of Nigeria’s most haunting and historically significant landmarks. Situated in Badagry, Lagos State, this museum occupies a 19th-century barracoon—a holding cell where enslaved Africans were kept before being shipped across the Atlantic.
The structure was once owned by Chief Seriki Williams Abass, a man whose life tells a complex story of bondage, survival, and complicity. Born in the early 19th century, Abass was captured and sold into slavery at a young age. He was taken to Brazil, where he learned to read, write, and speak Portuguese fluently. Upon his return to Nigeria, he became a powerful middleman in the slave trade, working with European merchants to supply enslaved people from the interior to the coast.
The Man Behind the Museum
Chief Seriki Williams Abass, born Ifaremilekun Fagbemi, hailed from Ijoga-Orile in Ogun State. After his capture and eventual return from Brazil, he settled in Badagry, where he established a thriving business empire. His multilingual skills and connections with European traders elevated him to a position of immense influence.
Although he had once suffered the horrors of enslavement, Abass participated in the trade for decades, maintaining large holding rooms—known as barracoons—where enslaved people awaited transportation. His barracoon, now a museum, is said to have held at least 40 captives per room, often shackled and awaiting an uncertain fate across the ocean.
After the abolition of the slave trade, Abass transitioned into legitimate commerce and governance. He served as a traditional chief and maintained relations with the British colonial administration until his death in 1919.
Preserving the Legacy of the Enslaved
The Seriki Williams Abass Slave Museum was designated a national monument in 2003 by the National Commission for Museums and Monuments (NCMM). Today, the site offers visitors a glimpse into the dark history of slavery in West Africa.
The museum’s exhibits include chains, branding irons, documents, and photographs that detail the transatlantic slave trade. Some of the original wooden holding rooms are still intact, preserving the eerie atmosphere of a place that once echoed with the cries of men, women, and children bound for the unknown.
Guides at the museum narrate the stories of the enslaved, the traders, and the eventual abolition efforts that reshaped global history. Visitors can also explore nearby landmarks such as the “Point of No Return”, where captives were loaded onto ships bound for the Americas, never to return.
Badagry: A City of History and Resilience
Badagry itself is one of Nigeria’s most historically significant towns. Located along the Atlantic coast, it was one of the major ports for the exportation of enslaved Africans between the 16th and 19th centuries.
Today, Badagry stands as a centre of remembrance, featuring several notable attractions, including:
The First Storey Building in Nigeria (1845)
The Slave Route and Point of No Return
The Vlekete Slave Market
The Heritage Museum
These sites, including the Seriki Abass Museum, collectively form a living classroom for history, reminding Nigerians and the world of the human cost of slavery and the resilience of those who endured it.
The Symbolism and Lessons of the Museum
Beyond its historical significance, the museum symbolises the complexity of human morality. Chief Seriki Williams Abass represents both the victim and the participant—captured and enslaved as a young man, yet later complicit in perpetuating the same system that once destroyed his own freedom.
This contradiction invites reflection on the cycles of oppression, the human thirst for power, and the redemptive potential of memory. By preserving this history, Nigeria confronts its past not to glorify it, but to ensure it is never repeated.
A Journey Through Time
Visitors to the museum often describe the experience as deeply emotional. Standing within the barracoon’s narrow rooms, one can almost feel the weight of chains and hear the whispers of those who never made it home. It’s a reminder that the past lives on—not in bitterness, but in the pursuit of truth, justice, and reconciliation.
References
National Commission for Museums and Monuments (NCMM)
UNESCO Slave Route Project
Vanguard Nigeria: “The Story of Chief Seriki Williams Abass”
Nollywood icon Genevieve Nnaji has fired off a sharp response after a man on X (formerly Twitter) advised Igbo men to stop marrying Igbo women and instead seek wives from other African countries.
The controversy began after a photo of a Rwandan woman said to be engaged to an Anambra man went viral.
Resharing the image, the user wrote, “Dear Igbo men, instead of marrying an Igbo woman who’ll falsely accuse you of r4ping your daughter, better look outside for a wife.
“Go to East Africa, especially Rwanda, and pick a damsel. They’re all over social media, and you can link up with them.”
Genevieve, who rarely comments on online drama, responded, “In other words, instead of checking yourself and taking accountability, go for the unsuspecting and carry on with your evil. Got it.”
Another user attempted to challenge her, claiming the original tweet was aimed at “false rape accusers” and that Genevieve was avoiding the real issue.
“His tweet was clearly against false rape accusers, but instead of holding the evil women accountable and demanding change, you chose to tweet this?”
But the actress hit back with equal clarity: “The same way a woman can’t tell an abusive man apart from a good one is the same way you shouldn’t say avoid all Igbo women. ‘Not all women’.”
Reality TV star Phyna has offered words of encouragement to fellow Big Brother Naija winner Imisi amid a family feud between the latter and her mother.
In an X post on Monday, Phyna wrote,”To Imisi, @imisiofficial and to anyone walking through the same fire… I’m praying for your strength.
“My own experience broke me, but I’m slowly rising.
“And I’m rooting for you with everything in me, don’t handle it like I did, build strong and focus on you baby girl.”
The post comes against the backdrop of a family dispute in which Imisi’s mother accused her daughter of hatred and revealed the poor condition of the home where she currently lives, despite Imisi winning N150 million after her Big Brother victory.
Imisi replied in Yoruba,”This is why Aunty Debola said you should not show your face to the world. I can’t be saying all that now, you are in the midst of people. Just overlook everything and leave social media.
“Don’t worry, I will send you money to rent a new house. I am tired of all this drama. I am still recovering from the stress of Big Brother.
“Should I be facing another stress now? Please forgive me, I am your daughter.”
Recall Imisi’s mother has publicly expressed frustration on social media, saying she does not need her daughter’s money after being sidelined following the win.
She also blamed Imisi for recounting her childhood experiences, which she claims involve untrue allegations of parental neglect and sexual assault.
In a video, she showed the old house she currently resides in, saying she is content with her situation, a revelation that sparked online controversy.
In 2023, after Phyna’s BBNaija win, her father, Felix Otabor, revealed in an interview that he was distressed by his daughter’s actions following her BBNaija win.
Otabor said Phyna had asked him to stop working as a hearse driver and requested that he sell his cars, promising to improve the family’s life.
He said he later struggled financially after selling the vehicles, losing his business momentum and community position, and has not seen his daughter since her victory.
He described feeling sidelined while she enjoyed her wealth.
Nollywood actress, Regina Daniels, has opened up about her marriage to her estranged husband, Senator Ned Nwoko.
It was reports that the embattled wife revealed why their seven-year relationship remained faithful despite his polygamous lifestyle.
In a reply to a comment on her Instagram page, Daniels said that during their years together, Nwoko never slept with other women outside their home because she held him well in the other room.
She wrote: “Yes i think he loved me but a toxic one! Because tell me why a polygamous man forgot what it meant to be in polygamy, except for the media.
“Just because it boosted his ego of being seen with multiple women which is easy by me because anyone that sees a man as an odogwu sees the wife as what? He basically had to beg that he share days at ours and other days with his other wives because they begged for his attention.
“Y’all should pls forget this yeye social media comparison because my ex man never slept outside one day in our 7 years of marriage. You know why? Because as a delta babe, I hold am well for the other room ladies use your skills that’s all men want actually!”
