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Francis Oladele: The Visionary Pioneer Who Birthed Nigerian Cinema

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Remembering the life and legacy of Francis Adetunji Oladele, the New York-trained filmmaker and cultural innovator behind Kongi’s Harvest and the birth of Nigerian film.

The Man Who Laid the Foundation for Nigerian Cinema

The image captures Francis Oladele, the pioneering Nigerian film producer, alongside Jamaican reggae legend Jimmy Cliff, taken around 1974 in either Lagos or Ibadan. The photo is part of the Logan H. Westbrooks Collection at the Archives of African American Music and Culture (AAAMC).

Francis Adetunji Oladele is widely celebrated as the Father of Nigerian Film. His contribution to the establishment of Nigeria’s film industry was not only groundbreaking but also visionary—bridging literature, theatre, and motion picture at a time when cinema was an emerging art form in Africa.

Early Life and Education

Francis Adetunji Oladele was born in Oyo Town, Oyo State, Nigeria, where he had his early education before pursuing further studies in the United States. His passion for the arts and storytelling led him to train in photography and film production in New York, where he gained exposure to global cinematic standards and techniques.

While abroad, Oladele became inspired by the global wave of Black consciousness and cultural pride that swept through the late 1950s and 1960s, a movement that later influenced the themes and production style of his works back in Nigeria.

The WNTV Years and the Birth of CalPenNy

Upon returning to Nigeria, Oladele joined Western Nigeria Television (WNTV) Ibadan, the first television station in Africa, as a photographer and filmmaker. His creativity and technical mastery soon earned him the position of Head of the Film Unit.

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In 1965, driven by the desire to tell authentic African stories with local talent and perspective, he resigned from WNTV to establish CalPenNy Nigeria Limited, Nigeria’s first indigenous film production company. The name “CalPenNy” was coined from the combination of California, Pennsylvania, and Nigeria—reflecting Oladele’s international exposure and African identity.

This bold move marked a turning point in Nigeria’s cinematic journey, transitioning from television documentaries and colonial-era newsreels to full-fledged film production.

Kongi’s Harvest — The Dawn of a New Era

Francis Oladele’s most significant work came in 1970 with the production of Kongi’s Harvest, an adaptation of Professor Wole Soyinka’s play of the same name. The film was directed by Ossie Davis, the acclaimed African American actor and activist, and close ally of Malcolm X.

Shot on location in Nigeria with a blend of Nigerian and international talent, Kongi’s Harvest symbolised the meeting of African intellectualism and cinematic modernity. It was the first Nigerian feature film, blending politics, art, and national consciousness at the dawn of postcolonial Nigeria.

The film starred prominent Nigerian actors, including Soyinka himself, and was lauded for its artistic depth and cultural relevance. Though made under tight financial conditions, Kongi’s Harvest became a historic milestone, paving the way for future generations of Nigerian filmmakers.

Later Career and Collaborations

After Kongi’s Harvest, Oladele continued to nurture Nigeria’s young film industry. He collaborated with key creatives such as Ola Balogun, who would later become one of the country’s leading directors, producing socially conscious films that reflected everyday Nigerian life.

Oladele’s influence also extended to the cultural and political landscape. Through his works and advocacy, he helped establish filmmaking as a legitimate industry and art form in Nigeria—one that could reflect the nation’s identity and preserve its stories.

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Personal Life and Death

Francis Oladele was known not only for his professionalism but also for his humility and deep commitment to the craft. He lived much of his later life in his hometown, Oyo, where he continued to mentor young creatives and engage in cultural discussions.

He passed away on June 22, 2015, at the age of 82, after a battle with prostate cancer, at a hospital in Ibadan, Oyo State. He was laid to rest on July 1, 2015, within his residence in Oyo Town.

His death marked the end of an era but his influence continues to shape Nigeria’s film industry, now globally known as Nollywood—the second-largest film industry in the world.

Legacy and Impact

Francis Oladele’s contributions go far beyond Kongi’s Harvest. He demonstrated that Nigerians could produce world-class films with indigenous stories, languages, and actors. His pioneering vision inspired a generation of filmmakers, including Ola Balogun, Hubert Ogunde, Eddie Ugbomah, and later, the Nollywood era.

As Nigeria’s first true film producer, he laid the groundwork for the country’s cinematic independence—an industry that would later become a cultural powerhouse across Africa and the diaspora.

References

Logan H. Westbrooks Collection, Archives of African American Music and Culture (AAAMC), Indiana University Bloomington.

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‘I have cancer,’ Nollywood actress Cynthia Anijekwu cries, calls for support

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Nollywood actress Cynthia Anijekwu has made an emotional appeal to Nigerians for financial assistance after revealing that she is battling cancer for the second time.

In a video circulating on social media on Tuesday, the actress disclosed that she was first diagnosed with cancer in 2023, when she underwent surgery followed by chemotherapy in a bid to halt the disease.

She maintained that doctors initially managed the condition after the treatment, but the cancer later returned and has since spread to her bones, requiring more intensive care, including radiation therapy and another surgery.

According to Anijekwu, recent medical examinations revealed that the cancer has spread to her bones, significantly increasing the cost and complexity of her treatment up to N600,000 every month.

The actress said doctors have recommended radiation therapy and another surgery as part of her ongoing care.

