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Royal row: Alaafin may publish Supreme Court ruling after 48-hour ultimatum

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Following the expiration of the 48-hour ultimatum issued to the Ooni of Ife, Oba Enitan Ogunwusi, indications emerged on Wednesday that the palace of the Alaafin of Oyo, Oba Akeem Owoade, was preparing to release the Supreme Court ruling, which, according to it, affirms the Alaafin’s exclusive right to confer chieftaincy titles covering the entire Yorubaland.

This development came on the heels of a series of meetings held by the Alaafin with palace chiefs in Oyo town on Wednesday to deliberate on the next steps.

On Monday, the Alaafin’s media aide, Mr Bode Durojaiye, had demanded that the Ooni revoke the Okanlomo of Yorubaland title conferred on businessman, Dotun Sanusi, within 48 hours.

He also cited the Supreme Court ruling in defence of the Alaafin’s position.

The Alaafin accused the Ooni of exceeding his authority and breaching the apex court’s pronouncement on who could confer titles with the “Yorubaland” designation.

He argued that the Ooni’s powers were limited to the former Oranmiyan Local Government Area, now split into Ife Central, Ife North and Ife South.

With the ultimatum expiring on Wednesday, multiple palace sources told The PUNCH that the Alaafin might unveil the Supreme Court judgment to reinforce his position as the paramount ruler of Yorubaland.

On social media, many Nigerians speculated about the “consequences” hinted at by the palace, even as some urged the Alaafin to caution his aide and withdraw the ultimatum.

Amid the uncertainty, the Atóbaáse of Yorubaland, Babajide Agunbiade, said the Alaafin retained historical and political supremacy among the Yoruba. He advised the monarch to consider legal action to reassert his authority.

In an open letter, Agunbiade stressed that while the Ooni remained revered as custodian of Yoruba spiritual heritage, the Alaafin’s role as paramount ruler was indisputable.

He traced the Alaafin’s authority to the Oyo Empire, whose influence once extended across present-day Yorubaland, Dahomey, Offa and parts of Kogi State.

Agunbiade described recent actions by the Ooni of Ife as “an attempt to undermine the authority and tradition of the Alaafin.”

Agunbiade wrote, “As the paramount ruler of the Oyo Empire, which historically spanned vast territories including present-day Yorubaland, Dahomey, Offa, and parts of Kogi State, the Alaafin’s jurisdiction and authority are rooted in tradition and law.

The issuance of Yoruba-wide titles is a prerogative reserved for the Alaafin, as the

Emperor and ruler of the Yoruba people.

“This position has been reinforced through various judicial pronouncements, culminating in affirmation by the Supreme Court of Nigeria. The Alaafin’s role as the paramount authority in Yoruba land is not merely a matter of tradition but is also grounded in legal precedent. This is not just a matter of personal prestige but also of preserving the cultural heritage and traditions of the Yoruba people.”

But a legal practitioner, Pelumi Olajengbesi, countered that no Supreme Court judgment or constitutional instrument granted the Alaafin exclusive pan-Yoruba authority.

He said, “With the greatest respect, the oft-cited Supreme Court decision that purportedly vested Alaafin authority now exaggerated must be properly confined to its facts. Judicial pronouncements are case-specific, and no ratio decidendi of that Court has ever declared the Alaafin the sole custodian of Yoruba legitimacy. No statute in any Yoruba-speaking state vests exclusive authority in the Alaafin to confer titles of pan-Yoruba significance, and the Court cannot by judicial fiat extend such jurisdiction.

“The law is clear, history is unambiguous, and jurisprudence is settled. The Ooni of Ife has not usurped power; he has exercised it intra vires—lawfully, historically, and culturally. He remains the ancestral father of the Yoruba nation, and his competence to confer honours symbolic of unity is beyond reproach.”

Olajengbesi urged that the Alaafin be properly advised, noting that Ile-Ife was universally recognised as the cradle of the Yoruba.

“Every student of Yoruba history knows, tradition and scholarship unanimously affirm Ile-Ife as the cradle of existence of the Yoruba people, the primordial seat where Oduduwa, progenitor of the race, laid the foundation of legitimacy from which all kingdoms, including Oyo, derived their authority.

