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Obafemi Awolowo – The best president Nigeria never had

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Growing up, Obafemi Awolowo was everything you could think of. From a journalist, teacher, clerk, money lender to a taxi driver, Obafemi rose to become a lawyer, publisher and a political leader. Through this, he would become a principal participant in the struggle for Nigerian independence.

He played a major role in the constitutional conferences in London and Lagos that paved the way for independence, having served as Premier of the self-governing Western region from 1954 until Nigeria achieved full independence from Britain in 1960.

Awolowo shot to fame in politics in the 1940s after leading a mass protest against the ban on exporting of palm kernel. He soon got attracted to scores of Nigerians, who believed he could help them triumph over the British.

Jeremiah Oyeniyi Obafemi Awolowo (full name) was born on March 6, 1909, to Chief David Sopolu Awolowo and his wife Mary Efunyela Awolowo in Ikenne, Remo, in what is now the Ogun State of Nigeria.

He received his early education at various schools in Ogun State. By age 11, he had to hold on with his studies following the death of his father that strained the family financially.

Awolowo had to do menial jobs such as fetching firewood in order to support his education. Despite the challenges, he headed to Wesley College, Ibadan (a teachers’ college) in 1927 before beginning work as a correspondent for the Nigerian Times.

While working as a journalist in the 1930s, accounts stated that he founded many political and economic organisations such as the Trade Unions Congress of Nigeria, The Nigerian Produce Traders Association, The Nigerian Motor Transport Union, and Egbe Omo Oduduwa, a Yoruba political and cultural organization that aimed at uniting the Yoruba tribe of Nigeria.

In the midst of these ventures, Awolowo still wanted to pursue his formal education. He went to London in 1944 to study law, and that was where he founded the Egbe Omo Oduduwa.

Awolowo, during this period, also wrote the influential Path to Nigerian Freedom (1947), in which he highlighted the needed for an independent Nigeria and a federal form of government.

In 1947 Awolowo returned to Ibadan, Nigeria to practice law, and the following year he established the Egbe Omo Oduduwa in Nigeria. In 1951 he founded a political party, the Action Group, also known as Egbe Afenifere in Western part of Nigeria as part of the Social Programme for the emancipation of Yoruba race.

The party demanded an immediate end to British rule and for the development of several social welfare programs. Awolowo’s party won the first elections ever conducted in Western Nigeria, one of the colony’s three administrative divisions.

Following this, his party formed the first elected government in the Western Region and Awolowo, now a chief, became the Leader of Government Business and Minister for Local Government in 1952.

In 1954, the politician became the first Premier of the Western Region. His party won the elections again in May 1956 and the Nigerian statesman retained his position as Premier. From 1954 to 1959, as premier of the Western Region, Awolowo improved education, agricultural practices, and social services.

Specifically, his administration, according to the late statesman’s foundation:

evolved, and was served by, the most efficient Civil Service in Black Africa;

introduced and successfully implemented the first Free Primary Education programme in Africa;

introduced and successfully managed the first Free Medical Service programme in Nigeria – for children up to the age of 18;

established the first Television Station in Africa;

built the Liberty Stadium, the first such modem sports facility in Nigeria;

introduced and successfully implemented the first minimum wage policy in Nigeria and actually paid to Western Nigerians from October 1954 a minimum wage that was double the amount paid to workers of the same level in some other parts of Nigeria;

set up Nigeria’s first industrial complex at Ikeja;

set up Nigeria’s first commercial Housing Estates at Ikeja and Bodija, Ibadan.

On December 12, 1959, Awolowo voluntarily gave up his position when he was elected into the House of Representatives and he became the Leader of Opposition in Nigeria’s central legislature.

He began to question the way incumbent leaders governed the nation and sought other alternatives along which the Nigerian government should handle affairs.

Soon, his views attracted many political opponents, who saw him as a major threat. Following a trial for treasonable felony, Awolowo was jailed for 10 years in September 1963, but he was released in July 1966 after a new federal military government took over affairs of the country.

Out of prison, Awolowo was made the Minister in charge of Treasury and was to provide political support as Vice Chairman in the Federal administration.

After being instrumental in giving Nigeria a National Development plan, Awolowo resigned from the government. In the mid-1970s he was chancellor of the University of Ife (now Obafemi Awolowo University) and Ahmadu Bello University.

The Obafemi Awolowo Foundation documents that while in the Federal government, Awolowo managed the finances of Nigeria so “competently that the Federal Government successfully waged an expensive 30-month war against secession without resorting to foreign loans and without compromising its sovereignty.”