“I have cancer in 2023 (sic). I did my surgery and took chemotherapy, but later it came back again. I’ve been in and out of the hospital. The doctor recently told me it has reached my bones, and the treatment is now much more expensive,” she said.

“I need to live. I need to survive. I’m asking Nigerians to please help me. Anyone that can help, please, I need help. Even my hands have swollen. The cancer has affected both breasts. I need to live. Please help me. I need to survive.

“Your one naira, your two naira can add up to something reasonable for me to get the proper treatment for this cancer. I’m begging you, please help me,” she pleaded.

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Before her health challenge became public, Anijekwu built her career in Nollywood, featuring in several English- and Igbo-language productions.

However, there is no publicly verifiable record identifying a major blockbuster film or comprehensive filmography associated with the actress, as public attention has largely shifted to her battle with cancer in recent years.

The actress said the financial burden has become overwhelming for her family, prompting her to seek help from members of the public.

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It’s not easy, surrogate mother shares emotional journey

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A masked Nigerian surrogate mother has opened up about how financial hardship and what she described as an irresponsible partner led her to become a surrogate, saying the decision came after the loss of her second child.

The woman disclosed this during a new episode on Cruise TV published on YouTube on Sunday, where she recounted the emotional, financial and psychological realities of carrying children for other families.

She said becoming a surrogate was one of the hardest decisions she had ever made, describing the emotional attachment that develops during pregnancy despite knowing the child does not belong to her.

“Emotionally it’s not easy. Even when I started the journey, when the pregnancy was three months, I called my nurse that I don’t think I can cope again because it’s not easy to carry what is not yours.

“When you start having the emotional attachment, you keep reminding yourself that this is not mine. I tell myself it is a job, and that helps me cope, but the emotions still come and go.”

The woman explained that she became a gestational surrogate through IVF, meaning she had no biological connection to the babies she carried.

Speaking on what pushed her into surrogacy, she said her partner failed to provide for the family despite her efforts to support them.

“I had my first child. Unfortunately, my husband is not the person that is hardworking and he doesn’t take responsibility. I do work. There is no work I cannot do.

“When I became pregnant the second time, I could no longer work. We couldn’t even afford hospital bills.”

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She said complications during the pregnancy eventually led to the death of the baby, an experience that changed her outlook.

“That baby died, and that was the reason I made that decision. Instead of giving him another baby, I would rather help people who have the money to take care of me.

“If you don’t have the money to care for my health, I won’t do it for you.”

She disclosed that she initially declined financial compensation beyond medical care, accommodation and allowances, a decision she now regrets.

“I told them I didn’t want any compensation aside from the process, monthly allowance, wardrobe allowance and accommodation fee, but that was a mistake.

“I won’t do it again,” she said.

The surrogate mother also said she would not encourage her daughter to follow the same path because of the emotional and health risks involved.

“I cannot advise my daughter to be a surrogate.”

She added that she relocated during one of her pregnancies to avoid stigma and often told people the baby had died whenever they asked questions.

According to her, surrogate mothers also face psychological challenges after delivery despite undergoing counselling before and after childbirth.

While acknowledging that surrogacy has helped many couples struggling with infertility, she maintained that the process is far more demanding than many people realise.

“Surrogacy is not as simple as people think.”

She called for stronger regulation of the practice to protect surrogate mothers from exploitation and ensure adequate emotional and financial support.

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I waited 18 years before welcoming twins – Nollywood star Ricardo Agbor

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Veteran Nollywood actor, Ricardo Agbor, has opened up about his 18-year journey to parenthood, revealing that he and his wife waited nearly two decades before welcoming their twins.

The actor disclosed this during an interview with AfricanAList published on Sunday, where he reflected on his marriage, faith and the challenges he faced before becoming a father.

Agbor said he remained committed to his wife throughout the period, despite the long wait for children.

“I wanted to get married to a particular lady; I married her regardless of where she is from. She is not from my tribe. So ordinarily, we were supposed to have strife; no, it was very fair,” he said.

Speaking about the couple’s struggle with childlessness, the actor said he specifically prayed for twins and refused to give up despite waiting for 18 years.

“It took 18 years for me to have the twins. And I waited. God knows, 18 years and they are 14 now, so I told God I wanted twins.

“So while that wait was on, if it were someone else, he would cross. But at the end of the day, I have twins. I have a boy and a girl. I asked God what I wanted,” he added.

Agbor also recounted what he described as the most painful experience of his life — the death of his mother.

According to him, she had been receiving treatment for about three weeks without any improvement before doctors advised that she should be flown to South Africa for further medical care.

The actor said his mother requested to be moved to another private hospital in Surulere, but she died in his arms while he was helping her into the car.

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“My mom died right in my arms. At the hospital, they were bringing almost 10 doctors to do tests… the sickness was not improving after almost three weeks.

“It was after three weeks that they told me to come and carry my mom and take her to South Africa. I took my mom away and took her to another private hospital within Surulere. It was my mom that told me to take her away from that place. As I was carrying her into the car, she gave up,” he said.

Agbor said the loss left him devastated, noting that it was the first time he had cried outside acting.

“I think that was the first time I cried in my life. I don’t cry. If I cry, maybe it is in a movie and it is a role. So I cried. It was painful,” he added.

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