“As a lawyer, I find no legal, historical, or moral defect in the Ooni’s conferment of the title Okanlomo of Oodua on Chief Dotun Sanusi, an illustrious Yoruba son. On the contrary, it is a timely reminder that while empires rise and fall, the foundation of Yoruba identity, the Ile-Ife and the Ooni, remain timeless, indivisible, and unimpeachable. The Alaafin of Oyo should be properly advised,” Olajengbesi added.

Meanwhile, more groups waded into the dispute between Oba Owoade and Oba Ogunwusi, urging restraint and caution against inflammatory remarks that could derail ongoing peace efforts by socio-cultural, political and religious leaders.

The fresh row had erupted on Monday after the Alaafin faulted the Ooni’s conferment of the Okanlomo of Yorubaland title on Sanusi.

Prominent Yoruba figures, including the Aare Ona Kakanfo, Iba Gani Adams; Ifa scholar, Prof. Wande Abimbola; and the Yoruba Council of Elders, had on Tuesday called for restraint and offered to mediate.

On Wednesday, the Yoruba Council Worldwide described the feud as a matter requiring “calm, reflection and unity.”

Its publicity secretary, Charles Adeyemi, urged Yoruba elders, statesmen and culture custodians to mediate constructively and preserve the dignity of both stools.

The council also appealed to citizens, especially youths, on social media, to avoid inflaming tensions.

The YCW statement read, “We also appeal directly to Yoruba sons and daughters, especially the vibrant voices on social media: let us refrain from speaking ill of our monarchs. Instead, let us be advocates of peace, understanding, and reconciliation. Our words carry weight, and in times of tension, they should be used to build bridges, not walls.

“The Alaafin and the Ooni represent eternal symbols of Yoruba civilisation. Their strength and unity are not only crucial for cultural preservation but also for the collective dignity of the Yoruba nation before the world.

“We therefore call for a truce, apology and immediate retraction of the 48-hour ultimatum issued by Bode Durojaiye, spokesman to the Alaafin of Oyo, while we await the convocation of the Yoruba Obas Conference to allow for a peace pact in Yorubaland.”

Similarly, the President, Traditional Region Worshippers Association in Osun State, Dr Oluseyi Atanda, on Wednesday, called on Nigerians to stop using social media platforms to fuel the disagreement between the two monarchs.

Atanda made this call in Osogbo, during events organised to mark the 19th annual Isese Celebrations in the state.

He disclosed that traditionalists in Osun and Oyo States were already mediating and working towards an amicable resolution of the issues.

Atanda said, “It is a warning to all of us that once we don’t do things in the right way, things are likely to fall apart. It is good that it is happening at an early stage. On our part in Osun, the elders are gathering together and trying to make amends.

“The message has also gotten to the leaders in Oyo, too. We have to wade in for everybody to sheath their swords. It is because of social media that we all think this is a new thing.”

Atanda added that clashes between the two stools were not unprecedented, recalling disputes between the late Ooni, Oba Okunade Sijuwade, and the late Alaafin, Oba Lamidi Adeyemi.

He warned bloggers against “fueling fire with petrol,” insisting the row would pass.

“This is not new. It is just because there is social media now. I think we also need to stop this idea of trying to fuel the fire with petrol in order for us to make sales on our blogs. We are all also contributing to the trend that is on the ground now, but I know it will pass,” he said.

Meanwhile, the Think Yoruba First Ogo Adulawo Socio-Cultural Association condemned attempts to distort Yoruba history.

At a press conference in Lagos, its lead legal adviser, Sanwo Oluwatobi, described such claims as “cultural defamation, historical falsification and intellectual misrepresentation.”

