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The Funkees: Nigeria’s Afro-Funk Pioneers (PHOTOS)

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The Funkees were among Nigeria’s leading Afro-funk innovators, blending highlife, funk, rock, and Afrobeat into a distinctive sound that resonated across Africa and the diaspora. Formed in the late 1960s, their story reflects both Nigeria’s post-civil war cultural rebirth and the wider global appetite for Afro-inspired music in the 1970s.

Origins and Formation (Late 1960s – Early 1970s)

Emerging in the aftermath of the Nigerian Civil War (1967–1970), The Funkees began as an army band created to entertain soldiers and communities recovering from conflict. Over time, they shed their military function and became a creative force, experimenting with funk, psychedelic rock, highlife, and the Afrobeat movement led by contemporaries such as Fela Kuti.

The founding members included Harry Mosco Agada (vocals/guitar), Chyke Madu (drums), and Jake Sollo (guitar). Deeply influenced by African rhythms and Western acts like James Brown, Jimi Hendrix, and Santana, they forged a new sound that embodied post-war Nigeria’s experimental spirit.

Breakthrough and Early Success (1973–1975)

The Funkees built a reputation through electrifying live shows in cultural hubs such as Enugu and Aba. Their bilingual performances—switching between English and Igbo—gave them mass appeal across regional and social divides.

In 1974, they released their debut album, Point of No Return. With its groovy bass lines, sharp guitar riffs, and tight percussion, the album established The Funkees as bold Afro-funk innovators. Its mix of infectious rhythms and social commentary made it a landmark in Nigeria’s 1970s music scene.

Peak Years and Relocation to the UK (1976–1978)

Their second album, Now I’m a Man (1976), marked the band’s peak in Nigeria. With more polished production, it solidified their status among the top Afro-funk groups of the decade.

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That same year, the band relocated to London, joining a wave of African acts—including Osibisa and Fela Kuti—who sought to connect African sounds with Western audiences. In the UK, The Funkees became a staple of the West African and Caribbean diaspora scenes, performing in clubs, festivals, and community gatherings. While they gained recognition within these circles, they never broke into the British mainstream charts like Osibisa, underscoring both the opportunities and limitations facing African musicians abroad.

Decline and Breakup (Late 1970s – Early 1980s)

Internal disagreements over direction, management, and finances began to fracture the band by the late 1970s. Members pursued separate paths:

Harry Mosco Agada launched a successful solo career with albums like Country Boy (1978) and Peace & Harmony (1979), leaning into disco and pop.

Jake Sollo became a respected guitarist and producer until his tragic death in a 1985 car accident.
By the early 1980s, The Funkees had effectively disbanded.

Musical Style and Legacy

The Funkees’ sound fused diverse elements into a uniquely Nigerian groove:

Afro-funk foundations – heavy bass lines meshed with African rhythmic complexity.

Psychedelic and rock guitars – reflecting Hendrix-inspired experimentation.

Highlife roots – grounding their music in pre-war Nigerian popular styles.

Bilingual lyrics – in English and Igbo, touching on love, resilience, and social themes.

Though their career was relatively short, their records became cult classics, later reissued to global acclaim.

Today, The Funkees are celebrated alongside BLO, Monomono, and Ofege as part of Nigeria’s 1970s experimental wave that bridged local traditions with international funk and rock.

Their music continues to inspire modern Afrobeat and Afrofunk revivalists, reaffirming their place in the lineage of African innovation.

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From their post-war army-band origins to their London years, The Funkees embodied the turbulence and creativity of 1970s Nigeria. They may not have reached the global commercial heights of Osibisa or Fela Kuti, but their bold sound carved out a lasting legacy. With landmark albums like Point of No Return and Now I’m a Man, The Funkees remain one of the great innovators who helped shape how Afro-funk is remembered today—vital, experimental, and timeless.

Left to right: Jake Solo, Emma Lawson, Pat Finn, Jeff Afam and Jerry Jiagbogu

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Lifestyle

Women Who Love and Listen to Their Pastors More Than Their Husbands Should Be the Pastor’s Second Wife

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This statement may sound funny, provocative, or even offensive, but it raises an important question about priorities in marriage and religion.

A pastor is a spiritual leader, but he is not supposed to replace a woman’s husband. If a married woman consistently values her pastor’s opinions above her husband’s, obeys her pastor while dismissing her husband, or shows greater loyalty and admiration toward her pastor than toward her spouse, then something may be seriously wrong with the balance in that marriage.

