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Royal row: Alaafin may publish Supreme Court ruling after 48-hour ultimatum

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Following the expiration of the 48-hour ultimatum issued to the Ooni of Ife, Oba Enitan Ogunwusi, indications emerged on Wednesday that the palace of the Alaafin of Oyo, Oba Akeem Owoade, was preparing to release the Supreme Court ruling, which, according to it, affirms the Alaafin’s exclusive right to confer chieftaincy titles covering the entire Yorubaland.

This development came on the heels of a series of meetings held by the Alaafin with palace chiefs in Oyo town on Wednesday to deliberate on the next steps.

On Monday, the Alaafin’s media aide, Mr Bode Durojaiye, had demanded that the Ooni revoke the Okanlomo of Yorubaland title conferred on businessman, Dotun Sanusi, within 48 hours.

He also cited the Supreme Court ruling in defence of the Alaafin’s position.

The Alaafin accused the Ooni of exceeding his authority and breaching the apex court’s pronouncement on who could confer titles with the “Yorubaland” designation.

He argued that the Ooni’s powers were limited to the former Oranmiyan Local Government Area, now split into Ife Central, Ife North and Ife South.

With the ultimatum expiring on Wednesday, multiple palace sources told The PUNCH that the Alaafin might unveil the Supreme Court judgment to reinforce his position as the paramount ruler of Yorubaland.

On social media, many Nigerians speculated about the “consequences” hinted at by the palace, even as some urged the Alaafin to caution his aide and withdraw the ultimatum.

Amid the uncertainty, the Atóbaáse of Yorubaland, Babajide Agunbiade, said the Alaafin retained historical and political supremacy among the Yoruba. He advised the monarch to consider legal action to reassert his authority.

In an open letter, Agunbiade stressed that while the Ooni remained revered as custodian of Yoruba spiritual heritage, the Alaafin’s role as paramount ruler was indisputable.

He traced the Alaafin’s authority to the Oyo Empire, whose influence once extended across present-day Yorubaland, Dahomey, Offa and parts of Kogi State.

Agunbiade described recent actions by the Ooni of Ife as “an attempt to undermine the authority and tradition of the Alaafin.”

Agunbiade wrote, “As the paramount ruler of the Oyo Empire, which historically spanned vast territories including present-day Yorubaland, Dahomey, Offa, and parts of Kogi State, the Alaafin’s jurisdiction and authority are rooted in tradition and law.

The issuance of Yoruba-wide titles is a prerogative reserved for the Alaafin, as the

Emperor and ruler of the Yoruba people.

“This position has been reinforced through various judicial pronouncements, culminating in affirmation by the Supreme Court of Nigeria. The Alaafin’s role as the paramount authority in Yoruba land is not merely a matter of tradition but is also grounded in legal precedent. This is not just a matter of personal prestige but also of preserving the cultural heritage and traditions of the Yoruba people.”

But a legal practitioner, Pelumi Olajengbesi, countered that no Supreme Court judgment or constitutional instrument granted the Alaafin exclusive pan-Yoruba authority.

He said, “With the greatest respect, the oft-cited Supreme Court decision that purportedly vested Alaafin authority now exaggerated must be properly confined to its facts. Judicial pronouncements are case-specific, and no ratio decidendi of that Court has ever declared the Alaafin the sole custodian of Yoruba legitimacy. No statute in any Yoruba-speaking state vests exclusive authority in the Alaafin to confer titles of pan-Yoruba significance, and the Court cannot by judicial fiat extend such jurisdiction.

“The law is clear, history is unambiguous, and jurisprudence is settled. The Ooni of Ife has not usurped power; he has exercised it intra vires—lawfully, historically, and culturally. He remains the ancestral father of the Yoruba nation, and his competence to confer honours symbolic of unity is beyond reproach.”

Olajengbesi urged that the Alaafin be properly advised, noting that Ile-Ife was universally recognised as the cradle of the Yoruba.

“Every student of Yoruba history knows, tradition and scholarship unanimously affirm Ile-Ife as the cradle of existence of the Yoruba people, the primordial seat where Oduduwa, progenitor of the race, laid the foundation of legitimacy from which all kingdoms, including Oyo, derived their authority.

“As a lawyer, I find no legal, historical, or moral defect in the Ooni’s conferment of the title Okanlomo of Oodua on Chief Dotun Sanusi, an illustrious Yoruba son. On the contrary, it is a timely reminder that while empires rise and fall, the foundation of Yoruba identity, the Ile-Ife and the Ooni, remain timeless, indivisible, and unimpeachable. The Alaafin of Oyo should be properly advised,” Olajengbesi added.

Meanwhile, more groups waded into the dispute between Oba Owoade and Oba Ogunwusi, urging restraint and caution against inflammatory remarks that could derail ongoing peace efforts by socio-cultural, political and religious leaders.