When the 12-year ban on political activity was lifted in 1978 by Nigeria’s Armed Forces in preparation for a return to civilian rule, Awolowo became the leader of the Unity Party of Nigeria, a party he formed.

He ran for president in the elections of 1979 and 1983 but was defeated both times by Shehu Shagari. Awolowo would continue to lead the Unity Party until it was banned with several other political parties during a military coup at the end of 1983. Awolowo then retired from politics.

Being a political thinker who also loved to put his thoughts on paper, Awolowo wrote several books including Path to Nigerian Freedom (1947), Awo – an autobiography (1960), Thoughts on the Nigerian Constitution (1966), The People’s Republic (1968), The Strategy and Tactics of the People’s Republic (1970), The Problems of Africa: The need for ideological reappraisal (1977), and Adventures in Power­Book 1: My March Through Prison (1985).

In recognition of his invaluable service to Nigeria, he was given the highest honour in the land – the Grand Commander of the Order of the Federal Republic (GCFR)in 1982. He was also awarded the Grand Band of the Order of the Star of Africa by the Republic of Liberia in 1968 and made Grand-Officer de l’Ordre National du Lion, Republique du Senegal, in 1972.

Further, for his contribution to Nigerian statehood and development, the Nigerian government renamed the University of Ife, The Obafemi Awolowo University on May 12, 1987.

On October 1, 2010, while celebrating the nation’s golden jubilee in Abuja, the Nigerian government honoured Awolowo posthumously for his contribution to the Nigerian independence movement.

Awolowo died in Ikenne, Ogun State, Nigeria at the age of 78 on May 9, 1987. He did not leave behind only a wife, children and many grand-children, but scores of Nigerian supporters who still cherish him.

Source: Mildred Europa Taylor

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Lifestyle

Adekunle Gold embraces Nigerian roots with new album ‘Fuji’

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Nigerian singer Adekunle Gold returns to his roots on Friday with the release of his sixth album, “Fuji”, which he described as a tribute to the ancestral sounds of his home country.

“That sound is the soundtrack of Lagos. It’s everywhere. That sound gave birth to Afrobeats and all the things that we hear right now,” Gold told AFP in Paris.

A descendant of the Kosoko royal family, the Afropop icon draws inspiration from the Indigenous Yoruba community, one of the largest ethnic groups in West Africa.

It is “one of the oldest sounds of Nigeria”, the 38-year-old singer said.

Fuji music, a popular genre that evolved from Yoruba Muslim culture, is known for its fast beats, large ensemble of percussion instruments, and lyrics based on key sociopolitical themes.

The genre took off in Nigeria in the 1960s, shortly after the country declared independence.

Late singer-songwriter Ayinde Barrister, widely regarded as the pioneer of Fuji music, named the style after the famous Japanese mountain.

Gold blends traditional elements from Nigeria’s rich musical heritage with the catchy melodies of contemporary R&B.

Like Burna Boy or Davido, he represents this generation of Nigerian artists who have bridged divides between past and present for an international audience.

“You listen to it, and it makes your body move. It’s magical,” the singer said.

“Fuji, Highlife (another traditional genre), every sound from Nigeria makes you feel alive. I feel like that’s why it does well,” he added.

Full of colourful outfits, lively dancing, and flower-covered boats, his “Party No Dey Stop” music video — a viral duet with fellow Nigerian Zinoleesky — has amassed 29 million views on YouTube.

The song is his first major hit in the United States.

Gold, also known as AG Baby, gained fame in Nigeria in 2014 after he covered a song by popular boy band One Direction.

Since then, he has signed with American label Def Jam Recordings and has collaborated on the track “Falling Up” with funk legend Nile Rodgers and musician Pharrell Williams.

Spreading culture

Gold invites listeners to delve deep into the latest album, an emotional journey inspired by significant events from his life.

“I talk about my grief when I lost my father. I talk about my love life, my daughter, about being a family man,” he explained.

While Gold lives in the United States, he said his “heart is in Lagos”.

“I’m spreading the culture, talking about my heritage, talking about tradition,” he said.

However, challenges persist in Nigeria, where nearly 60 per cent of the population lives below the poverty line

“There have been steps in the right direction,” Gold said as he expressed hope for the future of his country.

“It is not enough for the government to do everything,” he added, calling on people to “do what we can as citizens”.

Committed to the fight against sickle cell disease, which he has lived with his entire life, Gold launched a foundation this year to fund treatment and support local charities.

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Lara George: Nigerian Gospel Icon with a Global Voice

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Lara George is a Nigerian gospel singer, songwriter, and producer whose powerful voice and timeless songs have made her one of the most respected figures in African gospel music. Based in the United States, she continues to influence gospel music worldwide through her artistry, leadership, and devotion to worship.

