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Oba Falolu Dosunmu: The Lagos Monarch Who Strengthened the Obaship in Colonial Nigeria

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A visionary leader who blended tradition with reform during Lagos’s colonial transition

Do you know that Lagos once had a monarch who redefined traditional leadership during the colonial era?

That ruler was Oba Falolu Dosunmu, the 10th Oba of Lagos, who reigned from 1932 to 1949. His time on the throne marked a pivotal period in the evolution of Lagos — a period when the British colonial system was deeply entrenched, yet traditional authority still played a crucial role in shaping the identity and governance of the people.

Background and Family Heritage

Oba Falolu Dosunmu came from one of the most prominent royal families in Lagos. He was a descendant of Oba Dosunmu (Docemo), the ruler who signed the Treaty of Cession in 1861, formally handing Lagos to the British Crown. This royal lineage connected Falolu directly to the Dosunmu dynasty, one of the key branches of the Lagos royal house.

Born in Lagos Island in the late 19th century, Falolu grew up at a time when British colonial influence was rapidly transforming Yoruba society. Yet, the prestige of the Obaship remained a cornerstone of local identity and governance. His early life immersed him in both indigenous Yoruba traditions and the British administrative order, giving him the dual insight that later defined his rule.

Education and Early Life

Unlike some of his predecessors, Oba Falolu received a measure of Western education, a rare privilege for traditional princes in the early colonial period. This exposure to British-style education enabled him to communicate effectively with colonial administrators while maintaining his deep understanding of Yoruba customs.

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Before ascending the throne, Falolu worked in public and administrative capacities that exposed him to governance and community organisation. This experience became invaluable during his reign, especially as Lagos evolved from a traditional settlement into a rapidly urbanising colonial capital.

Accession to the Throne

Falolu Dosunmu ascended the throne in 1932, succeeding Oba Eshugbayi Eleko, whose reign had been marked by intense conflict with the British colonial government. The colonial authorities initially viewed the Obaship as a symbolic office, but Falolu set out to prove otherwise.

His reign restored stability and dignity to the throne after years of political turbulence. Unlike his predecessor, Falolu adopted a diplomatic approach — working with both his chiefs and colonial administrators to preserve the relevance of traditional authority in a changing society.

Reforms and Achievements

Oba Falolu Dosunmu was known as a reform-minded monarch who understood the importance of record-keeping, administration, and cultural preservation. Among his key contributions were:

1. Establishment of Official Obaship Archives:
Falolu initiated the documentation of native laws, customs, and administrative meetings between the Oba, his chiefs, and the colonial government. These records became part of the earliest organised archives for a traditional institution in Nigeria.

2. Strengthening of the Obaship Institution:
He introduced reforms that enhanced the autonomy and influence of the Oba’s court, ensuring that the traditional council (the Iga Idunganran) continued to play a vital role in decision-making.

3. Promotion of Cultural Identity:
During his reign, Falolu encouraged the preservation of Yoruba traditions in Lagos. He supported community festivals and indigenous art, ensuring that colonial modernisation did not erase cultural heritage.

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4. Administrative Cooperation:
Despite colonial constraints, Falolu maintained a delicate balance between the traditional ruling structure and the British administrative system, earning him respect from both colonial officers and his subjects.

Legacy and Impact

Oba Falolu Dosunmu’s reign, which lasted 17 years (1932–1949), is remembered as a period of institutional consolidation for the Lagos monarchy. His efforts ensured that the Obaship remained relevant in the face of British colonial expansion and urbanisation.

He is often credited with laying the groundwork for future monarchs, including Oba Adeniji Adele and Oba Adeyinka Oyekan, who continued his mission of blending tradition with modern governance.

Today, Falolu is honoured as one of the most historically significant Obas of Lagos — a monarch who understood the importance of adaptation without surrendering cultural sovereignty. The archives he established remain a vital resource for historians studying the evolution of governance in colonial Lagos.

Death and Succession

Oba Falolu Dosunmu passed away in 1949, marking the end of a distinguished reign. He was succeeded by Oba Adeniji Adele II, who continued his policy of modernising the monarchy while maintaining Lagos’s Yoruba identity.

Oba Falolu Dosunmu was more than just a monarch; he was a reformer, cultural custodian, and statesman who bridged the gap between tradition and colonial modernity. His reign stands as a testament to how indigenous leadership adapted to survive within the frameworks of foreign rule — preserving the dignity of the Yoruba crown in Lagos even under British oversight.

References

1. National Archives of Nigeria – Lagos Colonial Administration Records (1932–1949).

2. Kristin Mann, Slavery and the Birth of an African City: Lagos, 1760–1900 (Indiana University Press, 2007).

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Lifestyle

‘I have cancer,’ Nollywood actress Cynthia Anijekwu cries, calls for support

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Nollywood actress Cynthia Anijekwu has made an emotional appeal to Nigerians for financial assistance after revealing that she is battling cancer for the second time.