The fresh row had erupted on Monday after the Alaafin faulted the Ooni’s conferment of the Okanlomo of Yorubaland title on Sanusi.

Prominent Yoruba figures, including the Aare Ona Kakanfo, Iba Gani Adams; Ifa scholar, Prof. Wande Abimbola; and the Yoruba Council of Elders, had on Tuesday called for restraint and offered to mediate.

On Wednesday, the Yoruba Council Worldwide described the feud as a matter requiring “calm, reflection and unity.”

Its publicity secretary, Charles Adeyemi, urged Yoruba elders, statesmen and culture custodians to mediate constructively and preserve the dignity of both stools.

The council also appealed to citizens, especially youths, on social media, to avoid inflaming tensions.

The YCW statement read, “We also appeal directly to Yoruba sons and daughters, especially the vibrant voices on social media: let us refrain from speaking ill of our monarchs. Instead, let us be advocates of peace, understanding, and reconciliation. Our words carry weight, and in times of tension, they should be used to build bridges, not walls.

“The Alaafin and the Ooni represent eternal symbols of Yoruba civilisation. Their strength and unity are not only crucial for cultural preservation but also for the collective dignity of the Yoruba nation before the world.

“We therefore call for a truce, apology and immediate retraction of the 48-hour ultimatum issued by Bode Durojaiye, spokesman to the Alaafin of Oyo, while we await the convocation of the Yoruba Obas Conference to allow for a peace pact in Yorubaland.”

Similarly, the President, Traditional Region Worshippers Association in Osun State, Dr Oluseyi Atanda, on Wednesday, called on Nigerians to stop using social media platforms to fuel the disagreement between the two monarchs.

Atanda made this call in Osogbo, during events organised to mark the 19th annual Isese Celebrations in the state.

He disclosed that traditionalists in Osun and Oyo States were already mediating and working towards an amicable resolution of the issues.

Atanda said, “It is a warning to all of us that once we don’t do things in the right way, things are likely to fall apart. It is good that it is happening at an early stage. On our part in Osun, the elders are gathering together and trying to make amends.

“The message has also gotten to the leaders in Oyo, too. We have to wade in for everybody to sheath their swords. It is because of social media that we all think this is a new thing.”

Atanda added that clashes between the two stools were not unprecedented, recalling disputes between the late Ooni, Oba Okunade Sijuwade, and the late Alaafin, Oba Lamidi Adeyemi.

He warned bloggers against “fueling fire with petrol,” insisting the row would pass.

“This is not new. It is just because there is social media now. I think we also need to stop this idea of trying to fuel the fire with petrol in order for us to make sales on our blogs. We are all also contributing to the trend that is on the ground now, but I know it will pass,” he said.

Meanwhile, the Think Yoruba First Ogo Adulawo Socio-Cultural Association condemned attempts to distort Yoruba history.

At a press conference in Lagos, its lead legal adviser, Sanwo Oluwatobi, described such claims as “cultural defamation, historical falsification and intellectual misrepresentation.”

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South Africa’s top court rules men can take wives’ surnames

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South Africa’s top court ruled Thursday that men should be able to take their wives’ surnames and a law that prevented this amounted to unfair gender discrimination.

The Constitutional Court said the legal ban served no legitimate government purpose and was suspended, paving the way for parliament to enact amendments to the legislation.

While men were deprived of the ability to take their wives’ surnames, the discrimination was “far more insidious” for women, the ruling said.

It “reinforces patriarchal gender norms, which prescribe how women may express their identity, and it makes this expression relational to their husband, as a governmental and cultural default,” it said.

The case was brought to court by two couples, one of which wanted to honour the woman’s parents who died when she was young. In the other case, the woman wanted to keep her ties to her family surname as she was an only child.

Previously, men would have to apply to the home affairs department to change their surname, a request that was not automatically granted.

Provisions allowing men to assume their wives’ surname on marriage are already in place in other countries, mainly in Europe and in certain US states.

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Adewale Ayuba: The Bonsue Fuji Maestro

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Adewale Ayuba (born 25 March 1965), popularly known as Mr. Johnson, is a celebrated Nigerian Fuji musician. A dynamic performer and innovative artist, he is best recognized for pioneering a distinct subgenre of Fuji known as Bonsue Fuji, earning him the titles “Bonsue Fuji King” and “Bonsue Fuji Maestro.”

Early Life

Adewale Ayuba was born in Ijebu-Ode, Ogun State, Nigeria, where he grew up immersed in the vibrant Yoruba musical culture. His passion for music developed at a young age, and by the time he was a teenager, Ayuba had already begun performing publicly. His early exposure to Fuji—a genre rooted in traditional Yoruba Islamic music and social commentary—shaped his career trajectory.

