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Police removed me from my abusive marriage — Victoria Inyama

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What do you remember most fondly about the era of filmmaking when you were active on the movie scene?

I remember the authenticity. We were very real, down-to-earth, humble, and hungry to showcase our talents. There was no competition, no obsession with views or popularity. We just wanted to act, even when many of us didn’t fully understand what the industry entailed. We got into it with passion and truly enjoyed it. That sincerity is what I remember the most.

Many fans would love to see you on the screen again. Are you open to a comeback, or has your passion shifted completely to other things?

My passion has shifted, but if the right opportunity comes along, I would gladly step in front of the camera again. Right now, though, my focus is on psychology, wellness, and mental health; supporting people on their journeys of healing and well-being. That’s what truly drives me now.

What’s one role you played that still lives rent-free in your mind today?

I loved all my roles. Each of them was impactful in its own way. I don’t take on roles just for entertainment; they have to mean something. If I had to pick one, it would be ‘Love From Above’. It touched on domestic violence at a time when I didn’t even fully understand what domestic violence was. Life later gave that role a deeper meaning for me.

You’ve become a vocal mental health advocate and are training in therapy. What inspired you to go down that path?

I have always cared deeply about people and been curious about why we behave the way we do. Psychology gave me the tools to study and understand human behaviour. Growing up in Nigeria and later moving abroad exposed me to very different cultures, and I wanted to know: what truly shapes us?

How do our experiences and beliefs influence our identity?

Spirituality has always been central to my life, but I also wanted to go deeper. That curiosity led me to psychology. For me, it’s not only about mental health, but about wholeness and well-being.

You’ve been living in the United Kingdom for a while. What do you miss the most about Nigeria?

I mostly miss my friends. Apart from that, not much. Nigeria feels chaotic compared to where I live now—in a quiet village in Kent. I have become accustomed to the calm here, so while I miss the people, I don’t necessarily miss the environment.

What have you learnt about identity as you navigate life abroad?

My experience has been different from many others. When I came to the UK, I stayed with my dad, who worked in the House of Commons, so I didn’t struggle with integration the way some people did. I focused on academia, which made things easier for me. That said, navigating identity abroad is complex, and sometimes there are things I prefer not to say openly for professional reasons.

How do you keep your Nigerian roots alive in your everyday life and parenting?

I speak Igbo to my children, teach them about their culture, and stay active in our family and village meetings. I am proud of my heritage. I come from a beautiful royal family, and I instill that pride in my kids. Roots give you confidence and identity. That’s why I make sure my children know who they are and where they come from.

If you could go back in time and give young Victoria one piece of advice, what would it be?

Don’t be too kind. Kindness is beautiful, but people often take advantage of it and mistake it for weakness. When you eventually push back, you’re painted as the bad person. I still remind myself to set boundaries and not be overly accommodating.

In a world full of filters, how do you stay true to yourself on social media?

By being content. I don’t fake it. I don’t believe in “fake it till you make it”; that’s too stressful. I’m not a fashionista; I’m more focused on academics and personal growth. Education and training will take you far, not pretense.

Even my children know this. My eldest son is entrepreneurial, but I insist he gets at least a degree and a Master’s, because education gives you the foundation to manage your future. On social media, I post and move on. My work is sensitive, so I don’t get into unnecessary exchanges.

What’s your secret to staying fresh and young?

I mind my business. In the past, I tried to correct people on social media, but I learnt it wasn’t worth the backlash. Peace of mind and letting go of unnecessary stress keep me looking and feeling young.

You’ve spoken candidly about surviving abuse. How did your personal experience shape your counselling and healing?

Psychology has been instrumental in my healing. It gave me knowledge and tools to understand what I went through. My spirituality also helped, through forgiveness, gratitude, and letting go. That’s how I’ve been able to move forward.

You once said domestic violence is a norm in Nigeria. Can you elaborate?

Unfortunately, many people in Nigeria don’t recognise domestic violence for what it is. They see it as normal. I have been attacked online for speaking out because the assumption is always that the man is the abuser, when women can be perpetrators too.

Over time, I realised that society often brushes it aside. If the abuser is wealthy or influential, people excuse it. It used to hurt me deeply, but now I see how normalised it is. The mentality really needs to change.

How did you find the strength to leave your toxic marriage?