Early Life and Education

Lara George was born into a music-loving family in Lagos State, Nigeria. Her passion for singing was evident from an early age, and she nurtured her talent while growing up in Lagos. She later studied Architecture at the University of Lagos, where she also began to actively pursue her passion for gospel music.

Musical Career and Breakthrough

George rose to prominence as a member of the inspirational music group Kush, active in the early 2000s. The group, made up of gospel-influenced young artists, became popular for its innovative fusion of gospel, hip hop, and contemporary African sounds. Though the group disbanded, it laid the foundation for George’s successful solo career.

Her debut solo album, Forever in My Heart (2008), included the breakout hit “Ijoba Orun.” The song quickly became a gospel anthem in Nigeria, sung in churches and concerts across Africa and beyond. Its success established Lara George as one of the leading gospel voices of her generation.

Following this, she released other notable projects, including Higher (2012), Love Nwantintin (2014), and The Best of Lara George (2017), showcasing her versatility and consistency as a gospel artist.

Achievements and Recognition

Over the years, Lara George has earned numerous accolades. She won Best Female Gospel Artiste at the 2012 Africa Gospel Music Awards, among other honors.

Beyond her music, George has contributed to the industry through leadership. She serves as the Vice President of SoForte Entertainment Distribution Ltd., a pioneering Nigerian company focused on strengthening music distribution across Africa.

In 2021, her global impact was further recognized when she was invited to join the Recording Academy (organizers of the Grammy Awards) as a Voting Member, affirming her status as an international gospel voice.

Personal Life

Lara George is married to Gbenga George, an accomplished legal practitioner. Together they have two children. The family resides in Alpharetta, Georgia, United States, where George balances her family life with her music career and industry work.

Legacy and Influence

Lara George’s music blends heartfelt worship with contemporary gospel sounds, inspiring believers and non-believers alike. Songs like Ijoba Orun remain evergreen classics, while her career continues to highlight the global reach of Nigerian gospel music.

Through her voice, leadership, and consistency, Lara George has left an indelible mark on gospel music, both in Nigeria and internationally.

Sources

Vanguard Nigeria – Lara George: Life as a Gospel Singer (2018)

Africa Gospel Music Awards – Winners List 2012

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The 1973 Nigerian “Hides and Skins” Postage Stamp: A Window into Economic Identity

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In 1973, Nigeria introduced a new definitive postage stamp series to reflect the country’s transition from the British sterling system to the Naira and Kobo currency. Known as the Industry and National Pride issue, or simply the 1973–1986 Definitive Issue, the series highlighted major sectors that shaped Nigeria’s economy and cultural identity in the post-independence period.

Among the most notable designs in the set was the 1 kobo “Hides and Skins” stamp, which depicted the trade in animal hides and skins. This was not a casual choice. For decades, hides and skins were one of Nigeria’s leading agricultural exports, particularly from the northern region, and they played a major role in the nation’s foreign exchange earnings during the 1960s and 1970s. By placing this industry on a definitive stamp, Nigeria emphasized its economic significance while also projecting a sense of national pride rooted in traditional livelihoods.

The Role of Definitive Stamps

Unlike commemorative stamps, which are printed for specific events or anniversaries, definitive stamps are produced for everyday postal use and often remain in circulation for many years. The “Hides and Skins” stamp, therefore, went beyond a symbolic tribute. It became a practical emblem of Nigerian economic identity, traveling across the country and abroad through the nation’s postal system.

Artistic Contributions

The 1973 series included designs created by Nigerian artists such as Austin Onwudimegwu and Erhabor Emokpae, both of whom contributed to different denominations in the set. While collectors and catalogues acknowledge their involvement in the issue, attribution for specific denominations, including the “Hides and Skins” design, is not always clearly documented. What remains clear, however, is that the series as a whole reflected a conscious effort to use Nigerian artistic talent to celebrate national industry.

A Stamp as History

To philatelists and historians, the “Hides and Skins” stamp is more than just a piece of postal paper. It embodies a snapshot of Nigeria’s economic priorities at a time when agriculture, rather than oil, still dominated the country’s exports. It also reflects the broader post-independence aspiration to craft a distinctly Nigerian visual identity in official symbols.

Today, this stamp is valued not only for its function and design but also for its historical resonance. It offers collectors and researchers a window into how a young nation sought to represent itself to the world—through industry, culture, and pride.

Sources

Stanley Gibbons Stamp Catalogue: Commonwealth and British Empire Stamps (West Africa listings).

Scott Standard Postage Stamp Catalogue (Nigeria 1973–1986 definitive issues)

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