Musical Career

Ayuba gained prominence in the late 1980s and early 1990s, standing out for his smooth voice, energetic stage presence, and ability to modernize Fuji without losing its cultural essence.
In 1986, he released his debut album, Ibere (Beginning), which set the stage for his rise in the Fuji music scene.

His breakthrough came in the 1990s, particularly after the release of Bubble, which enjoyed both commercial success and critical acclaim.

Unlike traditional Fuji, Ayuba’s Bonsue Fuji introduced faster rhythms, contemporary arrangements, and lyrics that appealed to both young and older audiences.

Contributions and Style

Ayuba’s Bonsue Fuji represents a deliberate reinvention of Fuji, making it more accessible to urban audiences and international listeners. Some defining features of his style include:

Upbeat, dance-friendly tempos.

Cleaner, more radio-friendly lyrical delivery compared to traditional Fuji.

Infusion of contemporary instruments and production styles.

This reinvention helped Fuji cross into mainstream Nigerian pop culture and attracted non-Fuji audiences.

Recognition and Legacy

Ayuba has been widely celebrated for his innovations in Fuji music, often credited with making the genre appealing beyond its traditional fan base.

His albums and live performances have earned him accolades within Nigeria and among the Nigerian diaspora.

He remains a strong advocate of Fuji as a cultural export, performing across Africa, Europe, and North America.

Personal Life

Though details about his private life remain relatively low-profile, Ayuba is admired not only for his music but also for his discipline and clean image, which set him apart in an industry sometimes plagued by controversies.

Legacy

Adewale Ayuba’s work has cemented him as one of the most innovative voices in Nigerian Fuji. By creating Bonsue Fuji, he bridged generational gaps in music, ensuring Fuji’s relevance in a rapidly changing Nigerian music industry. His influence continues to inspirer younger Fuji and Afrobeats artists who look to blend tradition with modernity.

Sources:
Vanguard Nigeria Music Archives.

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Oba Abdul-Lateef Adeniran Akanni (Obaarun-Oladekan I): The Olofin Adimula of Ado-Odo

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Oba Abdul-Lateef Adeniran Akanni (3 December 1958 – 7 January 2022), known by his regnal title Ojikutujoye Obaarun-Oladekan I, was a Nigerian monarch who ruled as the Oba of Ado and Olofin Adimula Oodua of Ado-Odo, an ancient Yoruba kingdom in Ogun State, Nigeria. His reign, which began in 2009, was marked by efforts to uphold the traditions of Ado-Odo while navigating modern governance and community development.

Early Life and Background

Abdul-Lateef Adeniran Akanni was born on 3 December 1958 in Ado-Odo, a culturally significant Yoruba settlement in present-day Ogun State. Ado-Odo holds a unique place in Yoruba history as one of the oldest Awori towns, with deep ancestral ties to Ile-Ife, the spiritual cradle of the Yoruba people.

Details of Oba Akanni’s childhood, education, and early career are not widely documented. However, his lineage and deep cultural grounding prepared him for eventual ascension to the revered Ado-Odo throne.

Ascension to the Throne

The throne of Ado-Odo became vacant following the death of Oba J. O. Akapo, who passed away on 7 February 1989. After a long interregnum that lasted two decades, Abdul-Lateef Adeniran Akanni was chosen as the next monarch.

On 2 May 2009, he was installed as the Oba of Ado and Olofin Adimula Oodua of Ado-Odo, assuming the regnal name Ojikutujoye Obaarun-Oladekan I. His coronation marked the end of a prolonged vacancy on the throne, restoring continuity in the traditional leadership of the ancient Awori community.

Role as Monarch

As Olofin Adimula, Oba Akanni held not only political and cultural authority within Ado-Odo but also spiritual responsibilities, given the sacred status of the Olofin stool in Awori and Yoruba tradition.
His reign was characterized by:

Custodianship of Yoruba Tradition: He safeguarded the customs, festivals, and rituals that define the cultural heritage of Ado-Odo.

Community Leadership: He played a mediatory role between his people and government institutions, advocating for development in infrastructure, education, and healthcare.

Symbol of Unity: His leadership maintained cohesion among the diverse Awori sub-communities under his jurisdiction.

Death

Oba Abdul-Lateef Adeniran Akanni passed away on 7 January 2022 at the age of 63. His death was a major loss to the people of Ado-Odo and the wider Awori community, who regarded him as a custodian of both cultural heritage and social stability.

Following his death, the throne of Ado-Odo once again entered an interregnum as the community and ruling houses began the traditional processes of succession.

Legacy

Oba Akanni’s reign is remembered for the restoration of traditional authority in Ado-Odo after a long period without a monarch.

His leadership helped maintain the spiritual and cultural prestige of the Olofin Adimula throne.
He is honored among Yoruba monarchs who carried the responsibility of preserving indigenous governance systems in a modern Nigerian state.

Sources:
Ogun State Traditional Council Archives (referenced in local reports)

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