I didn’t leave; I was removed by the police. That’s the truth. I wouldn’t have left otherwise.

What advice do you have for women trying to reclaim their voices after years of silence and domestic violence?

Move on and live your life. Improve yourself, release the pain, and don’t let the past destroy your future. In psychology, we say, “the body keeps the score.” Stress leaves marks on the mind, heart, and even physical health. Many survivors later develop illnesses because of the toll stress takes. My advice is to let go, focus on your healing, and make the best of the life you still have.

How do you balance being a mum, psychologist and a public figure all at once?

I can’t tell you exactly how I do it; I just take it one day at a time. First of all, being a mother is everything. After God, my kids come first. Having a great relationship with them is paramount, because I don’t want them to have miserable childhood memories. I make sure I’m present for all three of them. They’re young adults now, and they need guidance and direction. We are friends, but with healthy boundaries.

With my master’s in applied psychology and coaching psychology, I also support people through therapy. My style is personal because I know what it feels like to be in certain situations. Even though everyone’s experiences differ, there’s often a sense of sadness or drowning. My duty is to help lift people up.

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Lifestyle

Adekunle Gold embraces Nigerian roots with new album ‘Fuji’

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Nigerian singer Adekunle Gold returns to his roots on Friday with the release of his sixth album, “Fuji”, which he described as a tribute to the ancestral sounds of his home country.

“That sound is the soundtrack of Lagos. It’s everywhere. That sound gave birth to Afrobeats and all the things that we hear right now,” Gold told AFP in Paris.

A descendant of the Kosoko royal family, the Afropop icon draws inspiration from the Indigenous Yoruba community, one of the largest ethnic groups in West Africa.

It is “one of the oldest sounds of Nigeria”, the 38-year-old singer said.

Fuji music, a popular genre that evolved from Yoruba Muslim culture, is known for its fast beats, large ensemble of percussion instruments, and lyrics based on key sociopolitical themes.

The genre took off in Nigeria in the 1960s, shortly after the country declared independence.

Late singer-songwriter Ayinde Barrister, widely regarded as the pioneer of Fuji music, named the style after the famous Japanese mountain.

Gold blends traditional elements from Nigeria’s rich musical heritage with the catchy melodies of contemporary R&B.

Like Burna Boy or Davido, he represents this generation of Nigerian artists who have bridged divides between past and present for an international audience.

“You listen to it, and it makes your body move. It’s magical,” the singer said.

“Fuji, Highlife (another traditional genre), every sound from Nigeria makes you feel alive. I feel like that’s why it does well,” he added.

Full of colourful outfits, lively dancing, and flower-covered boats, his “Party No Dey Stop” music video — a viral duet with fellow Nigerian Zinoleesky — has amassed 29 million views on YouTube.

The song is his first major hit in the United States.

Gold, also known as AG Baby, gained fame in Nigeria in 2014 after he covered a song by popular boy band One Direction.

Since then, he has signed with American label Def Jam Recordings and has collaborated on the track “Falling Up” with funk legend Nile Rodgers and musician Pharrell Williams.

Spreading culture

Gold invites listeners to delve deep into the latest album, an emotional journey inspired by significant events from his life.

“I talk about my grief when I lost my father. I talk about my love life, my daughter, about being a family man,” he explained.

While Gold lives in the United States, he said his “heart is in Lagos”.

“I’m spreading the culture, talking about my heritage, talking about tradition,” he said.

However, challenges persist in Nigeria, where nearly 60 per cent of the population lives below the poverty line

“There have been steps in the right direction,” Gold said as he expressed hope for the future of his country.

“It is not enough for the government to do everything,” he added, calling on people to “do what we can as citizens”.

Committed to the fight against sickle cell disease, which he has lived with his entire life, Gold launched a foundation this year to fund treatment and support local charities.

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Lara George: Nigerian Gospel Icon with a Global Voice

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Lara George is a Nigerian gospel singer, songwriter, and producer whose powerful voice and timeless songs have made her one of the most respected figures in African gospel music. Based in the United States, she continues to influence gospel music worldwide through her artistry, leadership, and devotion to worship.

Early Life and Education

Lara George was born into a music-loving family in Lagos State, Nigeria. Her passion for singing was evident from an early age, and she nurtured her talent while growing up in Lagos. She later studied Architecture at the University of Lagos, where she also began to actively pursue her passion for gospel music.