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Late Actress Rebecca Adebimpe Adekola a.k.a Ireti

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Rebecca Adebimpe Adekola a.k.a Ireti | was One of Nigerian Actress That Should Not Be Forgotten In The HISTORY Of Nollywood Film Industry. One of generation of actors who made home videos popular in the 1990s

Aunty Ireti was born in Abeokuta, Ogun State, where she also grew up. Aunty Ireti was a producer, film writer, director and an outstanding actress. Unknown to many, her younger relative, Opeyemi Adekola(Not Odunlade)is also an actor and was inspired to take to the thespian art because of his latè aunty. While speaking with Naijarchives, Mr. Opeyemi Ohiomare Adekola explained that the làte Ireti and his own dad were cousins. Mr. Adekola also revealed to us that while both Odunlade Adekola and their family are both from Oyo State, they hail from different parts: Ireti’s own are from Ogbomosho while Odunlade Adekola is from Otun Ekiti. I guess that lays to rest the popular rum0ur that Odunlade Adekola is Ireti’s younger brother. While an actress, the late Ireti was known for starring in many fl|cks alongside Taiwo Hassan aka Ogogo

Following her d£ath, there was a sp0ntaneous outpouring of grief across the nation. On the 30th September, 2002, her body in a glistening white c0ffin was on display for her last public appearance at the National Theatre, Iganmu Lagos before her ßurial. Ireti mentored many actress in her lifetime, grooming them to become stars in their own right, one of whom is Bisi-Ibidapo Obe aka Omo Logba Logba. Ireti was also the role model for Ibironke Ojo aka Ronke Oshodi-Oke.

HOW DID SHE GET THE NAME ‘IRETI’?

In 1993, Jide Kosoko released a movie titled Asiri Nla and in it, she acted the role of Ireti, and that was how the name stuck.

HER D£ATH

Rebecca Adebimpe Adekola di£d after a brief illn£ss due to some c0mplications susp£cted to be from typh0id f£ver. She gave up the gh0st at Unity Hospital, a private medical center in Surulere, Lagos State
This writeup(Caption) is from Ayeni Abayomi page

In October 2012, ten years after she di£d, the National Association of Nigerian Theatre Arts Practitioners (NANTAP) decided to launch the Ireti Adekola Foundation (IAF) at the National Theatre, Iganmu, Lagos to imm0rtalize her name. The foundation was established to take care of single mothers and mentor upcoming and talented actors and actresses.

In the 1990s before the likes of Jenifa and the rest, Nigerian actress, Rebecca Adebimpe Adekola graced the screen of millions across the nation, especially lovers of Yoruba movies. Popularly known as Ireti, she dazzled many with her acting skills until her d£ath on Friday, 27th September, 2002.

Some of the movie She got starred in includes👇

-IKE OWO
-AGBA AKIN
-OLAONIRAN
-23/24 LORO ILE AYE
-AYE AWA OBINRIN (the last movie she appeared in before her d£mise)

Rest well Legend

You’re a screen g0ddess and one of the few most s0ught after relatively younger actresses who made Nollywood attractive in the late 1990s. You are part of the generation of actors who made home videos popular in the 1990s.

©️Ayeni Abayomi

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Toyin Adegbola: The Enduring Star of Yoruba Cinema

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From “Asewo to Re Mecca” to cultural icon – the remarkable journey of one of Nollywood’s most beloved actresses

Early Life and Family Background

Toyin Adegbola was born on December 28, 1961, in Osun State, Nigeria. She hails from a family with deep creative roots, being the cousin of the legendary actor and filmmaker Adeyemi Afolayan (Ade Love) and his children — among them Kunle Afolayan, Gabriel Afolayan, and Moji Afolayan, all prominent figures in Nigerian cinema.

Growing up in southwestern Nigeria, Toyin’s early exposure to Yoruba culture and storytelling inspired her passion for performance. Before venturing into acting, she worked briefly as a television broadcaster and teacher, experiences that shaped her confidence and communication skills.

Rise to Stardom

Toyin Adegbola began her acting career in 1984, marking her debut in the Yoruba-language sector of Nollywood. She gained national fame after starring in the classic Yoruba film Asewo to Re Mecca (translated as The Prostitute Who Went to Mecca), which earned her the enduring nickname “Toyin Asewo to Re Mecca.”

The film, released during a period when Yoruba cinema was expanding rapidly, portrayed themes of repentance, morality, and redemption, resonating deeply with audiences across Nigeria. Her ability to bring authenticity and emotional depth to complex characters quickly made her one of the most recognisable faces in the industry.