Marriage requires communication, mutual respect, trust, and understanding. A pastor can provide spiritual guidance, but that guidance should not become a reason for a husband and wife to lose respect for each other.

At the same time, husbands should not expect their wives to obey them blindly. Both husband and wife should seek God’s wisdom, communicate openly, and make decisions with love and respect.

So perhaps the real question is not whether such a woman should become the pastor’s “second wife,” but why has the pastor become more important in her marriage than her own husband?

Put God first. Respect your spouse. And never allow a spiritual leader to become a substitute for your marriage partner.

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Why is it only in Africa that we hear so much about “generational curses”?

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This is a question worth asking—not to insult African traditions or dismiss anyone’s beliefs, but to encourage honest reflection.

Across Africa, it is common to hear people explain repeated family problems as a “generational curse.” When poverty, broken relationships, addiction, failure, sickness, family conflict or misfortune appears to repeat from one generation to another, some people immediately conclude that an ancestor, spiritual force or past wrongdoing is responsible.

But is every repeated family problem truly a curse?

If a child grows up in poverty, has limited access to quality education, receives little financial support and then struggles as an adult, is that necessarily a spiritual curse—or could it be the result of circumstances that have been passed from one generation to another?

If children grow up watching violence, substance abuse, unhealthy relationships or constant conflict, they may unknowingly repeat those patterns. That does not necessarily mean they are cursed. Sometimes behaviour is inherited through environment, not through supernatural forces.

And Africa is certainly not the only place where people believe in supernatural explanations for suffering or misfortune. Different societies around the world have their own concepts of inherited wrongdoing, family misfortune, ancestral consequences, fate and spiritual punishment.

So perhaps the more important question is not:

“Who cursed my family?”

But:

“What pattern has been passed down to me, and what can I do to stop passing it to the next generation?”

We should be careful not to use the idea of a curse to discourage people from taking action. A family facing poverty may need education, opportunity and financial planning. A family experiencing repeated conflict may need healthier communication. A person struggling with addiction may need professional support and a strong recovery environment. Communities facing injustice may need better institutions, accountability and opportunity.

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Faith and spirituality are deeply meaningful to many people, and everyone has the right to hold their beliefs. But faith should not prevent us from examining the practical causes of our problems.

We cannot change the past, but we can change what we pass forward.

Instead of teaching our children that they are victims of an unavoidable family curse, let us also teach them knowledge, discipline, emotional strength, financial responsibility, education, healthy relationships and the courage to break destructive patterns.

Maybe the greatest “curse” is not something mysterious placed upon a family.

Maybe sometimes it is simply a problem that nobody stopped long enough to understand and change.

And the greatest inheritance we can give the next generation is not fear of a curse—but the knowledge and courage to build a better future.

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You are very proud to speak big English, but yet you cannot speak your own language?

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There is nothing wrong with speaking English fluently. In fact, being able to communicate confidently in different languages is a valuable skill. But we should ask ourselves a deeper question: while learning to speak the language of another culture, are we slowly losing the language that connects us to our own roots?

Your mother tongue is more than just words. It carries the stories of your ancestors, the wisdom of your grandparents, the jokes that only your people understand, the traditional greetings, the names, the songs, the history and the identity of your community.

Imagine being able to speak perfect English, but struggling to have a simple conversation with your own grandmother because you do not understand the language she grew up speaking. Imagine your children knowing foreign languages but being unable to understand the language of their own heritage.

That should make us pause.

Speaking English does not make you more intelligent, and speaking your indigenous language does not make you less educated. One is a communication skill; the other can be a connection to your heritage. We should not have to choose between being educated and preserving our identity.

Learn English. Speak it confidently. Learn French, Dutch, Spanish or any other language that opens doors for you.

But don’t let the pursuit of foreign languages close the door to your own.

Teach your children your language. Speak it at home. Ask your parents and grandparents to teach you the words you never learned. If you have forgotten it, it is never too late to start again.

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Because when a language disappears from a family, something precious disappears with it.

Be proud of your education. Be proud of your ability to speak English. But also be proud of where you come from.

Your language is not something to be ashamed of. It is a part of your story. Preserve it before the next generation only knows it as something their ancestors once spoke.

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