Musical Career and Breakthrough

George rose to prominence as a member of the inspirational music group Kush, active in the early 2000s. The group, made up of gospel-influenced young artists, became popular for its innovative fusion of gospel, hip hop, and contemporary African sounds. Though the group disbanded, it laid the foundation for George’s successful solo career.

Her debut solo album, Forever in My Heart (2008), included the breakout hit “Ijoba Orun.” The song quickly became a gospel anthem in Nigeria, sung in churches and concerts across Africa and beyond. Its success established Lara George as one of the leading gospel voices of her generation.

Following this, she released other notable projects, including Higher (2012), Love Nwantintin (2014), and The Best of Lara George (2017), showcasing her versatility and consistency as a gospel artist.

Achievements and Recognition

Over the years, Lara George has earned numerous accolades. She won Best Female Gospel Artiste at the 2012 Africa Gospel Music Awards, among other honors.

Beyond her music, George has contributed to the industry through leadership. She serves as the Vice President of SoForte Entertainment Distribution Ltd., a pioneering Nigerian company focused on strengthening music distribution across Africa.

In 2021, her global impact was further recognized when she was invited to join the Recording Academy (organizers of the Grammy Awards) as a Voting Member, affirming her status as an international gospel voice.

Personal Life

Lara George is married to Gbenga George, an accomplished legal practitioner. Together they have two children. The family resides in Alpharetta, Georgia, United States, where George balances her family life with her music career and industry work.

Legacy and Influence

Lara George’s music blends heartfelt worship with contemporary gospel sounds, inspiring believers and non-believers alike. Songs like Ijoba Orun remain evergreen classics, while her career continues to highlight the global reach of Nigerian gospel music.

Through her voice, leadership, and consistency, Lara George has left an indelible mark on gospel music, both in Nigeria and internationally.

Sources

Vanguard Nigeria – Lara George: Life as a Gospel Singer (2018)

Africa Gospel Music Awards – Winners List 2012

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The 1973 Nigerian “Hides and Skins” Postage Stamp: A Window into Economic Identity

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In 1973, Nigeria introduced a new definitive postage stamp series to reflect the country’s transition from the British sterling system to the Naira and Kobo currency. Known as the Industry and National Pride issue, or simply the 1973–1986 Definitive Issue, the series highlighted major sectors that shaped Nigeria’s economy and cultural identity in the post-independence period.

Among the most notable designs in the set was the 1 kobo “Hides and Skins” stamp, which depicted the trade in animal hides and skins. This was not a casual choice. For decades, hides and skins were one of Nigeria’s leading agricultural exports, particularly from the northern region, and they played a major role in the nation’s foreign exchange earnings during the 1960s and 1970s. By placing this industry on a definitive stamp, Nigeria emphasized its economic significance while also projecting a sense of national pride rooted in traditional livelihoods.

The Role of Definitive Stamps

Unlike commemorative stamps, which are printed for specific events or anniversaries, definitive stamps are produced for everyday postal use and often remain in circulation for many years. The “Hides and Skins” stamp, therefore, went beyond a symbolic tribute. It became a practical emblem of Nigerian economic identity, traveling across the country and abroad through the nation’s postal system.

Artistic Contributions

The 1973 series included designs created by Nigerian artists such as Austin Onwudimegwu and Erhabor Emokpae, both of whom contributed to different denominations in the set. While collectors and catalogues acknowledge their involvement in the issue, attribution for specific denominations, including the “Hides and Skins” design, is not always clearly documented. What remains clear, however, is that the series as a whole reflected a conscious effort to use Nigerian artistic talent to celebrate national industry.

A Stamp as History

To philatelists and historians, the “Hides and Skins” stamp is more than just a piece of postal paper. It embodies a snapshot of Nigeria’s economic priorities at a time when agriculture, rather than oil, still dominated the country’s exports. It also reflects the broader post-independence aspiration to craft a distinctly Nigerian visual identity in official symbols.

Today, this stamp is valued not only for its function and design but also for its historical resonance. It offers collectors and researchers a window into how a young nation sought to represent itself to the world—through industry, culture, and pride.

Sources

Stanley Gibbons Stamp Catalogue: Commonwealth and British Empire Stamps (West Africa listings).

Scott Standard Postage Stamp Catalogue (Nigeria 1973–1986 definitive issues)

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