In a video circulating on social media on Tuesday, the actress disclosed that she was first diagnosed with cancer in 2023, when she underwent surgery followed by chemotherapy in a bid to halt the disease.

She maintained that doctors initially managed the condition after the treatment, but the cancer later returned and has since spread to her bones, requiring more intensive care, including radiation therapy and another surgery.

According to Anijekwu, recent medical examinations revealed that the cancer has spread to her bones, significantly increasing the cost and complexity of her treatment up to N600,000 every month.

The actress said doctors have recommended radiation therapy and another surgery as part of her ongoing care.

“I have cancer in 2023 (sic). I did my surgery and took chemotherapy, but later it came back again. I’ve been in and out of the hospital. The doctor recently told me it has reached my bones, and the treatment is now much more expensive,” she said.

“I need to live. I need to survive. I’m asking Nigerians to please help me. Anyone that can help, please, I need help. Even my hands have swollen. The cancer has affected both breasts. I need to live. Please help me. I need to survive.

“Your one naira, your two naira can add up to something reasonable for me to get the proper treatment for this cancer. I’m begging you, please help me,” she pleaded.

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Before her health challenge became public, Anijekwu built her career in Nollywood, featuring in several English- and Igbo-language productions.

However, there is no publicly verifiable record identifying a major blockbuster film or comprehensive filmography associated with the actress, as public attention has largely shifted to her battle with cancer in recent years.

The actress said the financial burden has become overwhelming for her family, prompting her to seek help from members of the public.

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It’s not easy, surrogate mother shares emotional journey

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A masked Nigerian surrogate mother has opened up about how financial hardship and what she described as an irresponsible partner led her to become a surrogate, saying the decision came after the loss of her second child.

The woman disclosed this during a new episode on Cruise TV published on YouTube on Sunday, where she recounted the emotional, financial and psychological realities of carrying children for other families.

She said becoming a surrogate was one of the hardest decisions she had ever made, describing the emotional attachment that develops during pregnancy despite knowing the child does not belong to her.

“Emotionally it’s not easy. Even when I started the journey, when the pregnancy was three months, I called my nurse that I don’t think I can cope again because it’s not easy to carry what is not yours.

“When you start having the emotional attachment, you keep reminding yourself that this is not mine. I tell myself it is a job, and that helps me cope, but the emotions still come and go.”

The woman explained that she became a gestational surrogate through IVF, meaning she had no biological connection to the babies she carried.

Speaking on what pushed her into surrogacy, she said her partner failed to provide for the family despite her efforts to support them.

“I had my first child. Unfortunately, my husband is not the person that is hardworking and he doesn’t take responsibility. I do work. There is no work I cannot do.

“When I became pregnant the second time, I could no longer work. We couldn’t even afford hospital bills.”

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She said complications during the pregnancy eventually led to the death of the baby, an experience that changed her outlook.

“That baby died, and that was the reason I made that decision. Instead of giving him another baby, I would rather help people who have the money to take care of me.

“If you don’t have the money to care for my health, I won’t do it for you.”

She disclosed that she initially declined financial compensation beyond medical care, accommodation and allowances, a decision she now regrets.

“I told them I didn’t want any compensation aside from the process, monthly allowance, wardrobe allowance and accommodation fee, but that was a mistake.

“I won’t do it again,” she said.

The surrogate mother also said she would not encourage her daughter to follow the same path because of the emotional and health risks involved.

“I cannot advise my daughter to be a surrogate.”

She added that she relocated during one of her pregnancies to avoid stigma and often told people the baby had died whenever they asked questions.

According to her, surrogate mothers also face psychological challenges after delivery despite undergoing counselling before and after childbirth.

While acknowledging that surrogacy has helped many couples struggling with infertility, she maintained that the process is far more demanding than many people realise.

“Surrogacy is not as simple as people think.”

She called for stronger regulation of the practice to protect surrogate mothers from exploitation and ensure adequate emotional and financial support.

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I waited 18 years before welcoming twins – Nollywood star Ricardo Agbor

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before welcoming their twins.

The actor disclosed this during an interview with AfricanAList published on Sunday, where he reflected on his marriage, faith and the challenges he faced before becoming a father.

Agbor said he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

“So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

Agbor also recounted what he described as the most painful experience of his life — the death of his mother.

According to him, she had been receiving treatment for about three weeks without any improvement before doctors advised that she should be flown to South Africa for further medical care.

The actor said his mother requested to be moved to another private hospital in Surulere, but she died in his arms while he was helping her into the car.

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“My mom died right in my arms. At the hospital, they were bringing almost 10 doctors to do tests… the sickness was not improving after almost three weeks.

“It was after three weeks that they told me to come and carry my mom and take her to South Africa. I took my mom away and took her to another private hospital within Surulere. It was my mom that told me to take her away from that place. As I was carrying her into the car, she gave up,” he said.

Agbor said the loss left him devastated, noting that it was the first time he had cried outside acting.

“I think that was the first time I cried in my life. I don’t cry. If I cry, maybe it is in a movie and it is a role. So I cried. It was painful,” he added.

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