Over the years, she has featured in hundreds of Yoruba films, spanning genres from traditional folklore to contemporary drama. Some of her notable works include:

Deadly Affair (1995)

Irapada (2006)

Arojinle (2018)

Arinola, Alaanu Mi, and Temidire

Through these roles, Toyin Adegbola established herself as a versatile actress, capable of interpreting both comedic and deeply emotional characters.

Beyond Acting: Producer, Director, and Cultural Ambassador

In addition to her acting career, Toyin Adegbola has worked as a producer and director, contributing to the growth of Yoruba-language cinema and mentoring younger filmmakers. Her deep understanding of cultural nuances allows her to bring authenticity to her productions, preserving Yoruba values and traditions through storytelling.

In 2016, she was conferred with the chieftaincy title of Yeye Amuludun of Osogboland by the Ataoja of Osogbo, Oba Jimoh Olanipekun Larooye II. The title, meaning “Mother of Entertainment”, recognised her outstanding contributions to Nigeria’s entertainment industry and her role in promoting Yoruba culture globally.

Legacy and Influence

Toyin Adegbola’s influence extends far beyond the screen. She represents a generation of Nigerian actresses who helped shape the identity of Yoruba cinema before the digital boom of Nollywood. Her continued presence in film and television demonstrates resilience, adaptability, and a commitment to artistic excellence.

She has also served in various capacities within industry associations, advocating for the welfare of actors and supporting emerging talents. In interviews, she has often spoken about the importance of discipline, humility, and cultural pride for those aspiring to build lasting careers in the entertainment sector.

Personal Life

Toyin Adegbola is a mother and grandmother, often described as warm and deeply spiritual. She balances her creative pursuits with community involvement and philanthropic activities, particularly in Osun State. Despite facing personal and professional challenges, she remains one of the most respected figures in Nigerian entertainment.

References

Vanguard Nigeria. (2016). Toyin Adegbola Bags Chieftaincy Title in Osogbo.

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Patricia Olubunmi Etteh: Nigeria’s First Female Speaker of the House of Representatives

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A trailblazer in Nigerian politics and the first woman to lead the country’s House of Representatives

Patricia Olubunmi Etteh remains one of the most notable figures in Nigeria’s democratic history, recognised as the first woman to serve as Speaker of the House of Representatives. Her appointment in June 2007 marked a significant moment for women’s representation in Nigerian politics — a symbolic breakthrough that inspired many across the nation.

Born on August 17, 1953, in Ikire, Osun State, Patricia Etteh trained and worked as a beauty therapist before venturing into politics. She attended the University of Abuja, where she earned a Law degree, demonstrating her commitment to self-development and governance.

Etteh began her political journey as a member of the Alliance for Democracy (AD) and was elected to the House of Representatives in 1999, representing Ayedaade/Isokan/Irewole Federal Constituency of Osun State. Her charisma, grassroots appeal, and advocacy for women’s inclusion in leadership quickly made her a respected voice in the legislature.

In June 2007, she made history when she was elected Speaker of the 6th House of Representatives, becoming the first and only woman to occupy that position in Nigeria’s history. Her emergence was seen as a victory for gender equality and a testament to her political influence within the People’s Democratic Party (PDP).

However, her tenure was short-lived. In October 2007, Etteh faced allegations of financial misconduct related to the renovation of her official residence and the purchase of vehicles for the National Assembly. Though she denied any wrongdoing and maintained that all processes were duly approved, public and political pressure led to her resignation after just five months in office.

Despite the controversy, Patricia Etteh’s impact on Nigerian politics cannot be dismissed. Her rise to the position of Speaker shattered long-standing gender barriers, paving the way for more women to aspire to top political offices. Over the years, she has remained active in political and social advocacy, supporting initiatives that promote women’s empowerment and participation in governance.

Etteh’s story is not merely one of power and controversy — it is a narrative of courage, ambition, and the pursuit of equality in a male-dominated political landscape. As a Yoruba woman from Osun State, her achievement continues to resonate as a source of pride in Nigeria’s democratic history.

Her portrait — often used in educational and historical references — serves as a reminder of the progress made and the journey yet to come for Nigerian women in politics.

References:

National Assembly of Nigeria archives

Daily Trust historical profiles (2007)

Premium Times Nigeria political retrospectives

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